scholarly journals The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England*

2013 ◽  
Vol 66 (3) ◽  
pp. 866-903 ◽  
Author(s):  
Sara Trevisan

AbstractThe relationship between poetry and painting has been one of the most debated issues in the history of criticism. The present article explores this problematic relationship in the context of sixteenth- and seventeenth-century England, taking into account theories of rhetoric, visual perception, and art. It analyzes a rare case in which a specific school of painting directly inspired poetry: in particular, the ways in which the Netherlandish landscape tradition influenced natural descriptions in the poem Poly-Olbion (1612, 1622) by Michael Drayton (1563–1631). Drayton — under the influence of the artistic principles of landscape depiction as explained in Henry Peacham’s art manuals, as well as of direct observation of Dutch and Flemish landscape prints and paintings — successfully managed to render pictorial landscapes into poetry. Through practical examples, this essay will thoroughly demonstrate that rhetoric is capable of emulating pictorial styles in a way that presupposes specialized art-historical knowledge, and that pictorialism can be the complex product as much of poetry and rhetoric as of painting and art-theoretical vocabulary.

Author(s):  
Victoria Brownlee

The recent upturn in biblically based films in Anglophone cinema is the departure point for this Afterword reflecting on the Bible’s impact on popular entertainment and literature in early modern England. Providing a survey of the book’s themes, and drawing together the central arguments, the discussion reminds that literary writers not only read and used the Bible in different ways to different ends, but also imbibed and scrutinized dominant interpretative principles and practices in their work. With this in mind, the Afterword outlines the need for further research into the relationship between biblical readings and literary writings in sixteenth- and seventeenth-century Europe.


2007 ◽  
Vol 50 (2) ◽  
pp. 449-464 ◽  
Author(s):  
MICHAEL EDWARDS

The historiography of early modern Aristotelian philosophy and its relationship with its seventeenth-century critics, such as Hobbes and Descartes, has expanded in recent years. This article explores the dynamics of this project, focusing on a tendency to complicate and divide up the category of Aristotelianism into multiple ‘Aristotelianisms’, and the significance of this move for attempts to write a contextual history of the relationship of Hobbes and Descartes to their Aristotelian contemporaries and predecessors. In particular, it considers recent work on Cartesian and Hobbesian natural philosophy, and the ways in which historians have related the different forms of early modern Aristotelianism to the projects of the novatores.


1996 ◽  
Vol 6 ◽  
pp. 247-248
Author(s):  
Ingrid Tague ◽  
Helen Berry

Richard Cust connected honour to his work on political culture and the gentry. He introduced the work of Mervyn James on honour as a framework for thinking about behavioural change over time. He suggested that the new historical approach is a multi-layered rather than a teleological one. Certain speakers had emphasised change rather than continuity over time, while others challenged such an approach. Important new themes had been introduced by the conference speakers, such as the importance of lineage, the impact of the companionate marriage, the relationship between public and private notions of honour and the acceptability of violence as a means of defending or challenging honour. He suggested two related ways of thinking about honour that had not been touched on by any of the speakers: the notion of ‘honesty’ to refer to a godly magistrate following his conscience, and the importance of godliness generally, a pious reputation as key means of establishing one's honour.


