The External History of the "Kinder- und Haus-märchen" of the Brothers Grimm. I

1917 ◽  
Vol 14 (10) ◽  
pp. 577-610 ◽  
Author(s):  
T. F. Crane
Keyword(s):  
Brothers Grimm ◽  
History Of

Grimm Legacies

2014 ◽  
Author(s):  
Jack Zipes
Keyword(s):  
Fairy Tales ◽  
Oral Tradition ◽  
Fairy Tale ◽  
Folk Tales ◽  
Brothers Grimm ◽  
Folk Tale ◽  
The World ◽  
History Of ◽  
High Standards ◽  
Wilhelm Grimm

This book explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. The book reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world—the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. The book looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the “Grimm” aspects of contemporary tales, and the tales' utopian impulses. It shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. The book concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. The book examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

scholarly journals A Group Interview about Publishing with Professor Jack Zipes

2016 ◽  
Vol 4 (1) ◽  
pp. 29-44
Author(s):  
Emma Louise Parfitt ◽  
Emine Erdoğan ◽  
Heidi Fritz ◽  
Peter M. Ward ◽  
Emma Parfitt ◽  
...  
Keyword(s):  
Social History ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Early Career ◽  
Group Interview ◽  
University Of Minnesota ◽  
Postgraduate Students ◽  
Brothers Grimm ◽  
History Of ◽  
Conversation Piece

The conversation piece is the product of a group interview with Professor Jack Zipes and provides useful insights about publishing for early career researchers across disciplines. Based on his wider experiences as academic and writer, Professor Zipes answered questions from PhD researchers about: writing books, monographs and edited collections; turning a PhD thesis into a monograph; choosing and approaching publishers; and the advantages of editing books and translations. It presents some general advice for writing and publishing aimed at postgraduate students. Professor Zipes is an Emeritus Professor at the University of Minnesota Twin Cities, United States, a world expert on fairy tales and storytelling highlighting the social and historical dimensions of them. Zipes has forty years of experience publishing academic and mass-market books, editing anthologies, and translating work from French, German and Italian. His best known books are Breaking the Magic Spell (1979), Fairy Tales and the Art of Subversion (1983), The Irresistible Fairy Tale: The Cultural and Social History of a Genre (2012), and The Original Folk and Fairy Tales of the Brothers Grimm (2014).

Das Bild des Juden in den Märchen der Brüder Grimm

2011 ◽  
Vol 63 (3) ◽  
pp. 234-249
Author(s):  
Gerd Bockwoldt
Keyword(s):  
Fairy Tales ◽  
Actual Problem ◽  
Romantic Period ◽  
Brothers Grimm ◽  
Clear Cut ◽  
History Of ◽  
Wilhelm Grimm ◽  
Linguistic Characterization ◽  
Christian Society ◽  
Selection Of

AbstractThis article analyzes whether anti-Judaism, which was widespread during the German Romantic period and which was evident in organizations such as the "Christlich deutsche Tischgesellschaft" (a German Christian Society), and here especially in Achim von Arnim, also included the Brothers Grimm. One could conclude so when considering mainly the publishing history of their collection of fairy tales, which since its third edition (1837) has been appended. The same was already true for the previously published selection of tales for children (1825). However, a closer look reveals the stylistic nature of these appendixes, which provided a linguistic characterization for the tales' character types (Jew, farmer, soldier, etc.). The actual problem that the Brothers Grimm – especially Wilhelm Grimm – did not recognize and/or ignored is evident in the breaches of law as depicted in the fairy tales "Der gute Handel" and "Der Jude im Dorn." Thus, while one cannot accuse the Brothers Grimm of clear-cut anti-Judaism, one can fault them for their careless handling of problematic texts, which still causes irritation today.

German Popular Stories as Revolutionary Book

2014 ◽  
Author(s):  
Jack Zipes
Keyword(s):  
Fairy Tales ◽  
Brothers Grimm ◽  
The Past ◽  
History Of

This chapter considers Edgar Taylor's (1793–1839) adaptation of the Grimms' German Popular Stories (1823, 1826), which radically changed the destiny of what we today call the “fairy tales” of the Brothers Grimm. It recounts and analyzes the Grimms' intentions in collecting and publishing the two volumes of the first edition of their tales in 1812 and 1815 as well as the second edition of 1819. Then the chapter reviews the history of how Taylor came upon their tales in the early 1820s and why he decided to “translate” them into English. This chapter concludes by discussing how Taylor participated in the romantic antiquarian movement, what we would today call folklore, to recapture neglected relics of the past, and to defend the imagination against rationalism.

Syncretism or Superimposition: An Analysis of the Devil in "The Original Folk and Fairy Tales of the Brothers Grimm"

2018 ◽  
Author(s):  
Tiffany M. Stachnik
Keyword(s):  
Fairy Tales ◽  
Phylogenetic Analyses ◽  
Oral Traditions ◽  
Cultural Traditions ◽  
Brothers Grimm ◽  
Religious Transformation ◽  
German States ◽  
History Of ◽  
The Rich ◽  
The Devil

Since their first full publication in 1815, the folk and fairy tales of the Brothers Grimm have provided a means of studying the rich oral traditions of Germany. The Grimm brothers indicated time and time again in their personal notes that the oral traditions found in their folk and fairy tales included symbols, characters, and themes belonging to pre-Christian Germanic culture, as well as to the firmly Christian German states from which they collected their folk and fairy tales. The blending of pre-Christian Germanic culture with Christian, German traditions is particularly salient in the figure of the devil, despite the fact that the devil is arguably one of the most popular Christian figures to date. Through an exploration of the phylogenetic analyses of the Grimm’s tales featuring the devil, connections between the devil in the Grimm’s tales and other German or Germanic tales, and Christian and Germanic symbolism, this study demonstrates that the devil in the Grimm’s tales is an embodiment of syncretism between Christian and pre-Christian traditions. This syncretic devil is not only consistent with the history of religious transformation in Germany, which involved the slow blending of elements of Germanic paganism and Christianity, but also points to a greater theme of syncretism between the cultural traditions of Germany and other nations worldwide.

scholarly journals Peculiarities of national cultural adaptation of Grimm's Fairy Tales when translated into Russian

Litera ◽  
2020 ◽  
pp. 111-120
Author(s):  
Lola Bobodzhanova
Keyword(s):  
Cultural Identity ◽  
Fairy Tales ◽  
Cultural Adaptation ◽  
Fairy Tale ◽  
Brothers Grimm ◽  
The People ◽  
History Of ◽  
Cultural Traits ◽  
History Of Literature ◽  
Different Cultures

This article is dedicated to the analysis of fairy tales as a special genre of children's fiction literature with unique features and a long history. In the course of this work, the author gives definitions to the key concepts; examines correlation between the literary fairly tale and folk fairy tale, evolution of fairy tale genre, namely the works of Brothers Grimm. The article the stages of establishment of fairy tales as an independent genre in the history of literature. An attempt is made to determine the genre similarities that make fairy tales comprehensible within the framework of other linguocultures. Special attention is turned to the specificities of national cultural adaptation in translation of fairy tales from German into Russia, taking into account the peculiarities of translation transformations. The conducted analysis allows concluding that children’s fairy tale literature is a reflection of the national linguistic worldview, and largely depends on the existing in the society national cultural traits, mentality and perception of the world. These facts indicate that translation and adaptation of fairy tale literature requires the translator to understand the uniqueness of worldview of the people affiliating to different cultures, as well as convey the national cultural identity and specificities of foreign perception and mentality of the representatives of various linguocultures.

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