scholarly journals “There'll Always Be an England”: Representations of Colonial Wars and Immigration, 1948–1968

2001 ◽  
Vol 40 (4) ◽  
pp. 557-584 ◽  
Author(s):  
Wendy Webster
Keyword(s):  
National Identity ◽  
Racial Difference ◽  
Media Representations ◽  
Colonial Rule ◽  
Common Theme ◽  
National Belonging ◽  
Daily Mail ◽  
National Community ◽  
British Colonial ◽  
The 1950S

“In Malaya,” theDaily Mailnoted in 1953, “three and a half years of danger have given the planters time to convert their previously pleasant homes into miniature fortresses, with sandbag parapets, wire entanglements, and searchlights.” The image of the home as fortress and a juxtaposition of the domestic with menace and terror were central to British media representations of colonial wars in Malaya and Kenya in the 1950s. The repertoire of imagery deployed in theDaily Mailfor the “miniature fortress” in Malaya was extended to Kenya, where the newspaper noted wire over domestic windows, guns beside wine glasses, the charming hostess in her black silk dress with “an automatic pistol hanging at her hip.” Such images of English domesticity threatened by an alien other were also central to immigration discourse in the 1950s and 1960s. In the context of the decline of British colonial rule after 1945, representations of the empire and its legacy—resistance to colonial rule in empire and “immigrants” in the metropolis—increasingly converged on a common theme: the violation of domestic sanctuaries.Colonial wars of the late 1940s and 1950s have received little attention in literatures on national identity in early postwar Britain, but the articulation of racial difference through immigration discourse, and its significance in redefining the postimperial British national community has been widely recognized. As Chris Waters has suggested in his work on discourses of race and nation between 1947 and 1963, these years saw questions of race become central to questions of national belonging.

Between Idealism and Pragmatism

2019 ◽  
pp. 46-72
Author(s):  
Jing Jing Chang
Keyword(s):  
Hong Kong ◽  
Cold War ◽  
Documentary Film ◽  
Colonial Rule ◽  
Film Culture ◽  
Top Down ◽  
Integral Component ◽  
British Colonial ◽  
The 1950S ◽  
The Cold War

Chapter 2 traces the development of Hong Kong’s official film culture during the 1950s and 1960s within the contexts of the documentary film movement, the imperial legacy of the British Colonial Film Unit, and the colonial rhetoric of film literacy. In particular, it uses such Hong Kong Film Unit-produced short features as Report to the Gods (Dir. Brian Salt, 1967), starring local opera talent Leung Sing-por, as archival sources to argue that the colonial regime’s relationship with Hong Kong’s population was not a static vertical imposition of the “culture of depoliticization,” but one that was shifting and characterized by manipulation, misunderstanding, and negotiation amid bipolarized Cold War tension. I argue here that British Hong Kong’s involvement in filmmaking activities expose the top-down imposition of a colonial regime as well as the transformative nature of colonial rule during the Cold War period of the 1950s through 1960s. Official film culture should not be seen merely as tools of colonial governance or a means of indoctrinating subject audiences, but rather was part of an overall “strategy for survival” as well as an integral component in the process of screening the local Hong Kong “colonial” citizenry during the Cold War.

scholarly journals National identity of Hungarian minority differentiated by social status

2005 ◽  
Vol 3 (1) ◽  
pp. 70-96
Author(s):  
Valér Veres
Keyword(s):  
National Identity ◽  
Social Status ◽  
Collective Identity ◽  
Historical Consciousness ◽  
National Belonging ◽  
National Community ◽  
National Reference ◽  
National Symbols ◽  
The Social ◽  
Adequate Analysis

The study is an analysis of national identity and its manifestation in ethnically mixed areas such as Transylvania. The collective identity, and especially the national identity, manifests itself in different modalities according to the social status of the persons, and this aspect has to be kept in view for an adequate analysis of the collective identity. Thematically the analysis comprises some dimensions of the minority national identity of the citizens, such as: the importance of the national belonging in the individual's attitude, and disposition, the criteria of appertaining to the national community, the cognitive and affective connections of the concept of homeland, the perception of the dimensions of their own national group, the national auto- and hetero-stereotypes, the perception of the minority situation and discrimination and their possible identity building (forming) function, the attitude towards the „other" nation, the nature of the regional linkage, the relevance of the national symbols and holidays, national reference persons, a differentiated analysis of some minority and political aspects questions of the historical consciousness, perspectives on social position

