Misrepresenting Reproductive Justice: A Black Feminist Critique of “Protecting Black Life”

Signs ◽  
2021 ◽  
Vol 46 (3) ◽  
pp. 715-741
Author(s):  
Carolette Norwood
Author(s):  
Keisha L. Goode ◽  
Arielle Bernardin

Abstract Background Structural racism mediates all aspects of Black life. The medicalization of pregnancy and childbirth, and its detrimental impacts on Black birth, is well documented. The Black Lives Matter movement has elevated the national consciousness on all aspects of Black life, but significant attention has been directed toward the murder and dehumanization of Black men and boys. Black midwives, caring for Black people, using the Midwives Model of Care© which consistently demonstrates its efficacy and better outcomes for Black people, are uniquely positioned to witness the physical and psychosocial experiences of birthing Black boys in America. Methods Between 2011 and 2013, the first author conducted interviews with 22 Black midwives to understand their perceptions of, and experiences in, predominantly white midwifery education programs and professional organizations. Convenience and snowball sampling were used. This paper investigates previously unreported and unexamined data from the original study by focusing on the witness and insight of nine midwives who provided care for Black mothers of boys during pregnancy and childbirth. Findings The data presented three themes: It’s a Boy: On Restlessness and Complicated Uneasiness; Desensitization of Black Death; and, Physiological Impacts of Toxic Stress. Conclusions The findings demonstrate that caring for Black people must be simultaneously theorized and executed within an anti-racist, relationship-centered, reproductive justice framework. Black midwives are uniquely positioned to do this work. Greater attention, in practice and in research, is needed to investigate the birth experiences of Black mothers of boys.


2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Alisha Jean-Denis ◽  
Korina Jocson

Poetry within trauma-informed literacies has been influential to understanding youth writing. As the tendency to focus on the individual rather than structures of power remains, the authors of this essay point to collective resistance and connect youth writing to other creative texts in their engagement of black life, livingness, and pedagogical possibilities. Specifically, they draw on black feminist theories and methodologies to consider race, gender, class, diaspora, and time-space in poetry and juvenilia studies. The discussion concludes with questions about learning and writing as counter-expressions.


2018 ◽  
Vol 4 (3) ◽  
pp. 49-95
Author(s):  
Cathy Thomas

Set in the fictitious African nation of Wakanda, the six volumes of the Black Panther comic book weave plots that are faithful to superhero tropes and aware of Black nationalist discourses. The storylines focus on deterring white dominance, tribal warfare, and mineral exploitation. Creating characters conscious of the threats to their autonomy is an opportunity to reframe the “Black power” trope. This photo essay explores how iterations of raced and gendered figures in mainstream and independent comics are used to mediate and meditate on certain social anxieties. The images and their associated captions explore how Afrofuturism in “Black” comics not only provides illustrative cases of actual Black social life and political crossings engaged with cultural Black archives, but stimulates complex engagements with Black feminist thought in order to advance the liberation struggles of mutant, racialized, and gendered bodies seeking empowerment and social justice.


2021 ◽  
Author(s):  
Jennifer C. Nash

In Birthing Black Mothers Black feminist theorist Jennifer C. Nash examines how the figure of the “Black mother” has become a powerful political category. “Mothering while Black” has become synonymous with crisis as well as a site of cultural interest, empathy, fascination, and support. Cast as suffering and traumatized by their proximity to Black death—especially through medical racism and state-sanctioned police violence—Black mothers are often rendered as one-dimensional symbols of tragic heroism. In contrast, Nash examines Black mothers’ self-representations and public performances of motherhood—including Black doulas and breastfeeding advocates alongside celebrities such as Beyoncé, Serena Williams, and Michelle Obama—that are not rooted in loss. Through cultural critique and in-depth interviews, Nash acknowledges the complexities of Black motherhood outside its use as political currency. Throughout, Nash imagines a Black feminist project that refuses the lure of locating the precarity of Black life in women and instead invites readers to theorize, organize, and dream into being new modes of Black motherhood.


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