Reflection Modeling for Passive Stereo

2015 ◽  
Author(s):  
Rahul Nair ◽  
Andrew Fitzgibbon ◽  
Daniel Kondermann ◽  
Carsten Rother
Keyword(s):  
Passive Stereo

Rapid and accurate face depth estimation in passive stereo systems

2013 ◽  
Vol 72 (3) ◽  
pp. 2413-2438 ◽  
Author(s):  
Amel Aissaoui ◽  
Jean Martinet ◽  
Chaabane Djeraba
Keyword(s):  
Depth Estimation ◽  
Passive Stereo

3D face recognition using passive stereo vision

2005 ◽  
Author(s):  
N. Uchida ◽  
T. Shibahara ◽  
T. Aoki ◽  
H. Nakajima ◽  
K. Kobayashi
Keyword(s):  
Face Recognition ◽  
Stereo Vision ◽  
3D Face Recognition ◽  
3D Face ◽  
Passive Stereo

Fusion of Appearance Image and Passive Stereo Depth Map for Face Recognition Based on the Bilateral 2DLDA

2007 ◽  
Vol 2007 (1) ◽  
pp. 038205
Author(s):  
Jian-Gang Wang ◽  
Hui Kong ◽  
Eric Sung ◽  
Wei-Yun Yau ◽  
EamKhwang Teoh
Keyword(s):  
Face Recognition ◽  
Depth Map ◽  
Passive Stereo

scholarly journals Head Pose Estimation from Passive Stereo Images

2009 ◽  
pp. 219-228 ◽  
Author(s):  
M. D. Breitenstein ◽  
J. Jensen ◽  
C. Høilund ◽  
T. B. Moeslund ◽  
L. Van Gool
Keyword(s):  
Pose Estimation ◽  
Head Pose Estimation ◽  
Head Pose ◽  
Stereo Images ◽  
Passive Stereo

Gyeongju VR Theater: A Journey into the Breath of Sorabol

2003 ◽  
Vol 12 (2) ◽  
pp. 125-139 ◽  
Author(s):  
Changhoon Park ◽  
Sang Chul Ahn ◽  
Yong-Moo Kwon ◽  
Hyoung-Gon Kim ◽  
Heedong Ko ◽  
...  
Keyword(s):  
Virtual Reality ◽  
Virtual Environment ◽  
World Culture ◽  
Large Computer ◽  
3D Audio ◽  
Tightly Coupled ◽  
Cylindrical Screen ◽  
3D Virtual Environment ◽  
Passive Stereo ◽  
Olfactory Display

We have built the world's largest virtual reality (VR) theater for the Gyeongju World Culture EXPO 2000. The VR theater is characterized by a huge shared VR space with tightly coupled user inputs from 651 audience members in real time. The shared 3D virtual environment is augmenting the physical audience space in harmony. Large computer-generated passive stereo images on a huge cylindrical screen provide the sensation of visual immersion. The theater also provides 3D audio, vibration, and olfactory display as well as the keypads for each of the audience members to interactively control the virtual environment. This paper introduces the issues raised and addressed during the design of a versatile VR theater, the production process, and the presentation techniques using the versatile display and interaction capability of the future theater.

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