The Dixie Frontier: A Social History of the Southern Frontier from the First Transmontane Beginnings to the Civil War. Everett Wick

1948 ◽  
Vol 22 (4) ◽  
pp. 540-540
Author(s):  
Hazel Kyrk
Keyword(s):  
2021 ◽  
Vol 2021 (04-1) ◽  
pp. 4-39
Author(s):  
Olga Konovalova ◽  
Vera Fedorova ◽  
Anna Dvoretskaya

In the publication, O.V. Konovalova, V.I. Fedorova, A.P. Dvoretskaya presented letters 1931-1932 of the leader and theoretician of the party of socialists-revolutionaries V.M. Chernov to a prominent figure of the party O.S. Minor and a representative of Harbin socialists-revolutionaries organization M. I. Klyaver regarding the split of the Foreign delegation of the socialists-revolutionaries. They are preserved in the collection of VM. Chernov of the International Archives and Collections at the International Institute of Social History in Amsterdam. The presented letters help to clarify VM. Chernov’s position on the key issues of the history of the SR party during the Russian revolution, Civil War, and emigration of the 1920s, and also shed light on the deep reasons for the split of the ZD AKP.


ARTMargins ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 69-86
Author(s):  
Ghalya Saadawi

Chad Elias' 2018 book Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon attempts to deal with the question of post-civil war representation, image-making and contemporary art from the perspective of memory studies in Lebanon. Dealing with a particular group of artists working since the 1990's in installation, video, film, and performance, the book attempts to create a relation between their artistic propositions and narratives on the one hand, and the post-war reckoning with the missing and disappeared, the history of former Leftist combatants, neglected space programs, reconstruction and urban space, on the other. The book has a series of shortcomings and structural, theoretical blind spots that this review essay attempts to redress. For instance, Posthumous Images has no framework for the notions of communities of witnessing, collective memory, or post-war amnesia that seems to underpin its claims, as they seem to figure only nominally. In these theoretical omissions, the essay argues, the book adopts and furthers the ideology human rights as this relates to the politics of remembrance, as well as to Lebanon's neoliberal post-war realities. Moreover, it lacks a rigorous art historical frame to study the given artworks formally, or theoretically, leaving the book open to a post-historical method that disavows a critical, social history of art needed for an analysis of post-civil war and post-Cold war art forms in Lebanon and beyond.


Μνήμων ◽  
2005 ◽  
Vol 27 ◽  
pp. 181
Author(s):  
ΜΙΧΑΛΗΣ Π. ΛΥΜΠΕΡΑΤΟΣ

<p>Michalis P. Liberatos, Historical Time and the interpretations of the history of the Greek Civil War: the methodological problems</p><p>The idea of historical time is crucial from a methodological point of view as far as the study of political and social history are concerned. Especially about the history of the Greek Civil War, a period that convulsed public opinion and caused scientific interpretations overwhelmed by ideological and epistemological «burdens». The most important of them is the idea of a time constant, continual, without turnovers and breaks, that is time in the «common sense». This «time», according to its origins, self-determines its evolution, its «determination» explains all of the aspects and the historical stages and facts. This is the traditional assumption that change has always to be explained in terms of something fixed and unchangeable. As for the policy of the Greek Communist Party this notion of time provokes some historians to an explanation that associates this policy with the origins of its philosophical program and not with the «real history». This approach avoids to enquiry into the adaptation of this program to the demands of political relations in time, to counter policies and as a specification of social representations. It is mainly an unaltered policy that arises as the outcome of an assemblage of antecedent events that compose a passage of identities. Because of this domination of this notion of the «continuity» of time, the study of Greek Civil War reproduced the ideological configurations of the past. Therefore it has degraded very important aspects of historical reality, without giving adequate answers about them. These are the question of the deepest tasks of KKE and its strategy, the causes of the unscheduled creation of Democratic Army (ΔΣΕ) in the mountains, the role of the rival political powers, the extent of the possibilities of a negotiation, the relation between Greeks and the Great Powers. As the recent historical enquiries has showed —the edition of a book of Ph. Iliou signalled a new era in the interpretation of this period— a different methodological attitude is perhaps primarily useful on account of the errors it enables one to avoid, in particular in constructing the historical object. This article presents the implication between the dominant notion of «time», the difficulties in explanations and with the ability to overcome the epistemological «burdens» if is to be called into question the idea of historical time. This is important in order to break away from some presuppositions that are tacitly accepted by some historians. This new notion of time sweeps away the naively idealistic view of continuity, that traditional approaches have raised. Because it is history and the internal dynamic which carries evolution and not the historical unchanged «purposes».</p>


1986 ◽  
Vol 59 (4) ◽  
pp. 676
Author(s):  
Christopher L. Dolmetsch ◽  
Robert E. Cazden

1992 ◽  
Vol 45 (1) ◽  
pp. 210
Author(s):  
Daniel I. Greenstein ◽  
J. Matthew Gallman
Keyword(s):  

Author(s):  
Ryan W. Keating

This book is a study of soldiers who served in Irish regiments during the American Civil War and the communities that supported them. Tracing the organization and service of self-proclaimed Irish units from Connecticut, Illinois, and Wisconsin, this study transitions the historical debate away from the motivations and sentiment of “Irish America”—a national cohesive entity with similar experiences and attitudes—and towards “Irish Americas,” men and women connected to both local as well as national communities. Such an approach allows us to better understand how adopted citizens, their comrades in arms, and their friends and neighbors experienced the Civil War era. As a social history of the Civil War, Shades of Green explores the experiences, motivations, political identities, and ideologies of Union soldiers and civilians with a particular focus on the impact of the war on immigrants in smaller communities scattered throughout the North. Utilizing an array of sources including muster and descriptive rolls, federal census data, and veterans pensions, this book argues that Irish regiments were as much the expressions of local enlistment patterns as they were reflections of a commitment to a broader Irish American national identity.


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