The Prayer Book of Ursula Begerin. Jeffrey F. Hamburger and Nigel F. Palmer. 2 vols. Dietikon: Urs Graf Verlag, 2015. 880 pp. €165.

2017 ◽  
Vol 70 (2) ◽  
pp. 759-760
Author(s):  
Amy Hollywood
Keyword(s):  
Prayer Book

From the Tower of London to the Thomas More Society of Buenos Aires: “Give me thy grace, good Lord, to set the world at nought”

Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy
Keyword(s):  
Buenos Aires ◽  
Short History ◽  
Thomas More ◽  
Tower Of London ◽  
Hebrew Poetry ◽  
Prayer Book ◽  
The World ◽  
History Of ◽  
Book Of Hours ◽  
Almost All

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.

The Book of Common Prayer: A Guide

2020 ◽  
Author(s):  
Charles Hefling
Keyword(s):  
Sixteenth Century ◽  
Church Of England ◽  
The United States ◽  
History Of The Book ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
Corporate Worship ◽  
History Of ◽  
Common Prayer ◽  
The Church

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.

Jubilate: a conversation about Prayer Book revision and the language of our prayer

2021 ◽  
Vol 103 (1) ◽  
pp. 6-26
Author(s):  
Ruth A. Meyers ◽  
Katherine Sonderegger
Keyword(s):  
Human Being ◽  
Prayer Book ◽  
Christ Church ◽  
Material Conditions ◽  
Mystery Of God ◽  
The Church

These essays were presented at the Jubilate conference at Christ Church Cathedral in the Diocese of Southern Ohio on 2 November 2019. Meyers urges the expansion of images and metaphors used to speak of the mystery of God in liturgy while not abandoning classical masculine language for God. Expanding our language is essential, she argues, both to speak the truth about God and to uphold the dignity of every human being. Sonderegger contends that masculine language for God is a settled matter in the church and in liturgy, and that this is compatible with a particular vision of Christian feminism, one centered on the material conditions of living women.

The Art of Public Worship: Percy Dearmer, William Palmer Ladd, and the American Liturgical Movement

2020 ◽  
pp. 1-20
Author(s):  
Andrew McGowan
Keyword(s):  
Liturgical Movement ◽  
Prayer Book ◽  
Divinity School ◽  
Public Worship

Abstract While Percy Dearmer’s influence on Anglican liturgy through The Parson’s Handbook and The English Hymnal are well known, his lectures on The Art of Public Worship, given in 1919 when he was visiting professor at Berkeley Divinity School in Connecticut, USA, introduce a different phase of his liturgical thought. A new emphasis on modernizing language, brevity of form, and alternative forms of worship would later have expression in England via his association with the Guildhouse in London, and in the hymnal Songs of Praise. Comparing The Art of Public Worship with the later Prayer Book Interleaves by Berkeley Divinity School’s Dean William Palmer Ladd leads to the suggestion that this ‘second Dearmer’ also had an afterlife in the American liturgical movement.

The Historical Background of the English Lectionary of 1955

1958 ◽  
Vol 9 (1) ◽  
pp. 73-86
Author(s):  
Geoffrey G. Willis
Keyword(s):  
Church Of England ◽  
Historical Background ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
The People ◽  
Common Prayer ◽  
The Church

The preface to the Book of Common Prayer, entitled Concerning the Service of the Church since 1662, but before that simply The Preface, was derived substantially from the preface to the revised Breviary of Quiñones, which was one of the sources for the revised daily offices of the Church of England. It appeals from what it considers the corruptions of the medieval office to the ‘godly and decent order of the ancient Fathers’. This order, it says, was devised for the systematic reading of holy scripture in the offices of the Church, and it was the intention of the compilers of the English Prayer Book to restore such a regular order of reading for the instruction of the people. It represented a revolt against three features of the lessons in the medieval breviary: first, against the frequent interruptions of the reading of scripture in course by the occurrence of feasts with proper lessons; secondly, the lack of completeness and continuity in the lessons themselves; and thirdly, the use of non-biblical material in the lessons. Even if the daily office of the breviary, which is based on the ecclesiastical year, were not interrupted by any immoveable feasts having proper lessons, it would still not provide for the reading of the whole of scripture, as its lessons are too short, and also the variable lessons are confined to the night office.

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