Chapter 8. The politics of identity and visuality

2011 ◽  
pp. 181-198 ◽  
Author(s):  
Anna-Kaisa Kuusisto-Arponen
Keyword(s):  
Politics Of Identity

Keniscayaan Politik Identitas Dari Suatu Bangsa dan Agama

ADALAH ◽  
2020 ◽  
Vol 4 (2) ◽  
Author(s):  
Zahrotunnimah Zahrotunnimah
Keyword(s):  
Identity Politics ◽  
Social Group ◽  
Political Identity ◽  
Politics Of Identity ◽  
The Future

Abstract:The discussion of this simple article was inspired by a book entitled The Politics of Identity and the Future of Our Pluralism. The problem in this book is whether the identity politics in Indonesia will jeopardize the nationalist position and pluralism in Indonesia in the future? If dangerous in what form? How to handle it? The source of this book relies on the opinion of L. A Kauffman who first explained the nature of identity politics, and who first introduced the term political identity which is still unknown. However, in this book explained substantively, identity politics is associated with the interests of members of a social group who feel blackmailed and feel alienated by large currents in a nation or state.Keywords: Identity Politics, Nation, ReligionAbstrak:Pembahasan artikel sederhana ini terinspirasi dari buku berjudul Politik Identitas dan Masa Depan Pluralisme Kita. Permasalahan dalam buku ini adalah apakah poitik identitas di Indonesia ini akan membahayakan posisi nasionalis dan pluralisme di Indonesia di masa yang akan datang? Jika berbahaya dalam bentuk apa? Bagaimana cara mengatasinya? Sumber buku ini bersandarkan pada pendapat L. A Kauffman yang pertama kali menjelaskan tentang hakekat politik identitas, dan siapa yang pertama kali memperkenalkan istilah politik identitas yang masih belum diketahui sampai saat ini. Tetapi, didalam buku ini dijelaskan secara substansif, politik identitas dikaitkan dengan kepentingan anggota-anggota sebuah kelompok sosial yang merasa diperas dan merasa tersingkir oleh arus besar dalam sebuah bangsa atau negara. Kata Kunci: Politik Identitas, Bangsa, Agama   

scholarly journals Queering participatory planning

2021 ◽  
pp. 095624782110193
Author(s):  
Vanesa Castán Broto
Keyword(s):  
Sexual Orientation ◽  
Gender Identity ◽  
Queer Theory ◽  
Political Representation ◽  
Participatory Planning ◽  
Radical Democracy ◽  
Politics Of Identity ◽  
The World ◽  
Participatory Processes ◽  
And Gender

All over the world, people suffer violence and discrimination because of their sexual orientation and gender identity. Queer theory has linked the politics of identity and sexuality with radical democracy experiments to decolonize development. Queering participatory planning can improve the wellbeing of vulnerable sectors of the population, while also enhancing their political representation and participation. However, to date, there has been limited engagement with the politics of sexuality and identity in participatory planning. This paper identifies three barriers that prevent the integration of queer concerns. First, queer issues are approached as isolated and distinct, separated from general matters for discussion in participatory processes. Second, heteronormative assumptions have shaped two fields that inform participatory planning practices: development studies and urban planning. Third, concrete, practical problems (from safety concerns to developing shared vocabularies) make it difficult to raise questions of identity and sexuality in public discussions. An engagement with queer thought has potential to renew participatory planning.

scholarly journals Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes

2021 ◽  
pp. 135485652110294
Author(s):  
Christopher Holliday
Keyword(s):  
White Male ◽  
Film History ◽  
Stanley Kubrick ◽  
Politics Of Identity ◽  
Hollywood Film ◽  
Digital Asset ◽  
And Gender ◽  
Film Stars ◽  
Star Performers ◽  
Sophisticated Technology

This article examines a cross-section of viral Deepfake videos that utilise the recognisable physiognomies of Hollywood film stars to exhibit the representative possibilities of Deepfakes as a sophisticated technology of illusion. Created by a number of online video artists, these convincing ‘mash-ups’ playfully rewrite film history by retrofitting canonical cinema with new star performers, from Jim Carrey in The Shining (Stanley Kubrick, 1980) to Tom Cruise in American Psycho (Mary Harron, 2000). The particular remixing of stardom in these videos can – as this article contends – be situated within the technological imaginary of ‘take two’ cinephilia, and the ‘technological performativity of digitally remastered sounds and images’ in an era of ‘the download, the file swap, [and] the sampling’ (Elsaesser 2005: 36–40). However, these ‘take two’ Deepfake cyberstars further aestheticize an entertaining surface tension between coherency and discontinuity, and in their modularity function as ‘puzzling’ cryptograms written increasingly in digital code. Fully representing the star-as-rhetorical digital asset, Deepfakes therefore make strange contemporary Hollywood’s many digitally mediated performances, while the reskinning of (cisgender white male) stars sharpens the ontology of gender as it is understood through discourses of performativity (Butler 1990; 2004). By identifying Deepfakes as a ‘take two’ undoing, this article frames their implications for the cultural politics of identity; Hollywood discourses of hegemonic masculinity; overlaps with non-normative subjectivities, ‘body narratives’ and ‘second skins’ (Prosser 1998); and how star-centred Deepfakes engage gender itself as a socio-techno phenomenon of fakery that is produced – and reproduced – over time.

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