Real Estate and Artistic Identity in Turn‐of‐the‐Century New York

American Art ◽  
2006 ◽  
Vol 20 (2) ◽  
pp. 56-75
Author(s):  
John Davis
Keyword(s):  
New York ◽  
Real Estate ◽  
Turn Of The Century ◽  
Artistic Identity

The Changing Landscape of Asian Entrepreneurship, Minority Banks, and Community Development

2011 ◽  
Vol 9 (1-2) ◽  
pp. 78-90
Author(s):  
Tarry Hum
Keyword(s):  
New York ◽  
New York City ◽  
Data Collection ◽  
Community Development ◽  
Real Estate ◽  
York City ◽  
Commercial Real Estate ◽  
Data Sources ◽  
Real Estate Development ◽  
Public Data

This policy brief examines minority banks and their lending practices in New York City. By synthesizing various public data sources, this policy brief finds that Asian banks now make up a majority of minority banks, and their loans are concentrated in commercial real estate development. This brief underscores the need for improved data collection and access to research minority banks and the need to improve their contributions to equitable community development and sustainability.

Contributions of Joseph Hardcastle to Accounting Theory

2008 ◽  
Vol 35 (2) ◽  
pp. 145-179 ◽  
Author(s):  
George C. Romeo ◽  
James J. McKinney
Keyword(s):  
New York ◽  
Turn Of The Century ◽  
Strong Impact ◽  
New York University ◽  
Honorary Degree ◽  
Cpa Exam ◽  
Accounting Theory ◽  
The U.S

Joseph Hardcastle was one of the foremost authorities on subjects connected with the mathematics of finance and other topics in accounting in the late 19th and early 20th centuries. As a teacher, author, and leader in the profession, he figured prominently in the elevation of accountancy. Hardcastle is relatively unknown in the literature except for having the distinction of scoring the highest grades on the first CPA exam in New York in 1896. However, he was well respected during his time as one of the premier theorists in accounting and was awarded an honorary degree of Master of Letters by New York University. Because of his prolific writings, his teaching of future accountants, and his interactions with members of the Institute of Accounts, he had a strong impact on the “science of accounts,” the dominant accounting theory in the U.S. at the turn of the century.

“Little Plants in the Country”: Henry Ford's Village Industries and the Beginning of Decentralized Technology in Modern America

Prospects ◽  
1988 ◽  
Vol 13 ◽  
pp. 181-223 ◽  
Author(s):  
Howard P. Segal
Keyword(s):  
United States ◽  
Decision Making ◽  
New York ◽  
Information Processing ◽  
Real Estate ◽  
New York Times ◽  
The United States ◽  
Physical Proximity ◽  
The World ◽  
Word Processors

“Technology Spurs Decentralization Across the Country.” So reads a 1984 New York Times article on real-estate trends in the United States. The contemporary revolution in information processing and transmittal now allows large businesses and other institutions to disperse their offices and other facilities across the country, even across the world, without loss of the policy- and decision-making abilities formerly requiring regular physical proximity. Thanks to computers, word processors, and the like, decentralization has become a fact of life in America and other highly technological societies.

Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking

1996 ◽  
Vol 37 (2) ◽  
pp. 67-92 ◽  
Author(s):  
David Krasner
Keyword(s):  
New York ◽  
New York City ◽  
Performing Arts ◽  
West African ◽  
Turn Of The Century ◽  
The Body ◽  
Race And Gender ◽  
The Social ◽  
Anna Julia Cooper ◽  
And Gender

Although Aida Overton Walker (1880–1914) belonged to the same generation of turn-of-the-century African American performers as did Bob Cole, J. Rosamond Johnson, Bert Williams, and George Walker, she had a rather different view of how best to represent her race and gender in the performing arts. Walker taught white society in New York City how to do the Cakewalk, a celebratory dance with links to West African festival dance. In Walker's choreography of it, it was reconfigured with some ingenuity to accommodate race, gender, and class identities in an era in which all three were in flux. Her strategy depended on being flexible, on being able to make the transition from one cultural milieu to another, and on adjusting to new patterns of thinking. Walker had to elaborate her choreography as hybrid, merging her interpretation of cakewalking with the preconceptions of a white culture that became captivated by its form. To complicate matters, Walker's choreography developed during a particularly unstable and volatile period. As Anna Julia Cooper remarked in 1892.

The Building of the Lafayette Theatre

1974 ◽  
Vol 15 (2) ◽  
pp. 105-129
Author(s):  
Robert Montilla
Keyword(s):  
New York ◽  
Real Estate ◽  
Vice President ◽  
Full Scale ◽  
Bar Association ◽  
The Military ◽  
The City

The Lafayette Theatre of New York was built and owned by Charles W. Sandford (1796–1878), a colorful and sometimes eccentric personality, whose careers in law, business, and the military, combined with a personal predilection for pomp and display, made him a prominent member of New York's society. As a businessman, Sandford made and lost “several fortunes” in the course of his eventful life in a variety of financial speculations that included investments in real estate, hardware, and theatres. Most of these ended disastrously for him, but his ventures accrued enough profit to allow him to live stylishly all his life, entertain every prominent guest of the city and, on his death in 1878, leave his family a “comfortable competency.” As a lawyer, Sandford handled several celebrated cases and, being generally considered “among the finest” members of his profession, was eventually named vice-president of the New York Bar Association. But it was in his career as a soldier that his love for horses, parades, and gilded uniforms was most manifest and which led Sandford to erect the first full-scale equestrian theatre in America.

Scribner’s Bookstore

LOGOS ◽  
2021 ◽  
Vol 31 (4) ◽  
pp. 39-43
Author(s):  
David Emblidge
Keyword(s):  
New York ◽  
New York City ◽  
Real Estate ◽  
Business Model ◽  
York City ◽  
Publishing Company ◽  
Benjamin Franklin ◽  
Personal Service ◽  
New Yorker ◽  
Real Estate Developers

Abstract In 1989, a literary landmark in New York City closed. Scribner’s Bookstore, 597 Fifth Avenue, stood at the epicentre of Manhattan’s retail district. The Scribner’s publishing company was then 153 years old. In the 1920s, driven by genius editor Max Perkins, Scribner’s published Fitzgerald, Hemingway, and Wolfe. Scribner’s Magazine was The New Yorker of its day. The bookshop and publisher occupied a 10-storey Beaux-Arts building, designed by Ernest Flagg, which eventually won protection from the New York City Landmarks Preservation Commission. Medallions honoured printers Benjamin Franklin, William Caxton, Johann Gutenberg, and Aldus Manutius. The ‘Byzantine cathedral of books’ offered deeply informed personal service. But the paperback revolution gained momentum, bookshop chains like Barnes & Noble and Brentano’s adopted extreme discounting, and the no-discounting Scribner’s business model became unsustainable. Real estate developers swooped in. The bookshop’s ignominious end came when Italian clothier Benetton took over its space.

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