Francesco Paolo de Ceglia. The Body of Evidence: Corpses and Proofs in Early Modern European Medicine. (Medieval and Early Modern Philosophy and Science, 30.) 294 pp., figs, bibl., index. Leiden: Brill, 2020. $185 (cloth); ISBN 9789004284814. E-book available.

Isis ◽  
2021 ◽  
Vol 112 (3) ◽  
pp. 602-603
Author(s):  
Ádám Mézes
Author(s):  
Miran Bozovic

According to Malebranche, Adam should be considered as an occasionalist philosopher. Not only did philosophy originate in paradise, but it in fact originated as Malebranchian occasionalism. It was in order to be able to persist in his occasionalist belief that Adam was given exceptional power over his body, that is, the power to detach the principal part of his brain (i.e., the seat of the soul) from the rest of the body. It was only in continually detaching the principal part of his brain from the rest of the body that Adam was able to persist in his occasionalist belief despite the unmistakable testimony of his sense to the contrary. Having once sinned, he thereupon lost his psychophysical privilege. Whereas pre-lapsarian physiology made Adam's belief in the causal efficacy of God possible, post-lapsarian physiology, in contrast, necessarily engenders and sustains belief in the causal efficacy of bodies. It was only as a result of the post-lapsarian physiology that some of the central problems of early modern philosophy arose. Contingent upon Adam's psychophysical privilege, occasionalism was possible only in paradise.


Author(s):  
Marjorie Levinson

The Introduction explains the combination of a narrative arc and conceptual structure in the organization of the book. The former, primarily diachronic, discussion is concerned with the development of the field of Romanticism since the 1980s, presented through both a review of scholarship and exemplary readings of well-known lyric poems. The latter, predominantly synchronic, presentation entails an argument for the analytical value of field theories of form—that is, frameworks drawn from early modern philosophy (Spinoza) and postclassical life- and physical sciences, especially models of self-organization. As an alternative to the external, retrospective perspective provided by, for example, Rita Felski in The Limits of Critique, it draws on the work of Martin Heidegger, Pierre Macherey, and the poet-critic J. H. Prynne to offer a conjunctural approach.


Author(s):  
Michael Moriarty

Although the concept “baroque” is less obviously applicable to philosophy than to the visual arts and music, early modern philosophy can be shown to have connections with baroque culture. Baroque style and rhetoric are employed or denounced in philosophical controversies, to license or discredit a certain style of philosophizing. Philosophers engage with themes current in baroque literature (the mad world, the world as a stage, the quest for the self) and occasionally transform these into philosophical problems, especially of an epistemological kind (are the senses reliable? how far is our access to reality limited by our perspective?) Finally, the philosophies of Malebranche and Berkeley, with their radical challenges to so-called common sense, and their explanation of conventional understandings of the world as based on illusion, have something of the disturbing quality of baroque art and architecture.


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