In Search of the New Woman: Middle-Class Women and Work in Britain, 1870–1914. By Gillian Sutherland.Cambridge: Cambridge University Press, 2015. Pp. xii+188. $90.00 (cloth); $72.00 (e-book).Unemployment, Welfare, and Masculine Citizenship: “So Much Honest Poverty” in Britain, 1870–1930. By Marjorie Levine-Clark. Genders and Sexualities in History. Edited by John H. Arnold, Joanna Bourke, and Sean Brady.Basingstoke: Macmillan, 2015. Pp. xx+304. $90.00.

2016 ◽  
Vol 88 (4) ◽  
pp. 926-929
Author(s):  
Katie Hindmarch-Watson
Keyword(s):  
Middle Class ◽  
New Woman ◽  
Women And Work ◽  
Cambridge University ◽  
The New Woman

Introduction

2019 ◽  
pp. xiv-16
Author(s):  
Keith Newlin
Keyword(s):  
Cultural Studies ◽  
Middle Class ◽  
New Woman ◽  
Pedagogical Issues ◽  
Literary Realism ◽  
Recent Scholarship ◽  
Time Space ◽  
The New Woman ◽  
The Aesthetic ◽  
American Literary Realism

The Oxford Handbook of American Literary Realism offers thirty-five original chapters with fresh interpretations of the artistic and political challenges of representing life accurately. Organized by topic and theme, the chapters draw on recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. One set of chapters explores realism’s genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts—poetry, drama, illustration, photography, painting, and film—and to pedagogical issues in the teaching of realism.

“Acting Victorian”

2021 ◽  
pp. 55-74
Author(s):  
Noelle Hedgcock
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Middle Class ◽  
Young Woman ◽  
New Woman ◽  
The United States ◽  
Urban Setting ◽  
Mixed Strategies ◽  
The New Woman ◽  
Insightful Analysis

Contributor Noelle Hedgcock examines the tension the studios create when they market the stars of their prestige pictures—Betty Davis, Joan Crawford, Evelyn Venable, and Joan Fontaine, as "authentically-Victorian" even as the women themselves are demonstrating characteristics of an emerging class of modern women. The studio's mixed strategies result in an ideological strain that underscores the mediated nature of the “New Woman” in mid-twentieth century Hollywood and the United States. Images of the “New Woman” could circulate, but only when set in very specific conditions. Hedgcock's insightful analysis shows the studios allowed the “New Woman” to appear as a rich, young woman in an urban setting, but not in small-town, middle-class, conservative America. In this way, Hedgcock suggests, the studios appeal to the aspirations and anxieties of womanhood found in their audiences, but only if they also left space for their stars to fit the less sophisticated notions of womanhood.

scholarly journals MODERN WOMENS ASPIRATIONS IN SHASHI DESHPANDE THE DARK HOLDS NO TERRORS

2021 ◽  
Vol 9 (10) ◽  
pp. 732-734
Author(s):  
Abha Pandey ◽  
Keyword(s):  
Middle Class ◽  
New Woman ◽  
The Novel ◽  
Economic Dependence ◽  
Realistic Picture ◽  
Middle Class Woman ◽  
The New Woman ◽  
Class Woman ◽  
Main Protagonist ◽  
Shashi Deshpande

Shashi Deshpande in her novel has presented a realistic picture of the modern educated, intelligent middle class woman in the novel. The New Woman is neither fully traditional nor fully modern. A new paradigms related to a womans life came into existence i.e. tradition and modernity, economic dependence, self-assertion, aspiration and independent in life in her novel.The New Woman in Deshpandes novel gets all types of rights in their life hence they struggle a lot to get free from the traditional world andin quest for her own identity. The present paper is an attempt to analyze Shashi Deshpandes novel The Dark Holds No Terrors.The Methodology followed in the analysis is of comparative and contrast.Sarita is the main protagonist of the novel, who is modern emancipated middle-class educated woman in the novel. She plays different roles to achieve her goals and aspirations in her life through facing various traumas in the novel.An attempt has been made to highlight Deshpandes story The Dark Holds No Terror that allocates the educated women in all possible ways.

MUCH MORE THAN AN ANTIFEMINIST: ELIZA LYNN LINTON’S CONTRIBUTION TO THE RISE OF VICTORIAN POPULAR JOURNALISM

2001 ◽  
Vol 29 (2) ◽  
pp. 267-283 ◽  
Author(s):  
Andrea L. Broomfield
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
New Woman ◽  
Active Role ◽  
Woman Question ◽  
Volume Form ◽  
Women Novelists ◽  
Saturday Review ◽  
The New Woman ◽  
Hostile Attitude

IT IS DIFFICULT TO DISCUSS the Victorian women’s rights movement and the antifeminist backlash which ensued without mentioning Eliza Lynn Linton’s contribution. Known primarily as the author of the notorious Saturday Review essay, “The Girl of the Period” (1868), Linton was and has been viewed primarily as an essayist who verbally lashed middle-class, progressive women. As late as the 1880s and 1890s, she maintained an active role in the woman-question debate, publishing her “Wild Women” essays, writing a New Woman novel, The New Woman in Haste and At Leisure, and reissuing her Girl of the Period (G.O.P) essays in volume form. Linton scholars have been particularly intrigued by the discrepancies between Linton’s emancipated lifestyle and the restricted one she advocated for other women. How could the first salaried woman journalist in England maintain such a hostile attitude towards her professionally inclined cohorts? More significantly, how could a woman who wrote one of the most radical, protofeminist novels of her time, Realities (1851), suddenly shift to promoting women’s subjection? Various, compelling answers have been offered to such questions. Vineta Colby, in The Singular Anomaly: Women Novelists of the Nineteenth Century, and Elizabeth Helsinger, Robin Sheets, and William Veeder in The Woman Question. Society and Literature in Britain and America, 1837–1883 contend that the contradictions between Linton’s lifestyle and her antifeminist essays mirror Victorian England’s own contradictory attitudes regarding gender relations.1

The Oxford Handbook of American Literary Realism

2019 ◽  
Keyword(s):  
Cultural Studies ◽  
Middle Class ◽  
New Woman ◽  
Pedagogical Issues ◽  
Literary Realism ◽  
Recent Scholarship ◽  
Time Space ◽  
The New Woman ◽  
The Aesthetic ◽  
American Literary Realism

The Oxford Handbook of American Literary Realism offers thirty-five original chapters with fresh interpretations of the artistic and political challenges of representing life accurately. Organized by topic and theme, the chapters draw on recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. One set of chapters explores realism’s genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts—poetry, drama, illustration, photography, painting, and film—and to pedagogical issues in the teaching of realism.

Gender, Technology and the New Woman

2017 ◽  
Author(s):  
Lena Wånggren
Keyword(s):  
Nineteenth Century ◽  
New Woman ◽  
New Technologies ◽  
Gender And Sexuality ◽  
Literary Texts ◽  
Late Nineteenth Century ◽  
Gender And Technology ◽  
The New Woman ◽  
Grant Allen

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.

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