Author(s):  
Bethânia De Albuquerque Assy ◽  
Florian Fabian Hoffman

Resumo: A resposta da Escola de Salamanca à crise cognitiva gerada pelo encontro entre europeus e ameríndios no século XVI tem se convertido em um dos momentos mais referenciados na historiografia colonial devido ao papel que desempenhou na formação do direito internacional (europeu). Embora a posição tradicional sobre o uso dos direitos naturais da Escola para enquadrar o relacionamento com os ameríndios tenha mitigado a universalidade colonizadora do incipiente ius gentium (europeu), (re)leituras post/descoloniais mais recentes expuseram esse movimento como uma mera estratégia para a subjugação epistêmica dos ameríndios. No entanto, de acordo com suas premissas historicistas, ambas as posições se concentraram no impacto da doutrina de Salamanca sobre a história europeia das ideias e deixaram (relativamente) sub-explorado seu significado como resposta à experiência de alteridade radical em relação ao encontro ameríndio. O recurso a linguagem de direitos dos salamanquianos também pode ser visto como uma maneira de lidar com o desafio perspectivista fundamental que a “razão” culturalmente diferente, ainda que epistemologicamente equivalente, dos ameríndios representou. A sua “solução” de um jusnaturalismo pluricultural historicamente concretizado não era inteiramente coerente nem livre do eurocentrismo. Mas sua gênese contrafactual por meio de uma combinação de realismo universalista escolástico tardio e de multinaturalismo indígena mostra que o encontro ameríndio era intelectualmente muito menos unilateral do que a recepção europeia histórica reconheceria. No entanto, essa abordagem exige não apenas uma virada (sutil) para uma perspectiva etnográfica, mas também uma reconstrução antropológica radical da historiografia do início da era moderna do direito internacional.Abstract: The School of Salamanca’s response to the cognitive crisis which the encounter between Europeans and Amerindians in the sixteenth century generated has become one of the most referenced moments in colonial historiography for the role it played in the formation of (European) international law. While the traditional position on the School’s use of natural rights to frame the relationship with Amerindians argued that it thereby sought to mitigate the colonizing universality of the incipient (European) ius gentium, more recent post/decolonial (re-)readings have exposed this move as a mere strategy for the epistemic subjugation of Amerindia. However, in line with their historicist premises, both positions have focussed on the impact of Salamancan thought on the European history of ideas and have left its significance as a response to the experience of radical alterity vis-à-vis the Amerindian encounte (relatively) underexplored. For the Salamancan’s resort to rights language can also be seen as a way to grapple with the fundamental perspectivist challenge that the culturally different yet epistemically equivalent ‘reason’ of the Amerindians represented. Their “solution” of a historically concretized pluricultural jusnaturalism was neither entirely coherent nor free from Eurocentrism, but its counterfactual genesis through a combination of late scholastic universalist realism and Amerindian multinaturalism shows that the Amerindian encounter was intellectually much less one-sided than its European reception history would acknowledge. Yet, this approach requires not only a (subtle) shift towards an ethnographic perspective but also a (radically) anthropological reconstruction of the historiography of early modern international law.


2016 ◽  
Vol 6 (1) ◽  
pp. 54-83
Author(s):  
Hilde De Weerdt

This article proposes that in Song China, as opposed to early modern England, user publication or the publication of texts by readers quickly adjusted to the print medium. It does so on the basis of an examination of the publishing history of Wang Mingqing’s 王明清 (1127-after 1214) serially published notebook, Huizhu lu 揮麈錄 (Waving the duster) in the twelfth and thirteenth centuries and an analysis of how manuscript and print texts were used and discussed throughout it. The article aims to contribute towards a better understanding of the relationship between print and manuscript at a time when printing had just become a medium for the dissemination of a wide variety of types of knowledge and particularly of twelfth-century perceptions of this relationship. Wang Mingqing’s notebook further illustrates that in notebooks literati collected and published manuscript and print texts of value to them, including those related to recent dynastic history. The display of textual connoisseurship was one of several ways in which growing numbers of men expressed their aspiration for literati status in notebooks from the twelfth century onwards.


2019 ◽  
Vol 6 (1) ◽  
pp. 71-93 ◽  
Author(s):  
Andreas Hellerstedt

This article explores the problem of innate, natural talent vs acquired skill, knowledge, and virtue in dissertations from Uppsala University around 1680. These texts have never before been studied. It discusses questions such as: how did Swedish academics of the period conceive the relationship between ingenium (innate potential) and (acquired) virtue or knowledge? Which teaching methods did they advocate? How do the texts relate to developments in seventeenth century society? The study uses a combination of contextual analysis and a ‘history of concepts’ approach to answer these questions. The analysis reveals that the Swedish dissertations respond to contemporary debates (involving well-known authorities such as Vives, Huarte, Erasmus, and Comenius) and that they were affected by the immediate context: the growth of the early modern state and the social mobility which accompanied that growth. Education is described in Renaissance humanist terms, with a clear affinity to moral philosophical concepts such as virtue and habituation. The learning process described is analogous to the acquisition of moral virtue and education itself is to a large extent legitimated with reference to moral socialization. The educational ideas put forward balance discipline and playfulness, and represent a relatively democratic view of the distribution of human capabilities, showing a great trust in the potential of education. However, there is also a distinct stress on medical explanations of differences in individual talent.


