The Renaissance Drama of Knowledge: Giordano Bruno in England. Hilary Gatti

Isis ◽  
1991 ◽  
Vol 82 (2) ◽  
pp. 372-373
Author(s):  
Nicholas H. Clulee
Keyword(s):  
Renaissance Drama ◽  
Giordano Bruno

The Renaissance Drama of Knowledge: Giordano Bruno in England.

1991 ◽  
Vol 42 (2) ◽  
pp. 241
Author(s):  
Robert Grudin ◽  
Hilary Gatti
Keyword(s):  
Renaissance Drama ◽  
Giordano Bruno

scholarly journals The Renaissance Drama of Knowledge: Giordano Bruno in England

2009 ◽  
Vol 27 (1) ◽  
pp. 95-97
Author(s):  
Hilary Gatti (book author) ◽  
Germaine Warkentin (review author)
Keyword(s):  
Renaissance Drama ◽  
Giordano Bruno

The Renaissance Drama of Knowledge: Giordano Bruno in England

1991 ◽  
Vol 86 (1) ◽  
pp. 166
Author(s):  
E. D. Yeats ◽  
Hilary Gatti ◽  
Kathleen McLuskie ◽  
Russ McDonald
Keyword(s):  
Renaissance Drama ◽  
Giordano Bruno

Joyce's Indifferent Animals: Boredom and the Subversion of Fables in Finnegans Wake

2016 ◽  
Vol 11 (2) ◽  
pp. 179-205 ◽  
Author(s):  
Cliff Mak
Keyword(s):  
Cultural Authority ◽  
Finnegans Wake ◽  
Giordano Bruno ◽  
Beast Fable

This piece explores the multitude of animal figures in Joyce, especially with regards to his engagement with the classical moral mode of the beast fable. Drawing from a number of texts throughout Joyce's corpus – from his early essays on Dante and Defoe to the fables in Finnegans Wake – I show how a young Joyce's poetics of boredom (as derived from Giordano Bruno) informs his later work through the figure of the animal. Granting his animal figures a certain amount of agency, Joyce uses them to subvert the didacticism of fables, the colonial instrumentalization associated with this didacticism, and even the cultural authority of modernism itself, his own work included.

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