Internet memes as multilayered re-contextualization vehicles in lay-political online discourse

2020 ◽  
Vol 3 (2) ◽  
pp. 283-320
Author(s):  
Monika Kirner-Ludwig

Abstract It is well established that the internet meme has come to represent a highly creative discursive device used to “facilitate the […] communication of one’s own political beliefs, attitudes and orientations” (Ross and Rivers 2017: 1). Although internet memes and political internet memes in particular have been addressed to many communicative situations such as participatory culture (e.g., Jenkins 2006; Shifman 2014; Theocharis 2015), one aspect that has not been paid enough attention to concerns the forms in which users refer to individual political figures and events in political memes. This being said, the present paper focuses on referring strategies (see Kirner-Ludwig and Zimmermann 2015; Kirner-Ludwig 2020) as employed in political internet memes on Reddit, including direct and indirect quotes, citations and allusions. A specific focus is going to be on such political internet memes that employ pop cultural and telecinematic reference points and recontextualize them from their original into new target contexts (see Bublitz 2015; Gruber 2019). As shall be shown, practices such as combining constructed speech elements into recontextualized elements in political internet memes create multiple intertextual references that may enhance visibility, saliency and, thus, the ‘lifetime’ of a political meme.

2020 ◽  
Author(s):  
Kunal Srivastava ◽  
Ryan Tabrizi ◽  
Ayaan Rahim ◽  
Lauryn Nakamitsu

<div> <div> <div> <p>Abstract </p> <p>The ceaseless connectivity imposed by the internet has made many vulnerable to offensive comments, be it their physical appearance, political beliefs, or religion. Some define hate speech as any kind of personal attack on one’s identity or beliefs. Of the many sites that grant the ability to spread such offensive speech, Twitter has arguably become the primary medium for individuals and groups to spread these hurtful comments. Such comments typically fail to be detected by Twitter’s anti-hate system and can linger online for hours before finally being taken down. Through sentiment analysis, this algorithm is able to distinguish hate speech effectively through the classification of sentiment. </p> </div> </div> </div>


Author(s):  
Troy J. Strader ◽  
Daniel M. Norris ◽  
Philip A. Houle ◽  
Charles B. Shrader

This chapter examines an entrepreneurial effort to provide products in the Internet security marketplace. The specific focus is on a company named Palisade Systems, which is now faced with questions regarding their future business direction in this field (Mahanti et al., 2004). Current questions include how to take advantage of recent legislation regarding privacy and computer security, and the general increase in awareness of the need for security in the Internet and in related networks. In this chapter we discuss the Internet security marketplace, recent legislation and the creation of new opportunities for marketing Internet security products, and how Palisade’s products may match these opportunities.


2016 ◽  
Vol 41 (3) ◽  
Author(s):  
Monika Taddicken ◽  
Anne Reif

AbstractThis paper argues the relevance of the internet for scientific communication. It is not only an immense source of information, it also empowers laypeople to interact by commenting, rating, and sharing online content. Previous studies have found that users’ contributions to online content affect the reception processes. However, research on who actually uses these participatory possibilities is scarce. This paper characterizes engaged (and non-engaged) online users by analyzing online engagement (using search engines and different participatory forms) with a representative German online survey (


Fractals ◽  
2020 ◽  
Vol 28 (04) ◽  
pp. 2050088
Author(s):  
R. CARREÑO AGUILERA ◽  
F. AGUILAR ACEVEDO ◽  
M. PATIÑO ORTIZ ◽  
J. PATIÑO ORTIZ

In this work, we present a robotic arm assisted by a visual system to decide whether an object with different colors, parallel flat surfaces and other types of surfaces would be subject to be manipulated without a drop risk. This robotic arm is assisted with sensors such as temperature, humidity, artificial vision, etc. and monitored with a Blockchain Internet of Things (BIoT) expert system assistance, which is shared and accessed by the internet by the users. A prototype for industrial purpose is launched to start providing data for training the expert system, achieving in this way an expert system with machine learning. The variations derived from the identification of the reference points and the characteristics of the robotic arm are a limiting factor of the system, however, it was possible to correctly locate the robotic arm in the workspace to take the object and manipulate it using machine learning based on a BIoT expert system.


