After the Death of Nature: Carolyn Merchant and the Future of Human-Nature Relations. Edited by Kenneth Worthy, Elizabeth Allison, and Whitney A. Bauman. London and New York: Routledge (Taylor & Francis Group). $156.00 (hardcover); $35.96 (paper). xxii + 308 p.; ill.; index. ISBN: 978-1-138-29730-2 (hc); 978-1-138-29731-9 (pb); 978-1-315-09937-8 (eb). 2019.

2020 ◽  
Vol 95 (2) ◽  
pp. 165-166
Author(s):  
Kimberly Carfore
Keyword(s):  
New York ◽  
2019 ◽  
Author(s):  
Robin O’Hanlon

Presentation slides from Metropolitan New York Library Council Open Access Symposium: "The Future Is Open Access, but How Do We Get There?: A Symposium." September 12-13, 2019. New York. NY.


Author(s):  
Pasi Heikkurinen

This article investigates human–nature relations in the light of the recent call for degrowth, a radical reduction of matter–energy throughput in over-producing and over-consuming cultures. It outlines a culturally sensitive response to a (conceived) paradox where humans embedded in nature experience alienation and estrangement from it. The article finds that if nature has a core, then the experienced distance makes sense. To describe the core of nature, three temporal lenses are employed: the core of nature as ‘the past’, ‘the future’, and ‘the present’. It is proposed that while the degrowth movement should be inclusive of temporal perspectives, the lens of the present should be emphasised to balance out the prevailing romanticism and futurism in the theory and practice of degrowth.


Author(s):  
Émile Zola

Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola’s most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his ‘most finely worked’ novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.


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