On the role of some adverbs in Old English verse grammar

1990 ◽  
pp. 293 ◽  
Author(s):  
Peter G. Lucas
Keyword(s):  
Old English ◽  
English Verse

The Exeter Book Riddles: authorship and transmission

2015 ◽  
Vol 44 ◽  
pp. 131-162
Author(s):  
Peter Orton
Keyword(s):  
Old English ◽  
Exeter Book ◽  
English Verse

AbstractThe Exeter Book Riddles are anonymous, and the generally formulaic character of all Old English verse discourages attempts to establish unity or diversity of authorship for them; but correlations between the sequence of Riddles in the manuscript and the recurrence from poem to poem of aspects of form, content (including solutions), presentation and style sometimes suggest common authorship for particular runs of texts, or reveal shaping episodes in the collection's transmission. Investigation along these lines throws up clear differences between the two main blocks of Riddles (1–59 and 61–95), and evidence emerges that the composition of many (at least) of Riddles 61–95 was influenced by a reading of Riddles 1–59.

Harold Monro, Poetry Anthologies and the Rhetoric of Textual Materiality

2017 ◽  
Author(s):  
Patrick Collier
Keyword(s):  
Complex System ◽  
Twentieth Century ◽  
Everyday Life ◽  
Modern Poetry ◽  
Literary Value ◽  
English Verse ◽  
Century Poetry ◽  
Textual Politics

This chapter meditates upon the role of the poetry anthology and its claims on literary value at the turn of the twentieth century. By sorting the output of poets, the anthology might seem to stabilize literary value; but like all print artefacts in the period, the anthology was overproduced, and therefore could also be seen as positing multiple, competing canons. The anthology form was in flux in these years as well, with such familiar conventions as tables of contents and the grouping of poems by poet not having emerged as norms. In this context, the textual materiality of anthologies became a complex system for intervening in debates about value. The chapter revisits the most popular anthologies of the era—Palgrave’s Golden Treasury and the Oxford Book of English Verse—to sketch out the emerging codes of the anthology form. Poet and publisher Harold Monro, the chapter argues, pursued a more egalitarian textual politics than these popular anthologies, particularly his underappreciated 1929 anthology, Twentieth Century Poetry. The chapter reads the content and the metatexts of Twentieth Century Poetry as asserting a catholic vision of modern poetry as vital to everyday life.

‘Kindred Without End’: Wet-Nursing, Fosterage and Emotion in Ireland, c. 1550–1720

2020 ◽  
Vol 47 (1) ◽  
pp. 10-35
Author(s):  
Clodagh Tait
Keyword(s):  
Sixteenth Century ◽  
Young Children ◽  
Early Modern ◽  
Old English ◽  
Fictive Kinship ◽  
Infants And Young Children

Wet-nursing and fosterage were widely used in early modern Ireland. Despite the difficulties of reconstructing practices surrounding the nourishment and care of infants and young children, the limited surviving sources provide some evidence for the practical arrangements involved, the role of these practices in extending families and creating long-lasting ties of ‘fictive kinship’, the emotional and economic connections they forged and deeply held concerns that they might inspire and extend political disloyalty and disaffection. While fosterage is mostly associated with Gaelic communities, by the sixteenth century, a distinct brand of fosterage was significant to Old English families as well. New English and Protestant families also increasingly participated in networks referred to as fosterage, and references in the 1641 depositions testify to the degree to which these practices linked settlers and natives and the horror inspired by their abandonment.

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