Citing China: Politics, Postmodernism, and World Cinema, by Gina Marchetti. Honolulu: University of Hawai‘i Press, 2018. vii+233 pp. US$68.00 (cloth).

2019 ◽  
Vol 82 ◽  
pp. 237-239
Author(s):  
Andrew Stuckey
Keyword(s):  
World Cinema ◽  
University Of Hawai'i ◽  
China Politics

Shakespeare and World Cinema

2012 ◽  
Author(s):  
Mark Thornton Burnett
Keyword(s):  
World Cinema

World Cinema and the Essay Film

2019 ◽  
Keyword(s):  
Case Studies ◽  
World Cinema ◽  
Photo Essay

World Cinema and the Essay Film examines the ways in which essay film practices are deployed by transnational filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalisation. With case studies of essayistic works by John Akomfrah, Frances Calvert, José Luis Guerín, Jonas Mekas, David Perlov, Apichatpong Weerasethakul and Zhao Liang, amongst many others, and with a photo-essay by Trinh T. Minh-ha, the book expands current research on the essay film and presents transnational perspectives on what is becoming a global film practice.

: World Cinema. Israel . Amy Kronish.

1998 ◽  
Vol 51 (4) ◽  
pp. 64-65
Author(s):  
Martin Stollery
Keyword(s):  
World Cinema

Sustaining University-Community Partnerships in Indigenous Communities: Five Lessons from Papakōlea

2019 ◽  
Vol 16 (1-2) ◽  
pp. 35-63
Author(s):  
Robert Agres ◽  
Adrienne Dillard ◽  
Kamuela Joseph Nui Enos ◽  
Brent Kakesako ◽  
B. Puni Kekauoha ◽  
...  
Keyword(s):  
Learning Community ◽  
Ways Of Knowing ◽  
Indigenous Communities ◽  
Community Based ◽  
Urban And Regional Planning ◽  
Culture Of Learning ◽  
Community Values ◽  
University Of Hawai'i ◽  
The University

This resource paper draws lessons from a twenty-year partnership between the Native Hawaiian community of Papakōlea, the Hawai‘i Alliance for Community-Based Economic Development, and the Department of Urban and Regional Planning at the University of Hawai‘i. Key players and co-authors describe five principles for sustained partnerships: (1) building partnerships based upon community values with potential for long-term commitments; (2) privileging indigenous ways of knowing; (3) creating a culture of learning together as a co-learning community; (4) fostering reciprocity and compassion in nurturing relationships; and (5) utilizing empowering methodologies and capacity-building strategies.

O CINEMA DO TERCEIRO MUNDO SOB O OLHAR DA ANTIGEOPOLÍTICA: DITADURA E RESISTÊNCIA NA AMÉRICA LATINA

GEOgraphia ◽  
2018 ◽  
Vol 20 (42) ◽  
pp. 89
Author(s):  
Rejane Cristina de Araujo Rodrigues
Keyword(s):  
Latin America ◽  
Political Geography ◽  
Third World ◽  
Hollywood Film ◽  
The Third ◽  
World Cinema ◽  
America Latina ◽  
The Third World

Resumo: Filmes do Cinema de Hollywood são representativos de um imaginário geopolítico hegemônico. A este imaginário contrapõe-se uma antigeopolítica identificada nas representações de filmes do Cinema do Terceiro Mundo. Partindo de importantes contribuições da geografia política crítica que apontam para articulações entre as representações geopolíticas e os filmes, analisamos três filmes que retratam a América Latina em um dos períodos mais conturbados da sua história. Sua análise nos revela elementos característicos de uma geopolítica de resistência durante as ditaduras civil-militares implantadas no Brasil, no Chile e na Argentina.Palavras-chave: Antigeopolítica. Cinema. América Latina. Ditadura. THE THIRD WORLD CINEMA UNDER THE ANTIGEOPOLITICS VIEW: DICTATORSHIP AND RESISTANCE IN LATIN AMERICAAbstract: Hollywood film movies are representative of a hegemonic geopolitical imaginary. This imaginary contrasts with an antigeopolitics identified in the Third World Cinema representations. Based on important contributions from critical political geography that points to articulations between geopolitical representations and movies, we analyze three cinema productions that portray Latin America in one of the most troubled periods of its history. That analysis reveals elements of a geopolitics of resistance related to the civil-military dictatorships implanted in Brazil, Chile and Argentina.Keywords: Antigeopolitics. Movies. Latin America. Dictatorship. EL CINE DEL TERCER MUNDO BAJO LA VISIÓN ANTIGEOPOLÍTICA: DICTADURA Y RESISTENCIA EN AMÉRICA LATINAResumen: Películas del Cine de Hollywood son representativas de un imaginario geopolítico hegemónico. A este imaginario se contrapone una antigeopolítica identificada en las representaciones de películas del Cine del Tercer Mundo. A partir de importantes contribuciones de la geografía política crítica que apuntan para articulaciones entre las representaciones geopolíticas y las películas, analizamos tres películas que retratan la América Latina en uno de los períodos más revueltos de su historia. Su análisis nos revela elementos característicos de una geopolítica de resistencia durante las dictaduras implantadas en Brasil, en Chile y en Argentina.Palabras clave: Antigeopolítica. Cine. América Latina. Dictadura.

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