Proportional Form in the Sonnets of the Sidney Circle: Loving in Truth. Tom W. N. Parker

2001 ◽  
Vol 99 (1) ◽  
pp. 87-92
Keyword(s):  
Neophilologus ◽  
1972 ◽  
Vol 56 (3) ◽  
pp. 331-343
Author(s):  
G. F. Waller
Keyword(s):  

1990 ◽  
Vol 37 (2) ◽  
pp. 165-a-165
Author(s):  
J. D. ALSOP
Keyword(s):  

2016 ◽  
pp. 254-263
Author(s):  
Mary Ellen Lamb
Keyword(s):  

1993 ◽  
Vol 24 (1) ◽  
pp. 190
Author(s):  
Constance C. Relihan ◽  
Mary Ellen Lamb
Keyword(s):  

PMLA ◽  
1959 ◽  
Vol 74 (4) ◽  
pp. 318
Author(s):  
Harry Morris
Keyword(s):  

Author(s):  
Katherine R. Larson

Although not every lyric produced in sixteenth- and seventeenth-century England was intended to be sung, unpacking the musical facets of lyric circulation holds tremendous implications for our understanding of the performance-based facets of early modern poetics. In confronting these questions, this chapter takes as its focus the literary–musical nexus of the Sidney circle and, in particular, the writings of Mary Wroth, an accomplished musician whose writings abound with musical lyrics and allusions to song performance. Focusing on the manuscript collection of Wroth’s poems now preserved at the Folger Shakespeare Library and on the songs scattered throughout Urania, this chapter considers how reading Wroth’s songs as songs—as metrical compositions written with a tune in mind, adapted for musical setting and performance, or simply meant to be imagined as sung—sheds new light on the affective impact of the musical moments in her writings.


2000 ◽  
Vol 95 (3) ◽  
pp. 797
Author(s):  
Andrew Hadfield ◽  
Tom W. N. Parker
Keyword(s):  

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