Reading Cursive Handwriting

2010 ◽  
Author(s):  
Claudio De Stefano ◽  
Angelo Marcelli ◽  
Antonio Parziale ◽  
Rosa Senatore
Keyword(s):  
Cursive Handwriting

Stability and stationarity of cursive handwriting

1979 ◽  
Vol 11 (3) ◽  
pp. 145-154 ◽  
Author(s):  
J. Duvernoy ◽  
D. Charraut
Keyword(s):  
Cursive Handwriting

A Method of Recognition of Arabic Cursive Handwriting

1987 ◽  
Vol PAMI-9 (5) ◽  
pp. 715-722 ◽  
Author(s):  
Hussein Almuallim ◽  
Shoichiro Yamaguchi
Keyword(s):  
Cursive Handwriting

Min-cut segmentation of cursive handwriting in tabular documents

2015 ◽  
Author(s):  
Brian L. Davis ◽  
William A. Barrett ◽  
Scott D. Swingle
Keyword(s):  
Cursive Handwriting ◽  
Min Cut

BuddhistRoadPaper 1.2 "Toward A Typology of Chödrup’s (Tib. Chos Grub, Chin. Facheng 法成) Cursive Handwriting: A Palaeographical Perspective"

2021 ◽  
Author(s):  
Channa Li
Keyword(s):  
Thematic Content ◽  
Cursive Handwriting

In this paper, I focus on the palaeography of a collection of eight Tibetan manuscripts hypothesised to have been written by the same scribal hand. The eight manuscripts—IOL Tib J 217, IOL Tib J 686, IOL Tib J 687, IOL Tib J 625, IOL Tib J 588, IOL Tib J 619, P. T. 770, and P. T. 783v—are closely related, not merely in light of their sophisticated cursive handwriting, but also by virtue of their common textual genre (being summaries or commentaries rather than direct scriptural translations) and thematic content: these Tibetan texts were all based on Chinese sources and attributed to Gö Chödrup (fl. first half of the 9th c., Tib. ’Gos Chos grub, Chin. Wu Facheng 吳法成), either directly or indirectly. Moreover, many manuscripts produced by the imperial Tibetan copying project contain editorial records written in the same hand; these records indicate that Chödrup acted as the final proofreader. Therefore, we can now more confidently attribute this hand to Chödrup himself. By establishing a typology of this handwriting and offering a table of how syllables are written by this hand in the appendix, this paper contributes to a better reading of manuscripts containing this type of script and can potentially provide a benchmark for further recognition of works written in the same hand.

RECOGNITION OF PERSIAN ONLINE HANDWRITING USING ELASTIC FUZZY PATTERN RECOGNITION

2007 ◽  
Vol 21 (03) ◽  
pp. 491-513 ◽  
Author(s):  
RAMIN HALAVATI ◽  
SAEED BAGHERI SHOURAKI
Keyword(s):  
Linguistic Terms ◽  
Input Stream ◽  
Cursive Handwriting ◽  
Novel Approach ◽  
Wide Range ◽  
Fuzzy Pattern ◽  
School Books ◽  
Fuzzy Linguistic ◽  
Online Handwriting ◽  
Different Parts

Persian is a fully cursive handwriting in which each character may take different forms in different parts of the word, characters overlap and there is a wide range of possible styles. These complexities make automatic recognition of Persian a very hard task. This paper presents a novel approach on recognition of such writings systems which is based on the description of input stream by a sequence of fuzzy linguistic terms; representation of character patterns with the same descriptive language; and comparison of inputs with character patterns using a novel elastic pattern matching approach. As there is no general benchmark for recognition of Persian handwriting, the approach has been tested on the set of words in first primary Iranian school books including 1250 words resulting in 78% correct recognition without dictionary and 96% with dictionary.

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