Locality in the History of Science: Colonial Science, Technoscience, and Indigenous Knowledge

Osiris ◽  
2000 ◽  
Vol 15 ◽  
pp. 221-240 ◽  
Author(s):  
David Wade Chambers ◽  
Richard Gillespie
2017 ◽  
Vol 55 (2) ◽  
pp. 210-233 ◽  
Author(s):  
Paula De Vos

Recent work in the history of science has questioned the Eurocentric nature of the field and sought to include a more global approach that would serve to displace center–periphery models in favor of approaches that take seriously local knowledge production. Historians of Iberian colonial science have taken up this approach, which involves reliance on indigenous knowledge traditions of the Americas. These traditions present a number of challenges to modern researchers, including availability and reliability of source material, issues of translation and identification, and lack of systematization. This essay explores the challenges that emerged in the author’s attempt to compile a pre-contact Nahua pharmacopeia, the reasons for these challenges, and the ways they may – or may not – be overcome.


1990 ◽  
Vol 35 (7) ◽  
pp. 654-656
Author(s):  
Harry Beilin

2020 ◽  
Vol 50 (1-2) ◽  
pp. 58-66
Author(s):  
Giuliano Pancaldi

Here I survey a sample of the essays and reviews on the sciences of the long eighteenth century published in this journal since it was founded in 1969. The connecting thread is some historiographic reflections on the role that disciplines—in both the sciences we study and the fields we practice—have played in the development of the history of science over the past half century. I argue that, as far as disciplines are concerned, we now find ourselves a bit closer to a situation described in our studies of the long eighteenth century than we were fifty years ago. This should both favor our understanding of that period and, hopefully, make the historical studies that explore it more relevant to present-day developments and science policy. This essay is part of a special issue entitled “Looking Backward, Looking Forward: HSNS at 50,” edited by Erika Lorraine Milam.


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