A Framework for Abstract Representation and Recognition of Gestures in Multi-touch Applications

2010 ◽  
Author(s):  
Martin Thomas Görg ◽  
Michael Cebulla ◽  
Sandro Rodriguez Garzon
Keyword(s):  
Abstract Representation

Using hidden Markov models to find discrete targets in continuous sociophonetic data

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Daniel Duncan
Keyword(s):  
Hidden Markov Models ◽  
Markov Models ◽  
Hidden Markov ◽  
Abstract Representation ◽  
Language Variation And Change ◽  
Novel Approach ◽  
Single Target ◽  
The Individual ◽  
Individual Speaker

Abstract Advances in sociophonetic research resulted in features once sorted into discrete bins now being measured continuously. This has implied a shift in what sociolinguists view as the abstract representation of the sociolinguistic variable. When measured discretely, variation is variation in selection: one variant is selected for production, and factors influencing language variation and change are influencing the frequency at which variants are selected. Measured continuously, variation is variation in execution: speakers have a single target for production, which they approximate with varying success. This paper suggests that both approaches can and should be considered in sociophonetic analysis. To that end, I offer the use of hidden Markov models (HMMs) as a novel approach to find speakers’ multiple targets within continuous data. Using the lot vowel among whites in Greater St. Louis as a case study, I compare 2-state and 1-state HMMs constructed at the individual speaker level. Ten of fifty-two speakers’ production is shown to involve the regular use of distinct fronted and backed variants of the vowel. This finding illustrates HMMs’ capacity to allow us to consider variation as both variant selection and execution, making them a useful tool in the analysis of sociophonetic data.

scholarly journals REPRESENTASI KEPRIBADIAN TOKOH SASANA DAN JAKA WANI DALAM NOVEL “PASUNG JIWA” KARYA OKKY MADASARI (REPRESENTATION PERSONALITY SASANA’S AND JAKA WANI’S CHARACTER IN NOVEL “PASUNG JIWA” BY OKKY MADASARI)

2021 ◽  
Vol 11 (2) ◽  
pp. 205
Author(s):  
Intan Kurnia Sari
Keyword(s):  
Key Words ◽  
The Other ◽  
Research Use ◽  
Abstract Representation ◽  
Other Hand ◽  
Psychology Literature

Abstract Representation Personality Sasana’s and Jaka Wani’s Character in Novel “Pasung Jiwa” by Okky Madasari. The purpose of the research are to describe the personality of Sasana and the inner conflict has went trough. This research use quality methode and expressive aprroach. The data research are taken from words, phrases, idoms, and sentences in teh novel “Pasung Jiwa”. The datas has been obtain were analyzed with the study of literature psychology. The results of the study showed there were deviation in the character of Sasana personality and the inner conflict that the character of Jaka Wani has been went through. Personality deviations found in the character Sasana. Sasana change her appearance into a woman. Appearance performance is related to clothes and how to dress up that resembles a woman. The inner conflict experienced by Sasana is related to the change in appearance she does. Sasana feels free when he becomes Sasa, but on the other hand Sasana does not want to hurt his parent’s by becoming a woman. In the character of Jaka Wani no personality deviations were found. The inner conflict experienced by Jaka Wani was feeling guilty for Sasana for leaving Sasana while doing a demonstration. Jaka Wani also felt unhappy while working as a laborer in a television manufacturing factory. Key words: personality, id, ego, superego, psychology literature Abstrak Representasi Kepribadian Tokoh Sasana dan Jaka Wani dalam Novel “Pasung Jiwa” Karya Okky Madasari. Tujuan penelitina ini untuk mendekskripsikan kepribadian tokoh Sasana dan konflik batin yang dialami tokoh Jaka Wani. Penelitian ini menggunakan metode kualitatif dan pendekatan ekspresif. Data penelitian berupa adalah kata, frasa, ungkapan, dan kalimat dalam novel. Sumber data penelitian ini berupa novel “Pasung Jiwa”. Data yang sudah didapat dianalisis dengan kajian psikologi sastra. Hasil penelitian menunjukkan bahwa terdapat penyimpangan kepribadian pada tokoh Sasana dan konflik batin yang dialami oleh tokoh Jaka Wani. Penyimpangan kepribadian yang ditemukan pada tokoh Sasana adalah Sasana mengubah penampilan dirinya menjadi wanita. Penampilan dalm hal ini berkaitan dengan pakaian dan cara berdandan yang menyerupai wanita. Konflik batin yang dialami Sasana berkaitan dengan perubahan penampilan yang dilakukannya. Sasana merasa bebas saat menjadi Sasa, tetapi di sisi lain Sasana tidak ingin melukai hati orang tuanya dengan menjadi seorang wanita. Pada tokoh Jaka Wani tidak ditemukan penyimpangan kepribadian, konflik batin yang dialami Jaka Wani adalah merasa bersalah kepada Sasana karena meninggalkan Sasana saat Jurnal Bahasa, Sastra dan Pembelajarannya Vol 11, No 2, Oktober 2021 ISSN 2089-0117 (Print) Page 205 - 121 ISSN 2580-5932 (Online) 206 ǀ Jurnal Bahasa, Sastra dan Pembelajarannya melakukan demonstrasi. Jaka Wani juga merasa tidak senang saat bekerja sebagai buruh di pabrik pembuatan televisi. Kata-kata kunci: kepribadian, id, ego, superego, psikologi sastra

