The Return of the Ahayu: da: Lessons for Repatriation from Zuni Pueblo and the Smithsonian Institution [and Comments and Replies]

1993 ◽  
Vol 34 (5) ◽  
pp. 523-567 ◽  
Author(s):  
William L. Merrill ◽  
Edmund J. Ladd ◽  
T. J. Ferguson ◽  
Elizabeth Cruwys ◽  
Alan S. Downer ◽  
...  
Keyword(s):  
Smithsonian Institution ◽  
Zuni Pueblo

Caravans of Gold, Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa, ed. Kathleen Bickford Berzock. Evanston, IL: Block Museum of Art, Northwestern University; Princeton, NJ, and Oxford: Princeton University Press, 2019, 312 pp., many colored ill. and maps.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 266-267
Author(s):  
Albrecht Classen
Keyword(s):  
Smithsonian Institution ◽  
Washington Dc ◽  
National Museum ◽  
African Art ◽  
Major Task ◽  
Princeton University ◽  
Northwestern University ◽  
Associate Director

This catalog accompanies a fascinating and innovative exhibition documenting the art in medieval Saharan Africa, first shown at the Block Museum of Art, Northwestern University, Evanston, IL, from Jan. 26 to July 21, 2019, then at The Aga Khan Museum, Toronto, from Sept. 21 2019 to Feb. 23, 2020, and finally at the National Museum of African Art, Smithsonian Institution, Washington, DC, April 8 to Nov. 29, 2020. To bring all those very valuable objects together and to organize this exhibit, represents a major task involving many people. Here I want to concentrate only on the catalog itself, magisterially edited by Kathleen Bickford Berzock, Associate Director of Curatorial Affairs, Block Museum of Art.

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