Nation Branding:

MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 7
Author(s):  
Gisela K. Cánepa
Keyword(s):  
Economic Growth ◽  
National Identity ◽  
Cultural Identity ◽  
Social Contract ◽  
The State ◽  
Nation Branding ◽  
Great Opportunity ◽  
National Community ◽  
Neoliberal Governmentality ◽  
Entrepreneurial Spirit

Nation branding plays a central role within neoliberal governmentality, operating as a technology of power in the configuration of emerging cultural and political formations such as national identity, citizenship and the state. The discussion of the advertising spot Perú, Nebraska  released as part of the Nation Branding campaign Marca Perú  in May of 2011, constitutes a great opportunity to: (i) argue about the way in which audiovisual advertisement products, designed as performative devises, operate as technologies of power; and (ii) problematize the terms in which it founds a new social contract for the Peruvian multicultural national community. This analysis will allow me to approach neoliberalism as a cultural regime in order to discuss the ideological nature of the uncontested celebratory discourse that has emerged in Perú and which explains the economic growth of the last decades as the outcome of a national entrepreneurial spirit that would be distinctive of Peruvian cultural identity.

Palestinian Refugees between the City and the Camp

2020 ◽  
Vol 52 (4) ◽  
pp. 607-621
Author(s):  
Faedah M. Totah
Keyword(s):  
National Identity ◽  
Daily Life ◽  
National Belonging ◽  
Palestinian Refugees ◽  
Social Distinction ◽  
Urban Refugees ◽  
Old City ◽  
Refugee Experience ◽  
The Relationship ◽  
The City

AbstractThe camp and the city are both important for understanding the relationship between space and identity in the refugee experience of exile. In the Palestinian example, the camp has emerged as a potent symbol in the narrative of exile although only a third of refugees registered with UNRWA live in camps. Moreover, the city and urban refugees remain missing in most of the scholarship on the Palestinian experience with space, exile, and identity. Furthermore, there is little attention to how refugees understand the concept of the city and camp in their daily life. This article examines how Palestinian urban refugees in the Old City of Damascus conceptualized the relationship between the camp and the city. It illustrates how the concept of the camp remained necessary for the construction of their collective national identity while in Syria. However, the city was essential in the articulation of individual desires and establishing social distinction from other refugees. Thus, during a protracted exile it is in the interstice between the city and the camp, where most urban refugees in the Old City situated themselves, that informed their national belonging and personal aspirations.

scholarly journals National, Regional, or Just Catholic?—Dilemmas of Church Art in a German–Polish Borderland. Upper Silesia, 1903–1953

Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 18
Author(s):  
Jerzy Gorzelik
Keyword(s):  
Imagined Communities ◽  
National Belonging ◽  
Sacred Art ◽  
Upper Silesia ◽  
God's Will ◽  
National Community ◽  
Sacred Spaces ◽  
Art Works ◽  
National Ideology ◽  
Church Art

The rise of nationalism threatened the integrity of the Catholic milieu in borderlands such as Prussian Upper Silesia. Facing this challenge, the ecclesiastical elite developed various strategies. This article presents interpretations of sacred art works from the first half of the 20th century, which reveal different approaches to national discourses expressed in iconographic programs. The spectrum of attitudes includes indifference, active counteraction to the progress of nationalism by promoting a different paradigm of building temporal imagined communities, acceptance of nationalistic metaphysics, which assumes the division of humanity into nations endowed with a unique personality, and a synthesis of Catholicism and nationalism, in which national loyalties are considered a Christian duty. The last position proved particularly expansive. Based on the primordialist concept of the nation and the historiosophical concept of Poland as a bulwark of Christianity, the Catholic-national ideology gained popularity among the pro-Polish clergy in the inter-war period. This was reflected in Church art works, which were to present Catholicism as the unchanging essence of the nation and the destiny of the latter resulting from God’s will. This strategy was designed to incorporate Catholic Slavophones into the national community. The adoption of a different concept of the nation by the pro-German priests associated with the Centre Party—with a stronger emphasis on the subjective criteria of national belonging—resulted in greater restraint in expressing national contents in sacred spaces.