scholarly journals ALMA versus DDD

2008 ◽  
Vol 5 (2) ◽  
pp. 119-136
Author(s):  
Cruz da ◽  
Pedro Henriques ◽  
Maria Pereira
Keyword(s):  
No Value ◽  
Binary Code ◽  
Main Idea ◽  
Value Added ◽  
Program Comprehension ◽  
Conceptual Level ◽  
Machine Code ◽  
Abstract Representation ◽  
Source Program

To be a debugger is a good thing! Since the very beginning of the programming activity, debuggers are the most important and widely used tools after editors and compilers; we completely recognize their importance for software development and testing. Debuggers work at machine level, after the compilation of the source program; they deal with assembly, or binary-code, and are mainly data structure inspectors. ALMA is a program animator based on its abstract representation. The main idea is to show the algorithm being implemented by the program, independently from the language used to implement it. To say that ALMA is a debugger, with no value added, is not true! ALMA is a source code inspector but it deals with programming concepts instead of machine code. This makes possible to understand the source program at a conceptual level, and not only to fix run time errors. In this paper we compare our visualizer/animator system, ALMA, with one of the most well-known and used debuggers, the graphical version of GDB, the DDD program. The aim of the paper is twofold: the immediate objective is to prove that ALMA provides new features that are not usually offered by debuggers; the main contribution is to recall the concepts of debugger and animator, and clarify the role of both tools in the field of program understanding, or program comprehension. .

scholarly journals REPRESENTASI AROMA PARFUM DENGAN PENDEKATAN METAFORA DALAM FOTOGRAFI PRODUK

2019 ◽  
Vol 2 (2) ◽  
pp. 123-134
Author(s):  
Rassel Rassel ◽  
M. Kholid Arif Rozaq ◽  
M. Fajar Apriyanto
Keyword(s):  
Light Source ◽  
High Speed ◽  
Abstract Representation

Abstrak Terdapat banyak merek parfum yang beredar di pasaran. Hal tersebut tentu mempersulit konsumen untuk menentukan aroma yang cocok dengan keinginan dan kepribadiannya, karena pada umumnya konsumen tidak mengenal jenis bebauan yang menjadi bahan pembuatan parfum secara spesifik. Berdasarkan hal ini muncul gagasan untuk mencocokkan aroma parfum dengan beberapa kepribadian lalu merepresentasikan aroma parfum tersebut melalui media fotografi. Informasi tentang produk parfum yang telah dikumpulkan melalui observasi akan ditampilkan secara visual fotografi dengan menggunakan objek pendukung yang memiliki interpretasi secara metafora sedekat mungkin dengan aroma, bentuk botol kemasan, tujuan, dan inspirasi pembuatan parfum, atau kepribadian dalam color rosette test. Karya fotografi yang diciptakan merupakan karya fotografi produk yang pemotretannya dilakukan di dalam ruangan dengan menggunakan sumber pencahayaan berupa lampu flash dengan tambahan peralatan penunjang berupa softbox, lightbox, blackglass, dan color gel. Teknik fotografi yang diterapkan pada proses penciptaan karya meliputi teknik pencahayaan seperti hi-key dan low-key disertai penggunaan teknik high speed pada beberapa karya yang menggunakan objek pendukung yang bergerak. Karya tugas akhir fotografi ini diharapakan dapat membantu konsumen menginterpretasikan aroma parfum secara visual agar lebih mudah memilih produk parfum yang disukai sesuai dengan kepribadian yang dimiliki.Kata kunci: representasi, aroma parfum, fotografi produk, color rosette test, kepribadian   Abstract Representation of Parfum Aroma with Metafora Approach in Produt Photography. There are many brands of perfume circulating in the market, it certainly makes it difficult for consumers to determine the scent that matches the desires and personality because consumers generally do not recognize the type of smell that became the ingredient of perfume making specificly. Based on this came the idea to match the scent of perfume with some personality and then represent the fragrance of the perfume through the photography. Information about perfume products that have been collected through observation will be visually displayed photographically by using a support object that has metaphorically interpreted as close as possible to the fragrance, the shape of the packaging bottle, the purpose and inspiration of the perfume making, or the personality in the color rosette test. The work of photography created is the work of product photography that shoot indoors by using the flash lights as the light source with additional supporting equipment such as softbox, lightbox, blackglass, and color gel. Photography techniques applied to the process of creating works are photography lighting techniques such as hi-key and low-key and by the use of high speed techniques on some works that use moving support objects. This photography work is expected to help consumers interpret the perfume scent visually to help them choose the preferred perfume product in accordance with their personality. Keywords: representation, perfume's fragrance, product photography, color rosette test, personality  

