A New Literary History of Modern China, edited by David Der-wei Wang. Cambridge, MA: Harvard University Press, 2017. v+1001 pp. US$45.00/£35.95/€40.50 (cloth).

2018 ◽  
Vol 79 ◽  
pp. 181-182
Author(s):  
Wendy Larson
2004 ◽  
Vol 178 ◽  
pp. 524-525
Author(s):  
Frank Dikötter

Paul Cohen's Discovering History on China: American Historical Writing on the Recent Chinese Past, which critically analysed a number of common approaches to the history of modern China, was a very welcome contribution to critical methodology when it appeared in 1984, although the book has aged rather rapidly with the rise of cultural studies over the last 20 years. Readers who benefited from Cohen's arguments in favour of a more ‘China-centered approach’ will be forgiven for thinking that this might be a much needed revision of Discovering History in China. Despite a promising title, however, we are offered instead a sampling of the author's writings to date. The volume reprints excerpts from several of his previous books, starting as far back as his study of Wang Tao published in 1974 and also including a chapter from his 1984 study on American writings on modern China, and presents several talks based on his important study of the Boxer rebellion which were originally delivered in China. The collection also contains a discussion of 1949 as a watershed date, originally given at a workshop held at Harvard University in 1994, and an article on ‘national humiliation’ published as recently as 2002.While collections of articles previously published in hard-to-find journals can be a welcome addition to the field, this compendium no doubt targets the student who wishes to have a handy introduction to the career of Paul Cohen, and a helpful introductory essay in which the author reflects on how his thinking has changed over half a century of active scholarship, as well as a brief chapter in which his earlier work is revisited, no doubt facilitate this goal. Whether or not a compendium which includes work published several decades ago can still offer “fresh ways of approaching the Chinese past,” as the book description promises, is no doubt a matter of perspective, although readers in Europe may find the constant use of terms like ‘the West,’ on occasion 12 times a page, a tad tiring, all the more as this often appears to mean ‘America’–a world on its own. America-bound as China Unbound may be, the volume will nonetheless be read with profit by students from a variety of backgrounds, in particular if they are interested in the craft of historical inquiry as practiced by an important historian of modern China.


2017 ◽  
Vol 2 (1) ◽  
pp. 203-210
Author(s):  
Shellen Wu

It wasn't so long ago that histories of China's rocky transition to modernity featured a small and entirely male cast of characters. In the works of the first generation of American Sinologists, from John King Fairbank to his most famous students such as Joseph Levenson, a few men, from late Qing statesman Li Hongzhang 李鴻章 to reformers and revolutionaries like Kang Youwei 康有為, Sun Yatsen 孫中山, and Liang Qichao 梁啟超, loomed large over the narrative of the Chinese revolution. Into this lacuna Mary Rankin's rediscovery of the late Qing female martyr Qiu Jin 秋瑾 came as a thunderbolt. Her work opened up the possibility that perhaps the problem wasn't the absence of women in China's revolution but the failure of scholars to look for their contribution. Rankin's 1968 article on “The Tenacity of Tradition,” and her subsequent bookEarly Chinese Revolutionariespaved the way for a far more nuanced and complicated new social history of modern China.


Sign in / Sign up

Export Citation Format

Share Document