D.II.5 The The position of Plato to the Greek world

2006 ◽  
pp. 128-130
Author(s):  
Gerard Manley Hopkins
Keyword(s):  
Greek World

Social Ecology of the Ancient Greek World

1975 ◽  
Vol 44 (1) ◽  
pp. 211-218
Author(s):  
Simon Cornelis Bakhuizen
Keyword(s):  
Social Ecology ◽  
Ancient Greek ◽  
Greek World

Lykophron's Alexandra, Rome, and the Hellenistic World

2018 ◽  
Author(s):  
Simon Hornblower
Keyword(s):  
Turning Point ◽  
Roman History ◽  
Historical Document ◽  
Ancient Greek ◽  
South Italy ◽  
Hellenistic World ◽  
The Mediterranean ◽  
Greek World ◽  
Area Of Origin

This book is an original, accessibly written, contribution to Roman and Hellenistic history. Its subject is a long (1474-line) ancient Greek poem, Lykophron’s Alexandra, probably written about 190 BC. The Trojan Kassandra foretells the conflicts between Europe and Asia from the Trojan Wars to the establishment of Roman ascendancy over the Greek world in the poet’s own time, including the founding of new cities by returning Greeks through the Mediterranean zone, and of Rome by the Trojan refugee Aineias, Kassandra’s kinsman. Simon Hornblower now follows his detailed commentary (OUP 2015, paperback 2017) with a monograph asserting the Alexandra’s importance as a historical document of interest to political, cultural, and religious historians and students of myths of identity. Part One explores Lykophron’s geopolitical world, especially south Italy (perhaps the poet’s area of origin), Sicily, and Rhodes, and argues that the recent (in the 190s) hostile presence of Hannibal in south Italy is a frequent if indirectly expressed concern of the poem. Part Two investigates the poem’s relation to Sibylline and other anti-Roman writings, and argues for its cultural and religious topicality. The Conclusion shows that the 190s BC were a turning-point in Roman history, and that Lykophron was aware of this.

Hegel's Antiquity

2020 ◽  
Author(s):  
Will D. Desmond
Keyword(s):  
World History ◽  
Historical Thinking ◽  
Aesthetic Theory ◽  
Roman World ◽  
Classical World ◽  
Roman Antiquity ◽  
Greek World

Hegel’s Antiquity aims to summarize, contextualize, and criticize Hegel’s understanding and treatment of major aspects of the classical world, approaching each of the major areas of his historical thinking in turn: politics, art, religion, philosophy, and history itself. The discussion excerpts relevant details from a range of Hegel’s works, with an eye both to the ancient sources with which he worked, and the contemporary theories (German aesthetic theory, Romanticism, Kantianism, Idealism (including Hegel’s own), and emerging historicism) which coloured his readings. What emerges is that Hegel’s interest in both Greek and Roman antiquity was profound and is essential for his philosophy, arguably providing the most important components of his vision of world history: Hegel is generally understood as a thinker of modernity (in various senses), but his modernity can only be understood in essential relation to its predecessor and ‘others’, notably the Greek world and Roman world whose essential ‘spirit’ he assimilates to his own notion of Geist.

CONSTRUCTING THE ‘URBAN PROFILE’ OF AN ANCIENT GREEK CITY: EVIDENCE FROM THE OLYNTHOS PROJECT

2020 ◽  
Vol 115 ◽  
pp. 329-378
Author(s):  
Lisa C. Nevett ◽  
E. Bettina Tsigarida ◽  
Zosia H. Archibald ◽  
David L. Stone ◽  
Bradley A. Ault ◽  
...  
Keyword(s):  
Urban Infrastructure ◽  
Holistic Approach ◽  
Data Sets ◽  
Ancient Greek ◽  
Greek City ◽  
Classical Greece ◽  
Relevant Evidence ◽  
Classical Studies ◽  
Legacy Data ◽  
Greek World

This article argues that a holistic approach to documenting and understanding the physical evidence for individual cities would enhance our ability to address major questions about urbanisation, urbanism, cultural identities and economic processes. At the same time we suggest that providing more comprehensive data-sets concerning Greek cities would represent an important contribution to cross-cultural studies of urban development and urbanism, which have often overlooked relevant evidence from Classical Greece. As an example of the approach we are advocating, we offer detailed discussion of data from the Archaic and Classical city of Olynthos, in the Halkidiki. Six seasons of fieldwork here by the Olynthos Project, together with legacy data from earlier projects by the American School of Classical Studies at Athens and by the Greek Archaeological Service, combine to make this one of the best-documented urban centres surviving from the Greek world. We suggest that the material from the site offers the potential to build up a detailed ‘urban profile’, consisting of an overview of the early development of the community as well as an in-depth picture of the organisation of the Classical settlement. Some aspects of the urban infrastructure can also be quantified, allowing a new assessment of (for example) its demography. This article offers a sample of the kinds of data available and the sorts of questions that can be addressed in constructing such a profile, based on a brief summary of the interim results of fieldwork and data analysis carried out by the Olynthos Project, with a focus on research undertaken during the 2017, 2018 and 2019 seasons.

scholarly journals Bodies Out of Time: Sculpting Queer Poetics and Queering Classical Sculpture in the Poetry of C. P. Cavafy

2021 ◽  
Author(s):  
J. L. Watson
Keyword(s):  
Raw Material ◽  
Ancient Greek ◽  
Greek Poetry ◽  
Modern Greek ◽  
The Past ◽  
Greek World

AbstractTwo major themes dominate the poetry of the Alexandrian poet, C. P. Cavafy: homosexual desire and Greekness, broadly defined. This paper explores the interconnectivity of these motifs, showing how Cavafy’s poetic queerness is expressed through his relationship with the ancient Greek world, especially Hellenistic Alexandria. I focus on Cavafy’s incorporation of ancient sculpture into his poetry and the ways that sculpture, for Cavafy, is a vehicle for expressing forbidden desires in an acceptable way. In this, I draw on the works of Liana Giannakopoulou on statuary in modern Greek poetry and Dimitris Papanikolaou on Cavafy’s homosexuality and its presentation in the poetry. Sculpture features in around a third of Cavafy’s poems and pervades it in various ways: the inclusion of physical statues as focuses of ecphrastic description, the use of sculptural language and metaphor, and the likening of Cavafy’s beloveds to Greek marbles of the past, to name but three. This article argues that Cavafy utilizes the statuary of the ancient Greek world as raw material, from which he sculpts his modern Greek queerness, variously desiring the statuesque bodies of contemporary Alexandrian youths and constructing eroticized depictions of ancient Greek marbles. The very ontology of queerness is, for Cavafy, ‘created’ using explicitly sculptural metaphors (e.g. the repeated uses of the verb κάνω [‘to make’] in descriptions of ‘those made like me’) and he employs Hellenistic statues as a productive link between his desires and so-called ‘Greek desire’, placing himself within a continuum of queer, Greek men.

Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World

1991 ◽  
Vol 85 (1) ◽  
pp. 62 ◽  
Author(s):  
Robert Rousselle ◽  
David M. Halperin ◽  
John J. Winkler ◽  
Froma I. Zeitlin
Keyword(s):  
Ancient Greek ◽  
Greek World
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