scholarly journals How flat can a horse be? Exploring 2D approximations of 3D crania in equids

2019 ◽  
Author(s):  
Cardini Andrea ◽  
Marika Chiappelli

ABSTRACTQuantitative analyses of morphological variation using geometric morphometrics are often performed on 2D photos of 3D structures. It is generally assumed that the error due to the flattening of the third dimension is negligible. However, despite hundreds of 2D studies, few have actually tested this assumption and none has done it on large animals, such as those typically classified as megafauna. We explore this issue in living equids, focusing on ventral cranial variation at both micro- and macro-evolutionary levels. By comparing 2D and 3D data, we found that size is well approximated, whereas shape is more strongly impacted by 2D inaccuracies, as it is especially evident in intra-specific analyses. The 2D approximation improves when shape differences are larger, as in macroevolution, but even at this level precise inter-individual similarity relationships are altered. Despite this, main patterns of sex, species and allometric variation in 2D were the same as in 3D, thus suggesting that 2D may be a source of ‘noise’ that does not mask the main signal in the data. However, the problem is complex and any generalization premature. Morphometricians should therefore test the appropriateness of 2D using preliminary investigations in relation to the specific study questions in their own samples. We discuss whether this might be feasible using a reduced landmark configuration and smaller samples, which would save time and money. In an exploratory analysis, we found that in equids results seem robust to sampling, but become less precise and, with fewer landmarks, may slightly overestimate 2D inaccuracies.

2020 ◽  
Vol 9 (4) ◽  
pp. 233 ◽  
Author(s):  
Benjamin Ulmer ◽  
John Hall ◽  
Faramarz Samavati

Geospatial sensors are generating increasing amounts of three-dimensional (3D) data. While Discrete Global Grid Systems (DGGS) are a useful tool for integrating geospatial data, they provide no native support for 3D data. Several different 3D global grids have been proposed; however, these approaches are not consistent with state-of-the-art DGGSs. In this paper, we propose a general method that can extend any DGGS to the third dimension to operate as a 3D DGGS. This extension is done carefully to ensure any valid DGGS can be supported, including all refinement factors and non-congruent refinement. We define encoding, decoding, and indexing operations in a way that splits responsibility between the surface DGGS and the 3D component, which allows for easy transference of data between the 2D and 3D versions of a DGGS. As a part of this, we use radial mapping functions that serve a similar purpose as polyhedral projection in a conventional DGGS. We validate our method by creating three different 3D DGGSs tailored for three specific use cases. These use cases demonstrate our ability to quickly generate 3D global grids while achieving desired properties such as support for large ranges of altitudes, volume preservation between cells, and custom cell aspect ratio.


Author(s):  
Jantien Stoter ◽  
Bruno Vallet ◽  
Thomas Lithen ◽  
Maria Pla ◽  
Piotr Wozniak ◽  
...  

Techniques for 3D mapping are maturing. At the same time the need for 3D data is increasing. This has pushed national (and regional) mapping agencies (NMAs) to consider extending their traditional task of providing topographic data into the third dimension. To show how research results in 3D mapping obtained over the past twenty years have been adopted by practice, this paper presents the ongoing work on 3D mapping within seven NMAs, all member of the 3D Special Interest Group of European Spatial Data Research (EuroSDR). The paper shows that some NMAs are still in the initial (experimental) phase of 3D mapping, while others have already built solid databases to maintain 2.5D and 3D topographic data covering their whole country.


Author(s):  
Jantien Stoter ◽  
Bruno Vallet ◽  
Thomas Lithen ◽  
Maria Pla ◽  
Piotr Wozniak ◽  
...  

Techniques for 3D mapping are maturing. At the same time the need for 3D data is increasing. This has pushed national (and regional) mapping agencies (NMAs) to consider extending their traditional task of providing topographic data into the third dimension. To show how research results in 3D mapping obtained over the past twenty years have been adopted by practice, this paper presents the ongoing work on 3D mapping within seven NMAs, all member of the 3D Special Interest Group of European Spatial Data Research (EuroSDR). The paper shows that some NMAs are still in the initial (experimental) phase of 3D mapping, while others have already built solid databases to maintain 2.5D and 3D topographic data covering their whole country.


2008 ◽  
Vol 1 (2) ◽  
pp. 103-115
Author(s):  
Yinzhi Lai ◽  
Lina Wang ◽  
Ke Cheng ◽  
William Kisaalita

2020 ◽  
Vol 71 (1) ◽  
pp. 130-168
Author(s):  
Kirsten Dickhaut

AbstractThe machine theatre in France achieves its peak in the second half of the seventeenth century. It is the construction of machines that permits the adequate representation of the third dimension on stage. This optical illusion is created by flying characters, as heroes, gods, or demons moving horizontally and vertically. The enumeration indicates that only characters possessing either ethically exemplary character traits or incorporating sin are allowed to fly. Therefore, the third dimension indicates bienséance – or its opposite. According to this, the following thesis is deduced: The machine theatre illustrates via aesthetic concerns characterising its third dimension an ethic foundation. Ethic and aesthetics determine each other in the context of both, decorum and in theatre practice. In order to prove this thesis three steps are taken. First of all, the machine theatre’s relationship to imitation and creation is explored. Second, the stage design, representing the aesthetic benefits of the machines in service of the third dimension, are explained. Finally, the concrete example of Pierre Corneille’s Andromède is analysed by pointing out the role of Pegasus and Perseus.


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