Birdsong learning in the laboratory, with especial reference to the song of the Zebra Finch (Taeniopygia guttata)

2011 ◽  
Vol 12 (2) ◽  
pp. 324-350 ◽  
Author(s):  
Sébastien Derégnaucourt
Keyword(s):  
Zebra Finch ◽  
Social Influences ◽  
Vocal Learning ◽  
Taeniopygia Guttata ◽  
Speech Development ◽  
Song Learning ◽  
Sensitive Period ◽  
Experimental Conditions ◽  
Young Bird ◽  
Advantages And Disadvantages

Vocal imitation in songbirds exhibits interesting parallels to infant speech development and is currently the model system of choice for exploring the behavioural, molecular and electrophysiological substrates of vocal learning. Among songbirds, the Zebra Finch (Taeniopygia guttata) is currently used as the ‘flying mouse’ of birdsong research. Only males sing and they develop their song primarily during a short sensitive period in early life. They learn their speciesspecific song patterns by memorizing and imitating the songs of conspecifics, mainly adults. Since Immelmann's pioneering work, thousands of zebra finches have been raised in strictly controlled auditory environments to examine how their experience affected their songs. In this article, I review the different experimental procedures that have been used in the laboratory to study the social influences on song learning in the Zebra Finch. Poor song learning was observed using passive playback of taped songs, whereas self-eliciting exposure using operant tutoring techniques induced significant learning, but with a high interindividual variability. The success of the training paradigm is often measured by the quality of imitation of the songs to which the young bird is exposed. Using empirical evidence from the field and the laboratory, I will also discuss this issue, by summarizing possible advantages and disadvantages of producing a perfect imitation. So far, the best method to get a close copy of a song model in the Zebra Finch is to place a single young bird with an adult male. This situation, which is rather unnatural, does not meet the criteria for precise control necessary in experimental conditions. Optimizing the methods used to train a zebra finch to learn a song, in order to be able to predict the imitation success, will improve our understanding of the dynamics of vocal production learning. It would also consolidate this species as a research model of relevance to human speech development and disorders. Keywords: Zebra Finch; birdsong; learning; development; memory; social influences

The Role of Aggression in Song Tutor Choice in the Zebra Finch: Cause or Effect?

Behaviour ◽  
1996 ◽  
Vol 133 (1-2) ◽  
pp. 103-115 ◽  
Author(s):  
A.E. Jones ◽  
P.J.B. Slater
Keyword(s):  
Zebra Finch ◽  
Significant Relationship ◽  
Young Male ◽  
Taeniopygia Guttata ◽  
Song Learning ◽  
Zebra Finches ◽  
Relative Level ◽  
Young Bird ◽  
Sensitive Phase

AbstractYoung male zebra finches (Taeniopygia guttata) normally copy their song from one tutor when given a choice of two. Interaction is known to be a key feature of the learning process and this study examines the way in which one particular type of social behaviour, aggression, may affect tutor choice. Female raised zebra finches were given a choice of two song tutors, which had been pre-selected for differing levels of aggression, during the sensitive phase for song learning. A young bird was significantly more likely to learn from the tutor that was more aggressive to him, as found earlier by Clayton (1987). In addition, behavioural observations suggest that aggression towards the young bird was the cause rather than an effect of tutor choice. There was no significant relationship between the relative level of tutor aggression and the amount of his song copied. Changes in the level of aggression over the tutoring period are also discussed.

scholarly journals Horizontal transmission of the father's song in the zebra finch ( Taeniopygia guttata )

2013 ◽  
Vol 9 (4) ◽  
pp. 20130247 ◽  
Author(s):  
Sébastien Derégnaucourt ◽  
Manfred Gahr
Keyword(s):  
Zebra Finch ◽  
Horizontal Transmission ◽  
Young Male ◽  
Taeniopygia Guttata ◽  
Song Learning ◽  
Sensitive Period ◽  
Potential Models ◽  
Imitative Learning ◽  
Human Speech ◽  
Male Zebra Finch

