Bouzouki Music: Allan Sekula and the Comics

2018 ◽  
Vol 37 (1) ◽  
pp. 1-19
Author(s):  
Penny Baker
Keyword(s):  
Allan Sekula

The Forgotten Space by Allan Sekula and Noël Burch

Antipode ◽  
2012 ◽  
Vol 44 (4) ◽  
pp. 1575-1578 ◽  
Author(s):  
BRETT STORY
Keyword(s):  
Allan Sekula

Working Photography

2018 ◽  
pp. 151-171
Author(s):  
Joseph B. Entin
Keyword(s):  
The Self ◽  
Economic Forces ◽  
Contemporary Work ◽  
Allan Sekula

In “Working Documentary: Labor Photography and Documentary Labor in the Neoliberal Age,” Joseph B. Entin analyzes the work of Milton Rogovin and Allan Sekula. The chapter emphasizes the self-consciousness with which these acclaimed photographers of labor generated new formal strategies to contend with the limitations of conventional documentary realism. Each, he shows, produced forms of labor photography attuned to the conditions of contemporary work and responsive to the widening social and economic forces shaping workers’ experience—and each thereby reanimated, or reworked, the project of photo-documentary for a late industrial, emerging neoliberal context.

scholarly journals Allan Sekula: Imagining a collective future

2013 ◽  
Vol 4 (1) ◽  
pp. 129-137
Author(s):  
Hilde Van Gelder
Keyword(s):  
Allan Sekula

Allan Sekula: Educator

Photographies ◽  
2014 ◽  
Vol 7 (1) ◽  
pp. 109-111
Author(s):  
Lucy Soutter
Keyword(s):  
Allan Sekula

Remembering Allan Sekula (1951–2013)

October ◽  
2014 ◽  
Vol 148 ◽  
pp. 133-142
Author(s):  
Benjamin H. D. Buchloh
Keyword(s):  
Los Angeles ◽  
Public Sphere ◽  
The Public ◽  
The Past ◽  
The Public Sphere ◽  
Allan Sekula ◽  
Hourly Basis

Having just recently returned from a rare visit to Los Angeles, and wondering about the city's loss of Michael Asher and Allan Sekula in the past year and a half, I was suddenly struck by the idea that these artists must have made gargantuan efforts in that environment on a daily—if not hourly—basis to sustain their conviction in the viability of their practices. After all, the near-total erasure of any remnant of conventional structures of subjectivity and the dissolution of even the last residual spatial forms of the public sphere could hardly reach a more decisive state.

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