Turning Points: Essays in the History of Cultural Expressions. Marshall Brown

2000 ◽  
Vol 98 (1) ◽  
pp. 97-100
1999 ◽  
Vol 94 (3) ◽  
pp. 809
Author(s):  
Paul Smethurst ◽  
Marshall Brown

Leonardo ◽  
2014 ◽  
Vol 47 (5) ◽  
pp. 460-465
Author(s):  
Barbara L. Miller

Schopenhauer and Goethe argued that colors are dangerous: When philosophers speak of colors, they often begin to rant and rave. This essay addresses the confusing and treacherous history of color theory and perception. An overview of philosophers and scientists associated with developing theories leads into a discussion of contemporary perspectives: Taussig’s notion of a “combustible mixture” and “total bodily activity” and Massumi’s idea of an “ingressive activity” are used as turning points in a discussion of Roger Hiorns’s Seizure—an excruciatingly intoxicating installation.


Author(s):  
Thomas Albert Howard

In recent decades, organizations committed to interreligious or interfaith dialogue have proliferated, both in the Western and non-Western worlds. Why, how so, and what exactly is interreligious dialogue? These are the touchstone questions of this book, the first major history of interreligious dialogue in the modern age. The book narrates and analyzes several key turning points in the history of interfaith dialogue before examining, in the conclusion, the contemporary landscape. While many have theorized about and/or practiced interreligious dialogue, few have attended carefully to its past, connecting its emergence and spread with broader developments in modern history. Interreligious dialogue — grasped in light of careful, critical attention to its past — holds promise for helping people of diverse faith backgrounds to foster cooperation and knowledge of one another while contributing insight into contemporary, global religious pluralism.


Author(s):  
Steve Zeitlin

This chapter reflects on the poetry of the palate, which it says is part of our palette of personal and cultural expressions. Tasting your favorite dish and hearing your favorite poem both have aesthetic qualities that make part of the poetry of everyday life. A language of tastes from immigrants' home countries is a marketable currency—and it adds not only flavors but also delicious words to our English vocabulary. Two books by Mark Kurlansky, Cod: A Biography of the Fish That Changed the World and Salt: A World History, make the case that the entire history of the world can be told through a single food. Foodways can provide a lens through which to explore geography and cultural history. In New York, world history, immigrant history, and shifting demographics create an ever-changing range of eateries and restaurants offering a panoply of tastes, often concocting new flavors by mixing ingredients.


Author(s):  
Adam Spanos

This chapter delinks the avant-garde from the contingent cultural expressions of imperialism prevalent at the time of its emergence in Europe and speculates on the possibility of an avant-garde not aggrandized by foreign domination. Like his Surrealist counterparts in the West, Egyptian writer Edwar al-Kharrat aimed to produce total social change by means of obscure rather than didactic references. He did so not to shock his compatriots out of bourgeois complacency, however, but to stimulate them to more autonomous thinking about the history of their subjection to neocolonial and dictatorial forms of authority. Al-Kharrat arranged a literary mosaic comprising scenes of transhistorical suffering without causal narrative, leaving readers to produce a representation of historical time adequate to understanding them. Al-Kharrat’s work suggests the terms of an avant-garde relying on humility rather than egoism for its effect, and mobilizing anachronism rather than


2021 ◽  
pp. 406-425
Author(s):  
Saïda El Boudouhi

At a time where the future of investment law is often reinvented, this exercise of juris-fiction aims at exploring the relationship between the Barcelona Traction judgment and the course of foreign investment law to determine whether there was room for another evolution. Relying on a theoretical approach that combines normativism with legal realism in an original way, the study looks at different turning points in the course of foreign investment law in order to isolate those which appear as contingent, ie those which could have happened as they could have not happened. Such an enquiry leads to assessing the relative weight that the Barcelona Traction case has played in the remarkable expansion of investor-state dispute settlement. After a short introduction, section II introduces the methodology and used concepts. Section III looks at a few events in the history of foreign investment law in order to distinguish what was contingent and what was unavoidable while, at the same time, identifying what could be turning points. After having set the attention on the Barcelona Traction judgment as a contingent turning point among others, section IV further assesses the causality link between the judgment and foreign investment law through an exercise of imagination in which are considered not only the possible but also the likely effects of a different outcome to the case. By way of conclusion, section V suggests that the Barcelona Traction judgment itself, rather than foreign investment law, was, however, so tightly constrained that it could hardly have been different. It however highlights that the same cannot be said of the Diallo judgment, thus showing that contingency is often related to legal indeterminacy.


Author(s):  
Ruth Coates

Chapter 2 sets out the history of the reception of deification in Russia in the long nineteenth century, drawing attention to the breadth and diversity of the theme’s manifestation, and pointing to the connections with inter-revolutionary religious thought. It examines how deification is understood variously in the spheres of monasticism, Orthodox institutions of higher education, and political culture. It identifies the novelist Fedor Dostoevsky and the philosopher Vladimir Soloviev as the most influential elite cultural expressions of the idea of deification, and the primary conduits through which Western European philosophical expressions of deification reach early twentieth-century Russian religious thought. Inspired by the anthropotheism of Feuerbach, and Stirner’s response to this, Dostoevsky brings to the fore the problem of illegitimate self-apotheosis, whilst Soloviev, in his philosophy of divine humanity, bequeaths deification to his successors both as this is understood by the church and in its iteration in German metaphysical idealism.


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