The Calculus of Finite (Metric) Dissonances

2019 ◽  
Vol 41 (1) ◽  
pp. 146-171
Author(s):  
Steven Reale
Keyword(s):  
Finite Differences ◽  
Tonal Music ◽  
Metric Dissonance ◽  
Frequency Ratios

Abstract “Metric dissonance” is a term borrowed from the realm of pitch relationships, but many studies of metric dissonance draw primarily from a conception of dissonance based on the relative complexities of frequency ratios while downplaying the important syntactical aspect that dissonance plays in tonal music. This article develops existing models of metric dissonance, most notably that of Harald Krebs, by formalizing them through the calculus of finite differences, thereby introducing a methodology for quantifying metric dissonance. Such a formalization not only establishes a heuristic for comparing musical passages but also suggests an experiential model for hearing metrically dissonant music.

THE METHOD OF FINITE DIFFERENCES APPLIED TO DESCRIPITION OF A METALIC COMPONENT

2017 ◽  
Author(s):  
Lisiane Trevisan ◽  
Juliane Donadel ◽  
Bianca de Castro
Keyword(s):  
Finite Differences

Finite differences with exponential filtering in the calculation of reactivity

Kerntechnik ◽  
2010 ◽  
Vol 75 (4) ◽  
pp. 210-213 ◽  
Author(s):  
D. Suescún Díaz ◽  
A. Senra Martinez
Keyword(s):  
Finite Differences

Umbral Calculus

10.37236/24 ◽  
2002 ◽  
Vol 1000 ◽  
Author(s):  
A. Di Bucchianico ◽  
D. Loeb
Keyword(s):  
19Th Century ◽  
Finite Differences ◽  
State Of The Art ◽  
Umbral Calculus ◽  
Current State ◽  
Logical Foundation ◽  
Complete Bibliography ◽  
The 19Th Century ◽  
Mathematical Literature

We survey the mathematical literature on umbral calculus (otherwise known as the calculus of finite differences) from its roots in the 19th century (and earlier) as a set of “magic rules” for lowering and raising indices, through its rebirth in the 1970’s as Rota’s school set it on a firm logical foundation using operator methods, to the current state of the art with numerous generalizations and applications. The survey itself is complemented by a fairly complete bibliography (over 500 references) which we expect to update regularly.

scholarly journals The Turbulent Flow over the BARC Rectangular Cylinder: A DNS Study

2021 ◽  
Author(s):  
Alessandro Chiarini ◽  
Maurizio Quadrio
Keyword(s):  
Numerical Simulation ◽  
Reynolds Number ◽  
Direct Numerical Simulation ◽  
Finite Differences ◽  
Turbulence Models ◽  
Fine Tuning ◽  
Rectangular Cylinder ◽  
Budget Equation ◽  
Complete Set ◽  
First Time

AbstractA direct numerical simulation (DNS) of the incompressible flow around a rectangular cylinder with chord-to-thickness ratio 5:1 (also known as the BARC benchmark) is presented. The work replicates the first DNS of this kind recently presented by Cimarelli et al. (J Wind Eng Ind Aerodyn 174:39–495, 2018), and intends to contribute to a solid numerical benchmark, albeit at a relatively low value of the Reynolds number. The study differentiates from previous work by using an in-house finite-differences solver instead of the finite-volumes toolbox OpenFOAM, and by employing finer spatial discretization and longer temporal average. The main features of the flow are described, and quantitative differences with the existing results are highlighted. The complete set of terms appearing in the budget equation for the components of the Reynolds stress tensor is provided for the first time. The different regions of the flow where production, redistribution and dissipation of each component take place are identified, and the anisotropic and inhomogeneous nature of the flow is discussed. Such information is valuable for the verification and fine-tuning of turbulence models in this complex separating and reattaching flow.

scholarly journals Modifications in the Topological Structure of EEG Functional Connectivity Networks during Listening Tonal and Atonal Concert Music in Musicians and Non-Musicians

2021 ◽  
Vol 11 (2) ◽  
pp. 159
Author(s):  
Almudena González ◽  
Manuel Santapau ◽  
Antoni Gamundí ◽  
Ernesto Pereda ◽  
Julián J. González
Keyword(s):  
Topological Structure ◽  
Phase Synchronization ◽  
Random Network ◽  
Small World ◽  
Surrogate Data ◽  
Musical Structure ◽  
Beta Band ◽  
Tonal Music ◽  
Frequency Bands ◽  
Concert Music

The present work aims to demonstrate the hypothesis that atonal music modifies the topological structure of electroencephalographic (EEG) connectivity networks in relation to tonal music. To this, EEG monopolar records were taken in musicians and non-musicians while listening to tonal, atonal, and pink noise sound excerpts. EEG functional connectivities (FC) among channels assessed by a phase synchronization index previously thresholded using surrogate data test were computed. Sound effects, on the topological structure of graph-based networks assembled with the EEG-FCs at different frequency-bands, were analyzed throughout graph metric and network-based statistic (NBS). Local and global efficiency normalized (vs. random-network) measurements (NLE|NGE) assessing network information exchanges were able to discriminate both music styles irrespective of groups and frequency-bands. During tonal audition, NLE and NGE values in the beta-band network get close to that of a small-world network, while during atonal and even more during noise its structure moved away from small-world. These effects were attributed to the different timbre characteristics (sounds spectral centroid and entropy) and different musical structure. Results from networks topographic maps for strength and NLE of the nodes, and for FC subnets obtained from the NBS, allowed discriminating the musical styles and verifying the different strength, NLE, and FC of musicians compared to non-musicians.

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