SEE: a Spatial Exploration Environment based on a direct-manipulation paradigm

2001 ◽  
Vol 13 (4) ◽  
pp. 654-670 ◽  
Author(s):  
S.R. Kaushik ◽  
E.A. Rundensteiner
Keyword(s):  
Direct Manipulation ◽  
Spatial Exploration ◽  
Exploration Environment

Direct Manipulation Interface for 3D Agents Based on Stretched Word-end Voice Commands

2013 ◽  
Vol 133 (12) ◽  
pp. 2257-2263
Author(s):  
Tomohisa Kawasaki ◽  
Takahiro Shinozaki ◽  
Sadaoki Furui
Keyword(s):  
Direct Manipulation

Direct manipulation of particle size and morphology of ordered mesoporous silica by flow synthesis

RSC Advances ◽  
2015 ◽  
Vol 5 (18) ◽  
pp. 13331-13340 ◽  
Author(s):  
T. N. Ng ◽  
X. Q. Chen ◽  
K. L. Yeung
Keyword(s):  
Particle Size ◽  
Mesoporous Silica ◽  
Hollow Spheres ◽  
Ordered Mesoporous Silica ◽  
Direct Manipulation ◽  
Flow Synthesis ◽  
Precise Control ◽  
Ordered Mesoporous ◽  
Particle Size And Morphology ◽  
Size And Morphology

Flow-synthesis of mesoporous silica allows deliberate and precise control over the size and shapes and enables the preparation of complex microstructures (i.e., hollow spheres).

scholarly journals A novel computerized assessment of manual spatial exploration in unilateral spatial neglect

2021 ◽  
pp. 1-22
Author(s):  
Jordan E. Pierce ◽  
Roberta Ronchi ◽  
Marine Thomasson ◽  
Irene Rossi ◽  
Carlotta Casati ◽  
...  
Keyword(s):  
Spatial Neglect ◽  
Computerized Assessment ◽  
Unilateral Spatial Neglect ◽  
Spatial Exploration

scholarly journals Flexible Characterization: Herstorical Performance in Heritage Sites

2020 ◽  
Vol 36 (4) ◽  
pp. 355-368
Author(s):  
Victoria Bianchi
Keyword(s):  
Identity Performance ◽  
School Of Education ◽  
Site Specific ◽  
Heritage Sites ◽  
Women's Narratives ◽  
Specific Performance ◽  
Spatial Exploration ◽  
The University ◽  
Heritage Performance ◽  
The Relationship

This article explores how performance and character can be used to represent the lives of real women in spaces of heritage. It focuses on two different site-specific performances created by the author in the South Ayrshire region of Scotland: CauseWay: The Story of the Alloway Suffragettes and In Hidden Spaces: The Untold Stories of the Women of Rozelle House. These were created with a practice-as-research methodology and aim to offer new models for the use of character in site-specific performance practice. The article explores the variety of methods and techniques used, including verbatim writing, spatial exploration, and Herstorical research, in order to demonstrate the ways in which women’s narratives were represented in a theoretically informed, site-specific manner. Drawing on Phil Smith’s mythogeography, and responding to Laurajane Smith’s work on gender and heritage, the conflicting tensions of identity, performance, and authenticity are drawn together to offer flexible characterization as a new model for the creation of feminist heritage performance. Victoria Bianchi is a theatre-maker and academic in the School of Education at the University of Glasgow. Her work explores the relationship between space, feminism, and identity. She has written and performed work for the National Trust for Scotland, Camden People’s Theatre, and Assembly at Edinburgh, among other institutions.

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