As is the case for human speech, birdsong is transmitted across generations by imitative learning. Although transfer of song patterns from adults to juveniles typically occurs via vertical or oblique transmission, there is also evidence of horizontal transmission between juveniles of the same generation. Here, we show that a young male zebra finch ( Taeniopygia guttata ) that has been exposed to its father during the sensitive period for song learning can lead a brother, that has never heard the paternal song, to imitate some sounds of the father. Moreover, song similarity between the two brothers was higher than the similarity measured between the paternal song and the song of the brother that had a week-long exposure to the father. We speculate that the phenomenon of within-generation song learning among juveniles may be more widespread than previously thought and that when a juvenile evaluates potential models for imitative learning, a sibling may be as salient as an adult.

Silent Synapses in a Thalamo-Cortical Circuit Necessary for Song Learning in Zebra Finches

2005 ◽  
Vol 94 (6) ◽  
pp. 3698-3707 ◽  
Author(s):  
Sarah W. Bottjer
Keyword(s):  
Failure Rate ◽  
Behavioral Plasticity ◽  
Vocal Learning ◽  
Relative Number ◽  
Song Learning ◽  
Sensitive Period ◽  
Vocal Behavior ◽  
Adult Males ◽  
Silent Synapses

Developmental changes in synaptic properties may act to limit neural and behavioral plasticity associated with sensitive periods. This study characterized synaptic maturation in a glutamatergic thalamo-cortical pathway that is necessary for vocal learning in songbirds. Lesions of the projection from medial dorsolateral nucleus of the thalamus (DLM) to the cortical nucleus lateral magnocellular nucleus of the anterior nidopallium (LMAN) greatly disrupt song behavior in juvenile birds during early stages of vocal learning. However, such lesions lose the ability to disrupt vocal behavior in normal birds at 60–70 days of age, around the time that selective auditory tuning for each bird’s own song (BOS) emerges in LMAN neurons. This pattern has suggested that LMAN is involved in processing song-related information and evaluating the degree to which vocal motor output matches the tutor song to be learned. Analysis of reversed excitatory postsynaptic currents at DLM→LMAN synapses in in vitro slice preparations revealed a pronounced N-methyl-d-aspartate receptor (NMDAR)-mediated component in both juvenile and adult cells with no developmental decrease in the relative contribution of NMDARs to synaptic transmission. However, the synaptic failure rate at DLM→LMAN synapses in juvenile males during the sensitive period for song learning was significantly lower at depolarized potentials than at hyperpolarized potentials. In contrast, the failure rate at DLM→LMAN synapses did not differ at hyper- versus depolarized holding potentials in adult males that had completed the acquisition of a stereotyped song. This pattern indicates that juvenile cells have a higher incidence of silent (NMDAR-only) synapses, which are postsynaptically silent at hyperpolarized potentials due to the voltage-dependent gating of NMDARs. Thus the decreased involvement of the LMAN pathway in vocal behavior is mirrored by a decline in the incidence of silent synapses but not by changes in the relative number of NMDA and AMPA receptors at DLM→LMAN synapses. These findings suggest that a developmental decrease in silent synapses within LMAN may represent a neural correlate of behavioral plasticity during song learning.

scholarly journals Song preferences predict the quality of vocal learning in zebra finches

2021 ◽  
Author(s):  
Carlos A. Rodriguez-Saltos ◽  
Aditya Bhise ◽  
Prasanna Karur ◽  
Ramsha Nabihah Khan ◽  
Sumin Lee ◽  
...  
Keyword(s):  
Reinforcement Schedule ◽  
Social Process ◽  
Vocal Learning ◽  
Song Learning ◽  
Sensitive Period ◽  
Social Reward ◽  
Zebra Finches ◽  
Vocal Development ◽  
Song Preferences

