Law and Logic: A Critical Account of Legal Argument. Joseph Horovitz

Ethics ◽  
1973 ◽  
Vol 84 (1) ◽  
pp. 89-92
Author(s):  
Lawrence C. Becker
1973 ◽  
Vol 25 (4) ◽  
pp. 647
Author(s):  
Joseph Horovitz

2018 ◽  
Vol 6 (1) ◽  
pp. 1-2
Author(s):  
Ibrahim Sirkeci

Transnational Marketing Journal is dedicated to disseminate scholarship on cross-border phenomena in marketing by acknowledging the importance of local and global or in other words, underlining the transnational practices marked by national and local characteristics in a fluid fashion spreading over more than one national territory. The first article by Paulette Schuster looks into “falafel” and “shwarma” in Mexico and discusses the perception of Israeli food in Mexico. The second article is a case study illustrating a critical account of cultural dimensions formulated by Schwarz using the value surveys data. The third article in the issue is a qualitative study of the negative attitudes of millennials torwards mobile marketing. 


2018 ◽  
Vol 57 (1) ◽  
pp. 49-63
Author(s):  
Isabelle Tremblay

(English): The Anglophilia which marks much of French Enlightenment prose fiction also points to a transformation of the representation of sociability. Through pseudo-translation and the use of the ‘English story’, Marie-Jeanne Riccoboni gives a critical account of the rules and the codes that regulate French social order in the second half of the eighteenth century. The depiction of a free and tolerant society in the novels Lettres de Fanni Butlerd (1757) and Lettres de mylord Rivers (1777) attests to a questioning of French sociability and of women's place and roles. How are social practices redefined and what ideological meanings are associated to them in Mme Riccoboni's writings and use of pseudo-translation?


Author(s):  
Sharon Hecker

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.


Sign in / Sign up

Export Citation Format

Share Document