2011 ◽  
Vol 28 ◽  
pp. 259-261
Author(s):  
Margarita Silvestra León ◽  
José Miguel Correa ◽  
Jesús María Aramberri ◽  
Estibaliz Jiménez de Aberasturi

Comunicar ◽  
2021 ◽  
Vol 29 (67) ◽  
Author(s):  
Roza Norstrom ◽  
Pawel Sarna

Poland was one of the countries that was hit by the Covid-19 pandemic in 2020, and its government imposed restrictions to combat the spreading of the virus. The Internet and social media became outlets for people’s reactions to the events that unfolded, including the lockdown. A part of this reaction came in the form of creating and sharing memes – an expression of digital participatory culture. This paper aims to analyze how Covid-19 was communicated and narrated through Internet memes and how they presented the pandemic and actors responsible for fighting it. 1,763 memes from six media platforms were analyzed using content analysis with framing elements and a comparative narrative analysis. The results show that the memes provided a form of commentary on the situation experienced by Poles. The most common category of memes was “bans and orders”, involving restrictions that were often criticized and ridiculed as pointless. The main characters within the memes were ordinary citizens, often portrayed in a comedic way as careless in regards to the virus and violating the restrictions. They were also presented as victims of the police and the government. Furthermore, the people responsible for fighting the pandemic were portrayed as incompetent and imposing needlessly severe restrictions and penalties for not abiding by them. Polonia fue uno de los países golpeados por la pandemia del Covid-19 en 2020, cuyo gobierno impuso restricciones para combatir la propagación del virus. Internet y las redes sociales se convirtieron en un escape para las reacciones de las personas a estos eventos, incluido el confinamiento. Una parte de esta reacción vino en forma de creación y difusión de memes, una expresión de la cultura digital y participativa. El presente estudio tiene como objetivo analizar cómo el Covid-19 fue comunicado y narrado a través de los memes en Internet y cómo fue presentada la pandemia y los responsables de combatirla. Fueron analizados 1.763 memes de seis medios empleando un análisis de contenidos con elementos de enmarque y análisis comparativo narrativo. Los resultados muestran que los memes fueron una forma de expresión sobre la situación vivida por los polacos. La categoría más popular fue la de «prohibiciones y órdenes», aludiendo a las restricciones que frecuentemente fueron criticadas y ridiculizadas como inútiles. El personaje principal de los memes fueron los ciudadanos, frecuentemente retratados de una manera cómica como personas irresponsables en cuanto al virus y violaciones de las restricciones. También fueron presentados como víctimas de la policía y el gobierno. Además, las personas responsables de combatir la pandemia fueron retratadas como incompetentes, al imponer restricciones y sanciones excesivamente estrictas por no obedecerlas.


2020 ◽  
Vol 39 (2) ◽  
Author(s):  
Henning Melber

In line with the journal's specific focus on current policy issues of local and regional relevance this issue of the Strategic Review for Southern Africa offers you new insights on local, regional and continental matters from a variety of perspectives, with Zimbabwe and South Africa being the most prominent reference points.


First Monday ◽  
2016 ◽  
Author(s):  
Niels van Poecke ◽  
Janna Michael

In this paper we investigate factors underlying the production of independent folk music (indie folk) in the Netherlands. By studying the creation, distribution and reception of indie folk music through in-depth interviewing, we argue that the social production of indie folk music is affected by a shift towards ‘participatory culture’ brought about by the rise of the Internet and Web 2.0. We note how Web 2.0 helps musicians to educate themselves and to develop careers in music. Secondly, from the perspective of both musicians and gatekeepers, participatory culture links their preferences for participatory aesthetics, decreasing boundaries between creators, distributors and users. Within the idiom of folk music, they distinguish themselves from the mainstream, creating more sincere performances. Thirdly, from the perspective of the audience, fans actively contribute by organizing small-scale events, enabling the audience to establish (trans)local scenes, reframing music as a social experience.


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