Generating clone references with less human subjectivity

2016 ◽  
Author(s):  
Yusuke Yuki ◽  
Yoshiki Higo ◽  
Keisuke Hotta ◽  
Shinji Kusumoto
Keyword(s):  
Human Subjectivity

Theological Implications from Attachment Theory

2018 ◽  
Author(s):  
Natalia Marandiuc
Keyword(s):  
Attachment Theory ◽  
The Self ◽  
Human Actions ◽  
Perceived Safety ◽  
Human Subjectivity ◽  
Self Actualization

The chapter places theological anthropologies that focus on the connectedness of the self in dialogue with key findings and claims advanced by attachment theorists. One of the most amply researched and pragmatically employed frameworks in contemporary neuropsychology, attachment theory contends that human subjectivity is the product of human attachments. Attachment figures provide an environment of perceived safety within which and out of which the self can pursue other activities in freedom; should attachment needs remain unmet, human actions would be inhibited. Self-actualization depends upon secure attachments that home the self. In fact, the term “home” is a key technical concept for attachment theory: secure attachments constitute a secure home for the self.

Human Double Embeddedness

2018 ◽  
Author(s):  
Natalia Marandiuc
Keyword(s):  
Charles Taylor ◽  
Human Beings ◽  
Human Recognition ◽  
Authentic Self ◽  
Human Subjectivity

The chapter proposes that human beings are conditioned by a double embeddedness: humans are immersed in inescapable frameworks of meaning and shaped by relationships of significance. In dialogue with Charles Taylor, the chapter discusses how these two elements are constitutive features of human subjectivity and how they relate to each other. In order to operate, subjectivity needs a horizon of meaning, which accrues in relationships of attachment that, in turn, thrive under the canopy of common meaning. After discussing the specificity of one such framework, the culture of authenticity, the chapter delves more deeply into one of its paradoxical dimensions: recognition. It is shown how human recognition from loving others is an ineliminable trait for an authentic self, the implication of which is that relationships of significance constitute relational homes that “house” the human self as it grows and flourishes and as it heals when broken.

Poetics and subjectivities between classicism and Romanticism

2018 ◽  
Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler
Keyword(s):  
Eighteenth Century ◽  
Case Studies ◽  
Literary Culture ◽  
Human Subjectivity ◽  
Literary Forms ◽  
Russian Poetry ◽  
Development Of Identity ◽  
Further Development

In the context of Sentimentalism in the 1770s, literary culture opened up to representations of human subjectivity. The chapter considers genres of poetry devoted to the themes of pleasure, death, and posterity. It also considers the spaces of poetry and modes of exchange, whether through the album, the salon, and the verse epistle. Two case studies explore the use of different literary forms in the further development of identity, individual and also authorial. The first looks at Radishchev’s experiment in writing a fictional diary as a psychological exercise. The second examines the tradition of imitation of Horace’s Monument poem in Russian poetry in the eighteenth century as well as by later poets, such as Pushkin and Brodsky. The case study shows how these Russian versions express changing ideas about imitation and originality as well as poets’ concern with posterity.

“The Road into the Open”: From Narrative Closure to the Endless Performance of Subjectivity in Mahler and Freud at the Turn of the Century

2011 ◽  
pp. 79-116
Author(s):  
John E. Toews
Keyword(s):  
Sigmund Freud ◽  
Turn Of The Century ◽  
Gustav Mahler ◽  
Human Subjectivity ◽  
The Road ◽  
Cultural Productions ◽  
Construction Of Identity ◽  
Reflective Activity ◽  
History Of ◽  
History Of Subjectivity

This article studies selected works of Gustav Mahler and Sigmund Freud as enacting the history of subjectivity as a problematic narrative of the deconstruction and construction of identity. It views Mahler and Freud's cultural productions as historically parallel examples of a certain way of imagining human subjectivity as a reflective activity. It studies their ideas on identity as a form of assimilation, and looks at how their “works” took a turn towards subjectivity. The article shows that Freud, Mahler, and their modernist contemporaries did not opt to live in their songs and selves, but instead found a new way to imagine the relations among individuals.

19. The Human Quest to Live in a Cosmos

2020 ◽  
pp. 217-228
Author(s):  
Heather Eaton
Keyword(s):  
Multiple Scales ◽  
Human Beings ◽  
Human Subjectivity ◽  
The Universe

This chapter reflects on the enduring quest of human beings to inhabit and understand the universe. Weaving together an account of the exterior (objective) and interior (subjective) facets of the cosmos, Heather Eaton finds the unique qualities of human subjectivity in symbolic consciousness and in the worldviews, narratives, and other systems of symbols through which humans interpret and respond to their surroundings. Along with symbols and narratives, learning about ecology involves attention to systems and interrelationships at multiple scales, from ecosystems to the biosphere.

scholarly journals Other Ethics: Decentering the Human in Weird Horror

2017 ◽  
pp. 12-24
Author(s):  
Marianne Gunderson
Keyword(s):  
Human Nature ◽  
Human Experience ◽  
Transformative Power ◽  
Self And Other ◽  
Human Culture ◽  
Human Subjectivity ◽  
Ethical Implications ◽  
Weird Fiction ◽  
The Absolute

Margrit Shildrick has argued that the monster’s ability to disturb and unsettle arises from its position as simultaneously same and different, both self and other at the same time. Through an analysis of Algernon Blackwood’s novella The Willows, this article discusses the challenge posed by the nonhuman Absolute other, the nebulous creatures whose whose difference is total, as they appear in weird fiction. Drawing on posthuman theory, it explores the ethical implications of imagining the crumbling horizons of human subjectivity in the meeting with the absolute and unknowable other. This article argues that by bringing concepts such as the horror of scale, ecophobia, the transformative power of awe, and the strangeness of matter into the monstrous figure, the weird undermines the structures that constructs human, culture, and mind as separate and different from the non-human, nature, and matter. By making us imagine a perspective from which humans are not just insignificant, but irrelevant, weird fiction not only challenges the anthropocentric worldview, but also makes us aware of the limitations and situatedness of human experience.

Sign in / Sign up

Export Citation Format

Share Document