These Are Americans: The Japanese Americans in Hawaii in World War II.John A. Rademaker

1951 ◽  
Vol 57 (3) ◽  
pp. 298-299
Author(s):  
Jitsuichi Masuoka
Keyword(s):  
Japanese Americans ◽  
World War

Nature Behind Barbed Wire

2018 ◽  
Author(s):  
Connie Y. Chiang
Keyword(s):  
World War Ii ◽  
Civil Liberties ◽  
Natural World ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
Us History ◽  
War Relocation Authority ◽  
The Social ◽  
Japanese Ancestry

The mass imprisonment of over 110,000 people of Japanese ancestry during World War II was one of the most egregious violations of civil liberties in US history. Removed from their homes on the temperate Pacific Coast, Japanese Americans spent the war years in ten desolate camps in the nation’s interior. Although scholars and commentators acknowledge the harsh environmental conditions of these camps, they have turned their attention to the social, political, or legal dimensions of this story. Nature Behind Barbed Wire shifts the focus to the natural world and explores how it shaped the experiences of Japanese Americans and federal officials who worked for the War Relocation Authority (WRA), the civilian agency that administered the camps. The complexities of the natural world both enhanced and constrained the WRA’s power and provided Japanese Americans with opportunities to redefine the terms and conditions of their confinement. Even as the environment compounded their feelings of despair and outrage, they also learned that their willingness (or lack thereof) to transform and adapt to the natural world could help them endure and even contest their incarceration. Ultimately, this book demonstrates that the Japanese American incarceration was fundamentally an environmental story. Japanese Americans and WRA officials negotiated the terms of confinement with each other and with a dynamic natural world.

Introduction

2017 ◽  
Author(s):  
Amanda L. Tyler
Keyword(s):  
World War Ii ◽  
War On Terror ◽  
Japanese Americans ◽  
Legal Tradition ◽  
World War ◽  
Modern Conception ◽  
The World ◽  
Enemy Combatant

The Introduction begins by exploring modern examples sanctioning the concept of the citizen enemy combatant, such as the War on Terror cases of José Padilla and Yaser Hamdi. It then suggests that the roots of this concept may be found in the World War II detention of Japanese Americans, including over 70,000 U.S. citizens. The Introduction continues by arguing that this modern conception of the citizen enemy combatant is impossible to reconcile with the historic understanding of the Suspension Clause and the habeas privilege that trace their origins to English legal tradition, an understanding that remained consistent well through Reconstruction. The Introduction concludes with an overview of the book.

Foundations for a New World Order: Uniting Protestant Worship during the World War II Japanese American Incarceration

2018 ◽  
Vol 72 (3) ◽  
pp. 304-316
Author(s):  
Anne M. Blankenship
Keyword(s):  
World War Ii ◽  
New World ◽  
World Order ◽  
Japanese Americans ◽  
Japanese American ◽  
New World Order ◽  
World War ◽  
The World ◽  
Definition Of ◽  
The Church

During the World War II incarceration of Japanese Americans, visions of a peaceful new world order led mainline Protestants to manipulate the worship practices of incarcerated Japanese Americans ( Nikkei) to strengthen unity of the church and nation. Ecumenical leaders saw possibilities within the chaos of incarceration and war to improve themselves, their church, and the world through these experiments based on ideals of Protestant ecumenism and desires for racial equality and integration. This essay explores why agendas that restricted the autonomy of racial minorities were doomed to fail and how Protestants can learn from this experience to expand their definition of unity to include pluralist representations of Christianity and America as imagined by different sects and ethnic groups.

scholarly journals Reassessing Japanese American Collective Memory Through Gene Oishi’s Internment Narratives

2021 ◽  
Author(s):  
Nicolangelo Becce
Keyword(s):  
Collective Memory ◽  
Model Minority ◽  
Second World War ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
True Self ◽  
Direct Response ◽  
Model Minority Stereotype ◽  
Second World

