White Writers, Race Matters: Fictions of Racial Liberalism from Stowe to Stockett. Gregory S. Jay

MELUS ◽  
2019 ◽  
Author(s):  
Adena Spingarn
Keyword(s):  
White Writers ◽  
Racial Liberalism

White Writers, Race Matters

2017 ◽  
Author(s):  
Gregory S. Jay
Keyword(s):  
Literary History ◽  
Historical Analysis ◽  
Cultural Work ◽  
Cultural Narratives ◽  
Literary Forms ◽  
The Social ◽  
White Writers ◽  
American Literary History ◽  
Taking Action

White liberal race fiction has been an enduringly popular genre in American literary history. It includes widely read and taught works such as Huckleberry Finn and To Kill a Mockingbird along with period bestsellers now sometimes forgotten. Hollywood regularly adapted them into blockbusters, reinforcing their cultural influence. These novels and films protest slavery, confront stereotypes, dramatize social and legal injustices, engage the political controversies of their time, and try to move readers emotionally toward taking action. The literary forms and arguments of these books derive from the cultural work they intend to do in educating the minds and hearts, and propelling the actions, of those who think they are white—indeed, in making the social construction of that whiteness readable and thus more susceptible of reform. The white writers of these fictions struggle with their own place in systems of oppression and privilege while asking their readers to do the same. The predominance of women among this tradition’s authors leads to exploring how their critiques of gender and race norms often reinforced each other. Each chapter provides a case study combining biography, historical analysis, close reading, and literary theory to map the significance of this genre and its ongoing relevance. This tradition remains vital because every generation must relearn the lessons of antiracism and formulate effective cultural narratives for passing on the intellectual and emotional tools useful in fighting injustice.

White Working-Class Women and the Race Question

1998 ◽  
Vol 54 ◽  
pp. 80-102 ◽  
Author(s):  
Dana Frank
Keyword(s):  
Working Class ◽  
White Men ◽  
The Other ◽  
White Trash ◽  
White Writers ◽  
White Working Class ◽  
Working Class Women

In Towards the Abolition of Whiteness David Roediger tells the story of Covington Hall, the editor of a newsletter published by the Brotherhood of Timber Workers in Louisiana in 1913 and 1914. Roediger deftly analyzes efforts by Hall and other white writers in the brotherhood to construct cross-racial unity within an otherwise racially torn working class. He shows how Hall redrew the lines of solidarity: On one side were the degraded, of any race.On the other were enlightened workers who eschewed racial divisions, racist language, and stereotypes. “There are white men, Negro men, and Mexican men in this union, but no niggers, greasers or white trash,” proclaimed Ed Lehman, a soapbox speaker for the Brotherhood. A headline in the newsletter similarly asked readers to choose, “SLAVES OR MEN, WHICH?” Still more graphically, a cartoon commanded, “Let all white MEN and Negro MEN get on the same side of this rotten log.”

“The Blackness of Darkness”

2021 ◽  
Vol 11 (1) ◽  
pp. 2-22
Author(s):  
Lara Langer Cohen
Keyword(s):  
Nineteenth Century ◽  
The Body ◽  
Tourist Attraction ◽  
White Writers ◽  
The World ◽  
Newspaper Articles ◽  
Travel Accounts

Abstract This article considers Kentucky’s Mammoth Cave as an unexpected site for nineteenth-century theorizations of racialized Blackness. Mammoth Cave became a major tourist attraction in the 1840s, generating a host of guidebooks, travel accounts, magazine illustrations, panoramas, newspaper articles, and fiction. Crucial to its fame was the fact that the guides who led visitors through the cave were enslaved men. This article argues that white writers responded to the guides’ knowledge of the cave by reframing it as affinity. In doing so, they transformed Mammoth Cave’s subterranean darkness into a manifestation of racialized Blackness. But the writers’ racialization of Mammoth Cave also had a tendency to slip out of their control. As they associated its spatial darkness with racialized Blackness, the literal underground of Mammoth Cave flickered into an underground that was more than literal—a mysterious Black formation, of unguessed dimensions and certain danger, beneath the world as they knew it. Finally, the article asks what we can glean from the literature of Mammoth Cave about the body of Black thought it sought to disavow: the alternative relations between race and the underground that the guides theorized through their own subterranean explorations.

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