Author(s):  
W. B. Patterson

Long considered a distinctive English writer, Thomas Fuller (1608–1661) has not been recognized as the important historian he was. Fuller’s The Church-History of Britain (1655) was the first history of Christianity from its planting in ancient Britain to the mid-seventeenth century. Fuller’s History of the Worthies of England (1662) was, moreover, the first biographical dictionary in England. It seeks to represent noteworthy individuals in the context of their native counties. This book, Thomas Fuller: Discovering England’s Religious Past, highlights the fact that Fuller was a major contributor to the flowering of historical writing in early modern England. It provides a biography of Thomas Fuller, an account of the tumultuous times in which he lived, and a critical assessment of the origins, growth, and achievements of a new kind of history, a genre to which he made significant and lasting contributions. Memory is a central theme. Widely known for his own memory, Fuller sought to revive the memory of the English people concerning their religious and political past. By means of historical research involving records, books, personal interviews, and travels, he sought to discover his country’s religious past and to bring it to the attention of his fellow English men and women, who might thereby be enabled to rebuild their shattered Church and nation.


"Feminist Consciousness" and "Wicked Witches": Recent Studies on Women in Early Modern EuropeAn Ordered Society: Gender and Class in Early Modern England. Susan Dwyer AmussenThe Invention of Renaissance Woman: The Challenge of Female Independence in the Literature and Thought of Italy and England. Pamela Joseph BensonThe Evolution of Women's Asylums since 1500: From Refuges for Ex-Prostitutes to Shelters for Battered Women. Sherrill CohenThe Patriarch's Wife: Literary Evidence and the History of the Family. Margaret J. M. EzellPerforming Motherhood: The Sévigné Correspondence. Michèle Longino FarrellWomen in Seventeenth-Century France. Wendy GibsonLewd Women and Wicked Witches: A Study of the Dynamics of Male Domination. Marianne HesterVirtue of Necessity: English Women's Writing, 1649-1688. Elaine HobbyThe First English Actresses: Women and Drama, 1660-1700. Elizabeth HoweWomen in Power in Early Modern Drama. Theodora A. JankowskiThe Currency of Eros: Women's Love Lyric in Europe, 1540-1620. Ann Rosalind JonesRenaissance Feminism: Literary Texts and Political Models. Constance JordanWomen of the Renaissance. Margaret L. KingThe Creation of Feminist Consciousness: From the Middle Ages to Eighteen-Seventy. Gerda LernerWriting Women in Jacobean England. Barbara Kiefer LewalskiVisionary Women: Ecstatic Prophecy in Seventeenth-Century England. Phyllis MackThe Holy Household: Women and Morals in Reformation Augsburg. Lyndal RoperDisorderly Women and Female Power in the Street Literature of Early Modern England and Germany. Joy Wiltenburg

Signs ◽  
1994 ◽  
Vol 20 (1) ◽  
pp. 152-175
Author(s):  
Barbara Becker-Cantarino

2014 ◽  
Vol 57 (2) ◽  
pp. 485-508 ◽  
Author(s):  
MARTHA VANDREI

ABSTRACTThis article examines the figure of Boudica (or Boadicea), with a specific focus on Thomas Thornycroft's Westminster Bridge statue, and on the work of the seventeenth-century antiquary, Edmund Bolton. By synthesizing historiography which investigates the idea of ‘historical culture’ in the modern and early modern periods, this article attempts to bridge chronological and generic divisions which exist in the study of the history of history. It argues that to fully understand the genealogy of popular historical ideas like Boudica, it is imperative that historians of such subjects take alongue-duréeapproach that situates individual artists and writers, and the historical-cultural works they produce, within their broader political, cultural, and social contexts while simultaneously viewing these works as part of a long, discursive process by which the past is successively reinterpreted. As a consequence, this article eschews an analysis of Boudica which labels her an ‘imperial icon’ for Victorian Britons, and argues that the relationship between contemporary context and the re-imagined past is not as straightforward as it might initially appear.


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