Seven decades after Japanese Americans were interned during the Second World War, former journalist and internment survivor Gene Oishi published Fox Drum Bebop (2014). The protagonist, Hiroshi, had been introduced in Oishi’s previous memoir, In Search of Hiroshi (1988), as “quasi-fictional” and “neither American nor Japanese, but simply me”. Yet, in the same memoir, Oishi had also described his inability to write about ‘Hiroshi’, thus settling on ‘Gene’ as a main character and waiting 28 more years before publishing a book about his true self. A comparison between the two books highlights that In Search of Hiroshi was written as an attempt at telling a story that would implicitly support the ‘model minority’ myth by offering an account of the internment experience as a direct response to the sociopolitical constraints related to the request by Japanese Americans for redress from the U.S. government. On the other hand, the more recent Fox Drum Bebop represents a fictional retelling of Oishi’s memoir which reveals the limits of the collective memory of the internment as developed during the redress years by openly defying the ‘model minority’ stereotype while at the same time once more denouncing the injustices suffered by the Japanese American community during the war. This essay focuses on Oishi’s double narrative as a reassessment of the collective memory of the internment experience and of its lasting effects on Japanese Americans.

Ballad for Incarcerated Americans: Second Generation Japanese American Musicking in World War II Camps

2017 ◽  
Vol 11 (3) ◽  
pp. 284-312 ◽  
Author(s):  
MARTA ROBERTSON
Keyword(s):  
World War Ii ◽  
Second Generation ◽  
Classical Music ◽  
Cultural Practices ◽  
The United States ◽  
United States Government ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
American Popular Music

AbstractDuring World War II, the United States government imprisoned approximately 120,000 Japanese Americans, two-thirds of whom were American-born citizens, half of whom were children. Through ethnographic interviews I explore how fragile youthful memories, trauma, and the soundscape of the War Relocation Authority (WRA) Incarceration Camps shaped the artistic trajectories of three such former “enemy alien” youth: two pianists and a koto player. Counterintuitively, Japanese traditional arts flourished in the hostile environment of dislocation through the high number ofnisei(second generation) participants, who later contributed to increasing transculturalism in American music following resettlement out of camp. Synthesizing Japanese and Euro-American classical music, white American popular music, and African American jazz, manyniseiparadoxically asserted their dual cultural commitment to both traditional Japanese and home front patriotic American principles. A performance of Earl Robinson and John Latouche's patriotic cantata,Ballad for Americans(1939), by the high school choir at Manzanar Incarceration Camp demonstrates the hybridity of these Japanese American cultural practices. Marked by Popular Front ideals,Ballad for Americansallowedniseito construct identities through a complicated mixture of ethnic pride, chauvinistic white Americanism allied with Bing Crosby's recordings of theBallad, and affiliation with black racial struggle through Paul Robeson's iconicBalladperformances.

The Racial Setting of Hawai‘i in the 1920s

2019 ◽  
pp. 17-35
Author(s):  
Jonathan Y. Okamura
Keyword(s):  
World War Ii ◽  
Social Relations ◽  
Native Hawaiians ◽  
Japanese Americans ◽  
Economic Power ◽  
World War ◽  
Racial Hierarchy ◽  
Political Access ◽  
Racial Divide ◽  
Labor Leaders

This chapter situates the Fukunaga case in the racial setting of Hawai‘i during the 1920s, when the anti-Japanese movement peaked before World War II. It begins by discussing Haole political and economic power, which resulted from Haole’s enforcing race as the dominant organizing principle of social relations. Also outlined is the anti-Japanese movement, which sought to subordinate Japanese Americans because they were considered the most dangerous threat to Haole domination. The chapter discusses previous racial injustices against Japanese and Filipino labor leaders in the 1920s who had upset the racial hierarchy by organizing plantation strikes. It concludes that the racial setting was demarcated by an uneven racial divide between Haoles and non-Haoles because Native Hawaiians had much greater political access than most of the latter.

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