The Cambridge History of Classical Literature, Vol. 2: Latin Literature. E. J. Kenney

1986 ◽  
Vol 81 (2) ◽  
pp. 173-179 ◽  
Author(s):  
Aldo Setaioli
1984 ◽  
Vol 36 (4) ◽  
pp. 362
Author(s):  
William S. Anderson ◽  
E. J. Kenney ◽  
W. V. Clausen

Phoenix ◽  
1983 ◽  
Vol 37 (2) ◽  
pp. 168
Author(s):  
Elaine Fantham ◽  
E. J. Kenney ◽  
W. V. Clausen

2020 ◽  
Vol 1 (3) ◽  
pp. 120-124
Author(s):  
Latofat Tajibayeva ◽  

This article discusses the importance of Furkat's work in the semantic renewal of classical literature. Furkat's work, which played a special role in the development of enlightenment literature, has a strong place in the history of culture in the second half of the XIX century and the beginning of the XX century. Critical thinking prevailed in the poet's lyrics, which glorified universal ideas. The expression of social consciousness in an objective and truthful way, the stabilization of realistic principles, begins with Furkat's poetry.


1969 ◽  
Vol 74 (3) ◽  
pp. 962
Author(s):  
William A. Chaney ◽  
W. F. Bolton
Keyword(s):  

1966 ◽  
Vol 13 (2) ◽  
pp. 189-206
Author(s):  
B. C. Dietrich

A brief glance into almost any modern history of Latin literature will show that the age of Silver Latin came to an end with Suetonius, whose death marked the beginning of two centuries during which Roman letters trickled away to nothing in a wind-swept desert. A sad fate for a great literature at such an early date, for Suetonius still belonged to the first quarter of the second century a.d. Fortunately we may beg to differ from our historians: there was yet life in the old body even after Suetonius.


T oung Pao ◽  
2010 ◽  
Vol 96 (1) ◽  
pp. 165-201
Author(s):  
Regina Llamas

AbstractThis essay examines the process by which Wang Guowei placed Chinese dramatic history into the modern Chinese literary canon. It explores how Wang formed his ideas on literature, drawing on Western aesthetics to explain, through the notions of leisure and play, the impetus for art creation, and on the Chinese notions of the genesis of literature to explain the psychology of literary creation. In order to establish the literary value of Chinese drama, Wang applied these ideas to the first playwrights of the Yuan dynasty, arguing that theirs was a literature created under the right aesthetic and creative circumstances, and that it embodied the value of "naturalness" which he considered a universal standard for good literature. By producing a scholarly critical history of the origins and nature of Chinese drama, Wang placed drama on a par with other literary genres of past dynasties, thus giving it a renewed status and creating at the same time a new discipline of research. Drama had now become an established literary genre.


Author(s):  
Elton Barker ◽  
Melissa Terras

Contrary perhaps to expectation, Classical studies is at the vanguard of the latest technological developments for using digital tools and computational techniques in research. This article outlines its pioneering adoption of digital tools and methods, and investigates how the digital medium is helping to transform the study of Greek and Latin literature. It discusses the processes and consequences of digitization, explaining how technologies like multispectral imaging are increasing the textual corpus, while examining how annotation, engagement, and reuse are changing the way we think about “the text”. It also considers how the digital turn is reinvigorating textual analysis, by exploring the broader ecosystem, within which the digital text can now be studied, and which provides enriched contexts for understanding that are constantly shifting and expanding. Classical literature in the digital age has the potential to both challenge dominant modes of thinking about antiquity and disrupt traditional ways of doing research.


Sign in / Sign up

Export Citation Format

Share Document