Some notes on ‘deep’ grammar

1966 ◽  
Vol 2 (1) ◽  
pp. 57-67 ◽  
Author(s):  
M. A. K. Halliday
Keyword(s):  
Surface Structure ◽  
Deep Structure ◽  
Structural Approach ◽  
Technical Term ◽  
Abstract Representation ◽  
Relational Approach ◽  
Linear Sequence ◽  
Language Pattern ◽  
Linear Configuration ◽  
Relational Aspect

In the representation of syntagmatic relations in language, we may distinguish between a linear sequence of classes, such as ‘adjective followed by noun’, and a non-linear configuration of functions, such as ‘modifier-head relation’ or simply ‘modification’. Both of these have been referred to as ‘structure’, although this term has also been extended to cover paradigmatic as well as syntagmatic relations. For Hjelmslev, for whom ‘structure’ was not a technical term (see e.g. 1961: 74 (=1943: 67)), ‘the structural approach to language … [is] conceived as a purely relational approach to the language pattern’ (1948: quoted in Firth, 1951: 220); among others who have emphasized the relational aspect of such studies are Firth (1957: 17 ff., 1951: 227–8; cf. Robins, 1953; Palmer, 1964a), Tesnière (cf. Robins, 1961: 81 ff.) and Pike(cf. Longacre, 1964: 16). Chomsky's (1964: 32) distinction, using Hockett's terms, between ‘surface structure’ and ‘deep structure’, ‘structure’ here going beyond syntagmatic relations, is extremely valuable and widely accepted: the surface structure of a sentence is defined as ‘a proper bracketing of the linear, temporally given sequence of elements, with the paired brackets labelled by category names’, while the deep structure, which is ‘in general not identical with its surface structure’, is ‘a much more abstract representation of grammatical relations and syntactic organization’.

Introduction

2019 ◽  
pp. 1-25
Author(s):  
Lisa Mendelman
Keyword(s):  
Critical Theory ◽  
Research Methods ◽  
Quantitative Research ◽  
Practical Experience ◽  
Literary Form ◽  
Modernist Literature ◽  
Abstract Representation ◽  
Quantitative Research Methods ◽  
Novel Approach ◽  
Mixed Feelings

The Introduction describes the vital rebirth in sentiment’s lived and literary form that occurs in interwar America. The result is an aesthetic of “modern sentimentalism.” The chapter defines this aesthetic of mixed feelings as it captures the conflicted affective dynamics of icons of modern femininity and the stylistic practices of interwar female novelists. The chapter discusses the assumptions that have led scholars to overlook this aesthetic’s purchase in modernist literature and culture, and indicates its consequences for understandings of modernity, sentiment, and interwar gender and affect. The chapter lays out the study’s methodology, which synthesizes traditional and quantitative research methods, features a transatlantic archive of period discourse and critical theory, and establishes a novel approach to evaluating literary affect. The chapter concludes that the crisis in female character can be best understood as a matter of practical experience and lived reality, not a problem of abstract representation.

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