SIOX: Simple Interactive Object Extraction in Still Images

2006 ◽  
Author(s):  
G. Friedland ◽  
K. Jantz ◽  
R. Rojas
Keyword(s):  
Object Extraction ◽  
Still Images

MSRM Based Object Extraction Method for Image Sequences

2014 ◽  
Vol 1049-1050 ◽  
pp. 1675-1680
Author(s):  
Wen Ting Yu ◽  
Jing Ling Wang ◽  
Long Ye
Keyword(s):  
Computer Vision ◽  
Extraction Method ◽  
Image Sequence ◽  
Graph Cut ◽  
Image Sequences ◽  
Object Extraction ◽  
Foreground Object ◽  
Region Merging ◽  
Still Images ◽  
Computer Vision Applications

Object extraction, which aims to accurately separate a foreground object from its background in still images, plays an important role in many computer vision applications. An interactive object extraction method based on MSRM (maximal similarity based region merging) is presented in this paper. We can manually mark the target and background only one time in any one image of the image sequence to obtain the object extraction result of the image sequence. Compared to currently used method based on graph cut algorithm that manually marks the target and background on all the images one by one to get the object extraction result, our method is more efficient and the result is as precious as with other methods.

Multimedia: Myths and Realities

2013 ◽  
Author(s):  
Andy Large ◽  
Jamshid Behesti ◽  
Alain Breuleux ◽  
Andre Renaud
Keyword(s):  
Educational Context ◽  
User Group ◽  
Information Industry ◽  
Primary School Students ◽  
School Students ◽  
Still Images ◽  
Information Product ◽  
Mcgill University ◽  
The Impact

From the 1994 CAIS Conference: The Information Industry in Transition McGill University, Montreal, Quebec. May 25 - 27, 1994.Multimedia products are now widely available on a variety of platforms, and there is a widespread assumption that the addition of still images, animation and sound to text will enhance any information product. The research reported in this paper investigates such claims for multimedia in an educational context and for a specific user group: grad-six primary school students. The students' ability to recall, make inferences from, and comprehend articles presented to them in print, as text on screen, and in mutlimedia format has been mesured. The findings to date suggest that the impact of multimedia is subtle, and that generalisations about the effectiveness of multimedia, at least with children in an educational context, should be employed cautionously. The long-term goal is to identify design criteria which can be employed in the production of multimedia products for schools.

Analisis Tata Ungkap Dalam Dan Luar Pada Film Animasi Pendek Death Of The Firstborn Egyptians

2019 ◽  
Vol 2 (02) ◽  
pp. 31-42
Author(s):  
Citra Kemala Putri
Keyword(s):  
Technological Progress ◽  
Qualitative Method ◽  
Space Time ◽  
Visual Language ◽  
Language Theory ◽  
Still Images ◽  
Language System ◽  
Visual Study ◽  
Moving Images ◽  
Animated Films

Visual Language is a knowledge that can be used to interpret various images those presented without text. Primadi Tabrani divides this Visual Language into 2 systems, the visual language system called NPM (Naturalist-Perspective-Momenopname) and another visual language system is STP (Space-Time-Plane). At this time which the technological progress has been developing very rapidly, we met many types of images, not just still images, but also moving images such as animated films, one of them is Death Of The Firstborn Egyptians directed by Nina Paley. This research uses qualitative method and uses the Visual Language Theory in analyzing the various visual towards the visuals of this film. The results of a visual study of this film revealed that there was a slice between Modern ‘Tata Ungkap Dalam’ and Traditional ‘Tata Ungkap Dalam’. Meanwhile,  the researh found that Modern ‘Tata Ungkap Luar’ is dominantly use on the film. Thus it can be concluded that the RWD visual language system is not used to produce traditional images only, but also can be combined with NPM visual language system, those could enrich the result of finishing visual.

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