Nicola Badolato. I drammi musicali di Giovanni Faustini per Francesco Cavalli. Historiae Musicae Cultores 122. Florence: Leo S. Olschki, 2012. 532 pp. €55. ISBN: 978–88–222–61366–6.

2013 ◽  
Vol 66 (4) ◽  
pp. 1404-1406
Author(s):  
Katharina N. Piechocki
Keyword(s):  
Francesco Cavalli

Giasone. Francesco Cavalli

1989 ◽  
Vol 6 (4) ◽  
pp. 136-139
Author(s):  
Dennis W. Wakeling
Keyword(s):  
Francesco Cavalli

scholarly journals Armidoro, Oristeo e altri principi giardinieri sulle scene dell’opera veneziana nel Seicento

2020 ◽  
pp. 301-325
Author(s):  
Nicola Badolato
Keyword(s):  
17Th Century ◽  
The Novel ◽  
Francesco Cavalli ◽  
The Subject ◽  
French Theatre ◽  
Luis Velez De Guevara

The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatrical tradition: the model of Don Duardos by Gil Vicente (1562), reprinted in El rincipe viñador by Luis Vélez de Guevara (1668), is also used in French theatre, which proposes a variation in Le Prince déguisé by Georges de Scudery (1636), partly based on the novel Grisel y Mirabella by Juan de Flores (1524). This subject was later integrated into 17th century Italian theatre, starting with Venetian opera. This essay analyses in particular some works produced in Venice in the middle of the century, starting with Il prencipe giardiniero by Benedetto Ferrari (1644), whose subject anticipates first L’Oristeo (1651) by Giovanni Faustini and Francesco Cavalli, and Laurindo by Gio. Andrea Moniglia, written in 1657 and printed as Il principe giardiniere under the name of Giacinto Andrea Cicognini starting from 1664.

Il Giasone by Francesco Cavalli (review)

Notes ◽  
2013 ◽  
Vol 69 (3) ◽  
pp. 604-604
Author(s):  
Kevin Salfen
Keyword(s):  
Francesco Cavalli

FRANCESCO CAVALLI: SOME RECENTLY DISCOVERED DOCUMENTS

1965 ◽  
Vol XLVI (1) ◽  
pp. 50-55
Author(s):  
DENIS ARNOLD
Keyword(s):  
Francesco Cavalli
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