Brothers' keepers: gift giving networks and the organization of Jewish American diaspora nationalism

2014 ◽  
Vol 12 (3) ◽  
pp. 463-488 ◽  
Author(s):  
D. Lainer-Vos
Keyword(s):  
Jewish American ◽  
Gift Giving ◽  
Diaspora Nationalism

When Clients Bring More Than Problems: Ethics and Gift Giving

2006 ◽  
Author(s):  
Chris Brown ◽  
Alex McEntire ◽  
Heather B. Transgrud
Keyword(s):  
Gift Giving

‘Webbed with Golden Lines’: Saul Bellow's Romanticism

Romanticism ◽  
2008 ◽  
Vol 14 (1) ◽  
pp. 57-67
Author(s):  
Mark Sandy
Keyword(s):  
Culturally Diverse ◽  
Jewish American ◽  
British Romanticism ◽  
Saul Bellow ◽  
American School ◽  
Dominant Design ◽  
Post War ◽  
The Web

Attaining prominence in the post-war era, Saul Bellow is one of the most widely read and intellectually eclectic novelists of the Jewish American School.1 Bellow's frequent references to Romanticism form a dominant design within his culturally diverse fiction.2 Taken from Bellow's Herzog, my title indicates the two levels on which Bellow's Romantic allusions operate. At one level, this ‘webbed’ pattern of ‘golden lines’ suggests how Bellow interlaces his own prose with the poetry and philosophy of British Romanticism to govern readers' responses to his portrayal of epiphanies. On another, Herzog's moment of inter-connected vision signals Bellow's investment in a Coleridgean and Wordsworthian imagination that reveals the all-pervasive spirit of the ‘[o]ne Life within us and abroad’3. This metaphysical dimension to Bellow's web of ‘golden lines’ finds a further affinity with Shelley's later notion of the ‘web of being’.4

"‘A Peculiar Gift of Providence": The Power-Imbalance Caused by Gift-Giving in Millenium Hall

2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Elisia Snyder
Keyword(s):  
Eighteenth Century ◽  
Power Imbalance ◽  
Gift Giving ◽  
The Gift

Sarah Scott's eighteenth-century novel Millenium Hall canvasses the role of gift-giving in the dynamics heteronormative-domestic, economic, and spiritual relationships. The pharmakon of the gift plays a central role in Scott's understanding of philanthropy, and the construction of her female-inhabited, female-run utopia. This article's principle occupation is to show that all instances of gift-giving in Millenium Hall create power-imbalances between the superior giver and the inferior receiver; however, Sarah Scott's female utopia constructs the most preferable type of subservience.

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