Third Wave Black Feminism?

Signs ◽  
2002 ◽  
Vol 27 (4) ◽  
pp. 1059-1082 ◽  
Author(s):  
Kimberly Springer
Keyword(s):  
Black Feminism ◽  
Third Wave

9. Feminism

2017 ◽  
Author(s):  
Sophia Price
Keyword(s):  
International Organizations ◽  
Black Feminism ◽  
Third Wave ◽  
Political Movements ◽  
Liberal Feminism ◽  
The Third ◽  
Lesbian Feminism ◽  
Feminist Ideology ◽  
Historical Origins

This chapter examines the evolution of feminism as an ideology using the analogy of ‘waves’, a term that indicates high points of debate and activism followed by more fallow periods. It first traces the historical origins of feminism from the first to the third wave and a possible fourth. It then considers whether feminism is an ideology in its own right and goes on to identify variants of feminism such as liberal feminism, separatism and political lesbianism/lesbian feminism, transfeminism, revolutionary feminism, eco-feminism, and black feminism. The chapter also explores the links between feminism and other ideological perspectives as well as the connection between the national and global dimensions of feminism and the ways in which feminist ideology has been expressed in political movements and shaped the policies of governments and international organizations. Finally, it tackles the question of whether ‘post-feminism’ has rendered feminism obsolete.

Response from a “Second Waver” to Kimberly Springer’s “Third Wave Black Feminism?”

Signs ◽  
2002 ◽  
Vol 27 (4) ◽  
pp. 1091-1094 ◽  
Author(s):  
Beverly Guy‐Sheftall
Keyword(s):  
Black Feminism ◽  
Third Wave

Third Wave Black Feminism?

2020 ◽  
pp. 476-492
Author(s):  
Kimberly Springer
Keyword(s):  
Black Feminism ◽  
Third Wave

Third Wave Feminist Analysis of a Second Wave Feminist's Art

2015 ◽  
Vol 4 (1) ◽  
pp. 57-80 ◽  
Author(s):  
Jennifer A. Zenovich ◽  
Shane T. Moreman
Keyword(s):  
Oral History ◽  
Symbolic Order ◽  
Oral Histories ◽  
Third Wave ◽  
Feminist Art ◽  
Feminist Analysis ◽  
Second Wave

A third wave feminist approach to feminist oral history, this research essay blends both the visual and the oral as text. We critique a feminist artist's art along with her words so that her representation can be seen and heard. Focusing on three art pieces, we analyze the artist's body to conceptualize agentic ways to understand the meanings of feminist art and feminist oral history. We offer a third wave feminist approach to feminist oral history as method so that feminists can consider adaptive means for recording oral histories and challenging dominant symbolic order.

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