Prophets, Paupers, or Professionals? A Social History of Everyday Visual Artists in Modern Germany, 1850–Present. By Charles E.  McClelland. German Linguistic and Cultural Studies, volume 12. Edited by, Peter Rolf  Lutzeier. Oxford: Peter Lang, 2003. Pp. 238. $52.95.

2006 ◽  
Vol 78 (3) ◽  
pp. 754-756
Author(s):  
Robin Lenman
Keyword(s):  
Cultural Studies ◽  
Social History ◽  
Visual Artists ◽  
Modern Germany ◽  
History Of

Jumbos and Jumping Devils

2020 ◽  
Author(s):  
Nisha P R
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
South Asia ◽  
Social History ◽  
Post Colonial ◽  
The Social ◽  
Wide Range ◽  
History Of

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.

scholarly journals Japanese Culture in Modern Malay Literature: Experiences and Observations of Malay Writers

2015 ◽  
Vol 28 (1) ◽  
pp. 91-106
Author(s):  
Siti Hajar Che Man ◽  
◽  
Ratna Roshida Ab Razak ◽  
Keyword(s):  
Cultural Studies ◽  
Social History ◽  
Japanese Society ◽  
Japanese Culture ◽  
National Pride ◽  
History Of

This article aims to examine the beauty of the values still adhered to in Japanese society as traceable in creative works based on the experiences and observations of Malay writers. Values such as beauty, silence, refinement, internal strength and civilized living have been adapted from the ontological transformations and pathetic beauty inherited from the glory days of Matsuo Basho (1644- 1694) and Yasunari Kawabata (1899-1972). This study draws on the cultural studies theory of Chris Barker. The discussion is centred on the experiences of several Malay writers who have fictionalized their experiences of life in Japan. Muhammad Haji Salleh follows Basho’s footsteps and is inspired by a love for nature and the soul and character of the Japanese, as recorded in his poems in the anthology Salju Shibuya ( The Snows of Shibuya ), while Arena Wati delves into the national pride and social history of the Japanese and Malays in his novel Sakura Mengorak Kelopak ( The Sakura Sheds its Petals ), and Abu Yazid Abidin shares the ups and downs of immigrant Malays in Japan in his own novel, Sejuk-sejuk Tokyo ( Frosty Tokyo ). Keywords: Japanese culture, modern Malay Literature, Malay writers, experience, observation Abstrak Makalah ini bertujuan untuk melihat keindahan nilai murni yang diamalkan oleh masyarakat Jepun sebagai gaya hidup yang dapat dikesan menerusi karya kreatif hasil pengamatan dan pengalaman pengarang Melayu. Nilai keindahan, kesunyian, kehalusan, semangat dalaman, kesantunan gaya hidup yang diamalkan merupakan adaptasi daripada unsur transformasi ontologikal dan keindahan patetik yang diwarisi sejak zaman keagungan Matsuo Basho (1644-1694) dan Yasunari Kawabata (1899-1972). Penelitian ini disandarkan pada teori kajian budaya yang disarankan oleh Chris Barker. Perbincangan bertunjangkan pengalaman yang pernah dilalui oleh beberapa orang pengarang Melayu yang pernah mengilhamkan pengalaman hidup mereka sewaktu berada di Jepun. Muhammad Haji Salleh mengilhami rasa percintaan alam, jiwa dan budi bangsa Jepun dengan mengikut langkah Basho menerusi puisinya dalam antologi Salju Shibuya , Arena Wati menyelami maruah bangsa, sejarah sosial bangsa Jepun dan Melayu dalam novel Sakura Mengorak Kelopak , dan Abu Yazid Abidin berkongsi rencah hidup orang Melayu di perantauan daerah Jepun dalam Sejuk-sejuk Tokyo . Kata kunci: budaya Jepun, sastera Melayu moden, pengarang Melayu, pengalaman, pengamatan

scholarly journals Ludosity, Radical Contextualism, and a New Games History: Pleasure, Truth, and Deception in the Mid-20th-Century London Arcade

2019 ◽  
pp. 155541201987501
Author(s):  
Benjamin Litherland
Keyword(s):  
Cultural Studies ◽  
Social Interactions ◽  
Detailed Analysis ◽  
Social History ◽  
20Th Century ◽  
History Of ◽  
New Cinema

This article offers a social history of funfairs and arcades in mid-20th-century urban England. Critiquing existing histories of games for often neglecting players and the specific locales in which games are played, it draws on both new cinema history and cultural studies’ conception of “radical contextualism” to outline what the article describes as a game’s ludosity. Ludosity, the article proposes, is the condition or quality of game partcipation as shaped by a range of agents, institutions, and contexts. Utilizing mass observation records, it offers a detailed analysis of the ways in which social interactions influenced ludic experiences of pinball tables and crane machines and posits that games history needs to center players in order to fully conceptualize games in history.

Early Cinema in Scotland

2018 ◽  
Keyword(s):  
Social History ◽  
Small Towns ◽  
Early Cinema ◽  
Popular Song ◽  
Feature Film ◽  
Local Newspapers ◽  
The Social ◽  
Production History ◽  
History Of ◽  
International Audience

This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.

The perils and dangers of these knights (and undead peasants): Interpreting English and Scottish Extent Rolls of 1297–1305

2016 ◽  
Vol 36 (1) ◽  
pp. 13-39 ◽  
Author(s):  
J. Donnelly
Keyword(s):  
Social History ◽  
Economic History ◽  
Time Frame ◽  
Compte Rendu ◽  
History Of ◽  
Different Sources

Medieval Scottish economic and social history has held little interest for a unionist establishment but, just when a recovery of historic independence begins to seem possible, this paper tackles a (perhaps the) key pre-1424 source. It is compared with a Rutland text, in a context of foreign history, both English and continental. The Berwickshire text is not, as was suggested in 2014, a ‘compte rendu’ but rather an ‘extent’, intended to cross-check such accounts. Read alongside the Rutland roll, it is not even a single ‘compte’ but rather a palimpsest of different sources and times: a possibility beyond earlier editorial imaginings. With content falling (largely) within the time-frame of the PoMS project (although not actually included), when the economic history of Scotland in Europe is properly explored, the sources discussed here will be key and will offer an interesting challenge to interpretation. And some surprises about their nature and date.

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