British Raj to China's Hong Kong: The rise of madrasas for ethnic Muslim youth

2014 ◽  
Vol 48 (2) ◽  
pp. 399-432 ◽  
Author(s):  
WAI-YIP HO
Keyword(s):  
Hong Kong ◽  
South Asian ◽  
Religious Tradition ◽  
Day School ◽  
Colonial Rule ◽  
Muslim Community ◽  
Religious Knowledge ◽  
British Raj ◽  
Muslim Youth ◽  
British Colonial

AbstractThe madrasa, the Islamic institution of learning, has for centuries occupied a central role in the transmission of religious knowledge and the shaping of the identity of the global Muslim community (umma). This paper explores the sharp rise in the number of madrasas in contemporary Hong Kong. It examines, in particular, how South Asian Muslim youth, after receiving a modern education in a conventional day school, remain faithful to their religious tradition by spending their evenings at a madrasa studying and memorizing the Qur'an. Engaging with the stereotypical bias of Islamophobia and national security concerns regarding the ties of madrasas to Islamic terrorist movements over the last decade, this paper argues that the burgeoning South Asian madrasa networks have to be understood in the context of Hong Kong's tripartite Islamic traditions—South Asian Muslim, Chinese Hui Muslims, and Indonesian Muslims—and within each Muslim community's unique expression of Islamic piety. Furthermore, the paper also identifies factors contributing to the increase in madrasas in Hong Kong after the transition from British colonial rule to China's resumption of sovereign power in 1997.

scholarly journals ‘I Looked and Beheld a Country’: Home Movies, Homesteads and the Family Archive

2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Daniel Clayton Rathbone
Keyword(s):  
Southern Africa ◽  
Family Life ◽  
Family Identity ◽  
Home Movies ◽  
Family Photographs ◽  
The Family ◽  
British Colonial ◽  
The Creation ◽  
The 1950S

Home movies, like family photographs, are important parts of family life, acting as ways to frame the idea of the family and connect different, inter-generational memories together. Footage of key moments helps develop a family identity, as well as locate it within broader historical contexts. As a result, home movies provide an incredibly useful source with which to examine the intersections between narratives of the family, nation and belonging. Utilising a collection of personal home movies, this paper will explore how these themes are touched on within the context of British Colonial Southern Africa. These films explore how ideas of family identity are rooted within ideas of home and belonging, articulating a conceptualisation of colonial Southern Africa as a ‘home-scape’ for descendant of British settlers living there during the 1950s and 1960s. These home movies draw attention to the creation of the idea of home and family, while also producing disruptive elements to those narratives.

scholarly journals "Re-Imagining" the Homeland? Languages and National Belonging in Ukrainian Diasporas since the Euromaidan

2018 ◽  
Vol 5 (2) ◽  
pp. 89-109
Author(s):  
Ivan Kozachenko
Keyword(s):  
Social Media ◽  
National Identity ◽  
Linguistic Diversity ◽  
Historical Memory ◽  
Civic Identity ◽  
National Belonging ◽  
Democratic Change ◽  
Crucial Part ◽  
The Continuum ◽  
Ethnic And Linguistic Diversity

From the first days of the Euromaidan protests, Ukrainian diasporas around the globe took an active part in supporting democratic change in Ukraine. These diasporic communities actively used social media to “represent” their national identity, to promote their visions of Ukraine’s past and future, and to network and coordinate their actions. This paper argues that the events of the Euromaidan made Ukrainian diasporas in Western countries “re-invent” and “re-imagine” their national belonging. In these processes historical memory, language, and regional identifications play a crucial part within the continuum between conservative ethnonationalist identities and “civic” ones that try to accommodate the ethnic and linguistic diversity of Ukraine in the diasporic setting. This study reveals that “civic” identity elements became more visible across Ukrainian diasporas, but that Russian aggression somewhat haltered the acceptance of diversity and reinforced previously existing conservative sentiments.

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