Eliot's ‘Portrait of a Lady’ Restored

2007 ◽  
Vol 57 (1) ◽  
pp. 42-58 ◽  
Author(s):  
Derek Roper
Keyword(s):  
Portrait Of A Lady

Point of view inthe portrait of a lady

1971 ◽  
Vol 52 (1-6) ◽  
pp. 136-147 ◽  
Author(s):  
Sheldon W. Liebman
Keyword(s):  
Point Of View ◽  
Portrait Of A Lady

CORREGGIO'S SKETCH IN HENRY JAMES' NOVEL «THE PORTRAIT OF A LADY»: FUNCTIONS OF AN INTERMEDIAL REFERENCE

2021 ◽  
pp. 16-21
Author(s):  
NINA BOCHKAREVA ◽  
VALENTINA VISHNEVSKAYA
Keyword(s):  
Henry James ◽  
The Novel ◽  
American Writer ◽  
Portrait Of A Lady

The article is devoted to the analysis of an intermediate reference to the sketch of the Italian artist of the XVI century Correggio in the 24th chapter of the novel "Portrait of a Woman" by the American writer Henry James. The influence of an intermediate reference on the disclosure of the image of Gilbert Osmond is investigated, which allows the reader to learn his additional characteristics and form a holistic idea of this character of the novel.

III.—Notice of the Life and Works of Lucas D'Heere, Poet and Painter of Ghent, with reference to an anonymous Portrait of a Lady in the possession of the Duke of St. Alban's and to the Portrait of Queen Mary of England in the possession of the Society of Antiquaries

Archaeologia ◽  
1894 ◽  
Vol 54 (1) ◽  
pp. 59-80
Author(s):  
Lionel Cust
Keyword(s):  
Intimate Connection ◽  
Portrait Of A Lady

The fact that the Society of Antiquaries possesses one of the most important and the earliest dated of the portraits ascribed to the hand of Lucas D'Heere, the poet-painter of Ghent, may cause the Fellows of the Society to take some interest in the life and works of this artist.Lucas D'Heere is not one of those painters whose life has fallen into oblivion through want of biographers. Carel van Mander, who in 1604 published his precious collection of biographies of Flemish, Dutch, and German painters, was actually a pupil of D'Heere, and included a full notice of his master's life in his series, which, from the intimate connection between the two painters, may fairly be accepted as authoritative. Further his biographies are avowedly based on a similar collection made by Lucas D'Heere himself.

scholarly journals The Personality of the Speaker of T.S. Elliot’s “Portrait of a Lady”

Lexicon ◽  
2018 ◽  
Vol 1 (3) ◽  
Author(s):  
Nia Susanti
Keyword(s):  
Social Status ◽  
Intimate Relationship ◽  
Primary Data ◽  
Psychological Approach ◽  
Portrait Of A Lady ◽  
Good Attitude

This research discusses the personality of the speaker of TS Eliot‘s “Portrait of a Lady”. The objective of this graduating paper is to find the speaker‘s personality as seen in his attitude toward the lady. The psychological approach is applied in this research to analyze the personality of the speaker. The analysis explains about the speaker‘s attitude toward the lady by interpreting the data as the primary data. The result is that he has good attitude and he has a good personality. He is firm with his decision not to have an intimate relationship with the lady which is forbidden by their different social status. Although they have mutual feelings, the speaker restrains his feeling of love toward the lady and leaves her at the end of the poem.

scholarly journals A CRITICAL DISCOURSE ANALYSIS OF GENDER SUBJECTIVITY IN HENRY JAMES’ THE PORTRAIT OF A LADY

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
Shah Mir ◽  
Saima Jahangir
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Henry James ◽  
Social Order ◽  
Critical Discourse ◽  
Power Structures ◽  
Portrait Of A Lady ◽  
Feminist Critical Discourse Analysis ◽  
Patriarchal Power ◽  
Gender Subjectivity

Reassessment and interpretation of gender dynamics in the current social order has been prevalent theme within gender discourses. The yoke of subordination borne by women as readers, writers or fictional characters in the patriarchal pyramid occupies a central space across the whole spectrum of debates. This study utilizes a qualitative mode of inquiry which is centered on textual analysis. The present study evaluates the instances of gender subjectivity and patterns of subjugation within the textual arena invested with hegemonic ideologies as depicted in the novel The Portrait of a Lady by Henry James. The paper employs feminist critical discourse analysis as a tool to analyze The Portrait of a Lady by Henry James in order to dissect the underlying ideologies present in the Victorian time period and investigates discourses of subjectivity. The findings of the study demonstrate that notwithstanding temporal advancements, gender power structures remain intact, and women continue to suffer under patriarchal power structures. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0874/a.php" alt="Hit counter" /></p>

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