In songbirds, learning to sing is a highly social process that likely involves social reward. Here, we hypothesized that the degree to which a juvenile songbird learns a song depends on the degree to which it finds that song rewarding to hear during vocal development. We tested this hypothesis by measuring song preferences in young birds during song learning and then analyzing their adult songs. Song preferences were measured in an operant key-pressing assay. Juvenile male zebra finches (Taeniopygia guttata) had access to two keys, each of which was associated with a higher likelihood of playing the song of their father or that of another familiar adult ("neighbor"). To minimize the effects of exposure on learning, we implemented a reinforcement schedule that allowed us to detect preferences while balancing exposure to each song. On average, the juveniles significantly preferred the father's song early during song learning, before they were themselves singing. At around post-hatch day 60, their preference shifted to the neighbor's song. At the end of the song learning period, we recorded the juveniles' songs and compared them to the father's and the neighbor's song. All of the birds copied father's song. The accuracy with which the father's song was imitated was positively correlated with the peak strength of the preference for the father's song during the sensitive period. Our results show that preference for a social stimulus, in this case a vocalization, predicted social learning during development.

Do Contingencies with Tutor Behaviour Influence Song Learning in Zebra Finches?

Behaviour ◽  
1998 ◽  
Vol 135 (5) ◽  
pp. 599-614 ◽  
Author(s):  
Bart Houx ◽  
Carel Ten Cate
Keyword(s):  
Social Interaction ◽  
Zebra Finch ◽  
Learning Process ◽  
Social Behaviour ◽  
Taeniopygia Guttata ◽  
Song Learning ◽  
Zebra Finches ◽  
Sensitive Phase ◽  
Different Types ◽  
Juvenile Males

AbstractSocial interaction with a song tutor is often found to be important for the song learning process in songbirds, but the mechanism is still unclear. The main aim of this study is to find indications for contingencies between singing and interactive behaviours, between and within tutors and tutees, which might influence the song learning process of zebra finches (Taeniopygia guttata). To this end we observed the interactions of eleven juvenile zebra finch males with their fathers (the tutors) and their mothers during the sensitive phase for song learning, and examined four different types of possible contingencies. The evidence for these contingencies was not very strong: (1) We found some weak indications that a tutee can anticipate tutor song by preceding tutor behaviour. There were no indications that (2) tutor song is contingent upon subsequent behaviour of the tutor, that (3) juvenile males can control singing of their tutor by preceding operant social behaviour, or that (4) social behaviour of the tutor reinforces singing of the tutee. We found some indications that the juvenile males attend actively to the tutor song. Furthermore, we found that the juvenile males maintained more mutual interactions with their father than with their mother. In general, we did not find any clear relationship between aspects of social interaction and song copying in zebra finches.

Song Tutor Choice in Zebra Finches and Bengalese Finches: the Relative Importance of Visual and Vocal Cues

Behaviour ◽  
1988 ◽  
Vol 104 (3-4) ◽  
pp. 281-299 ◽  
Author(s):  
N.S. Clay-Ton
Keyword(s):  
Zebra Finch ◽  
Taeniopygia Guttata ◽  
Song Learning ◽  
The Other ◽  
Zebra Finches ◽  
Relative Importance ◽  
Bengalese Finch ◽  
Vocal Cues ◽  
Species Specific ◽  
Zebra Finch Song

AbstractThis paper examined the relative importance of visual and vocal cues for song tutor choice. In the first study zebra finches, Taeniopygia guttata, and Bengalese finches, Lonchura striata, were housed with two song tutors at independence, a zebra finch singing Bengalese finch song and a Bengalese finch singing zebra finch song. All the males tended to learn from the conspecific song tutor, irrespective of whether they had been raised by a pair of conspecifics, the female alone or cross-fostered to a pair of the other species. In the second study zebra finches were housed at independence with two conspecific song tutors, one with a normal song and one which sang Bengalese finch song elements. There was no tendency to learn zebra finch elements which suggests that species-specific elements are not important for song tutor choice in zebra finches. Other vocal differences between the tutors such as length of the song phrase and species-specific call notes might bias learning in favour of the conspecific. Visual differences between the two species, both in appearance and behaviour, seem to be important. Parental cues before independence appear to be relatively uninfluential. However, siblings may be important, both the species and number per clutch: this is a factor which has been overlooked in previous studies of song learning.

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