scholarly journals Modeling error in experimental assays using the bootstrap principle: Understanding discrepancies between assays using different dispensing technologies

2015 ◽  
Author(s):  
Sonya M Hanson ◽  
Sean Ekins ◽  
John D Chodera

All experimental assay data contains error, but the magnitude, type, and primary origin of this error is often not obvious. Here, we describe a simple set of assay modeling techniques based on the bootstrap principle that allow sources of error and bias to be simulated and propagated into assay results. We demonstrate how deceptively simple operations---such as the creation of a dilution series with a robotic liquid handler---can significantly amplify imprecision and even contribute substantially to bias. To illustrate these techniques, we review an example of how the choice of dispensing technology can impact assay measurements, and show how large contributions to discrepancies between assays can be easily understood and potentially corrected for. These simple modeling techniques---illustrated with an accompanying IPython notebook---can allow modelers to understand the expected error and bias in experimental datasets, and even help experimentalists design assays to more effectively reach accuracy and imprecision goals.

2020 ◽  
Vol 93 (1) ◽  
pp. 37-42
Author(s):  
Masakuni Takahashi ◽  
Koji Ohara ◽  
Kentaro Yamamoto ◽  
Tomoki Uchiyama ◽  
Hajime Tanida ◽  
...  

Arta ◽  
2021 ◽  
Vol 30 (1) ◽  
pp. 80-86
Author(s):  
Ana Marian ◽  

“In many respects the expressiveness of sculpture depends on the correspondence between the idea and material,” wrote the great Russian sculptor S.T. Konenkov. This undeniable truth determined the nature of this research, in which we set out to trace how modeling techniques contributed to plastic methods, to what extent the idea of a sculptural work was brought to life with the help of skillfully processed material. So, regardless of the material and technique chosen by the author, a sculptural portrait presupposes the presence of classical research as a shape, volume, texture and last but not least, psychological expressiveness. Sculptural portraits are not viable without a complex psychological interpretation. Thus, the choice made by the sculptor in favor of this or that technique, this or that material becomes important. The ideas of the work and the final results are foreseen by the author since the execution of the drawing or sketch in clay or plasticine. Thus, an idea originally conceived in the form of a sketch follows a complicated and winding path until it reaches the final phase. And the skillful embodiment of the initial idea depends only on the skills of the sculptor, and there are many techniques for creating a work, from which the master chooses the best one.


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