Subject Positions and the Roles of CP

1998 ◽  
pp. 247 ◽  
Author(s):  
Luis Silva-Villar
Keyword(s):  
Subject Positions

Indexicality of Grammar: The Case of Japanese Transgender Speakers

2019 ◽  
Author(s):  
Hideko Abe
Keyword(s):  
Gender Identity ◽  
Gender Identity Disorder ◽  
Grammatical Gender ◽  
Core Structure ◽  
Subject Positions ◽  
Transgender Identity ◽  
The Core ◽  
History Of ◽  
History Of Scholarship ◽  
Grammatical Structures

This article discusses how the intersection of grammatical gender and social gender, entwined in the core structure of language, can be analyzed to understand the dynamic status of selfhood. After reviewing a history of scholarship that demonstrates this claim, the discussion analyzes the language practices of transgender individuals in Japan, where transgender identity is currently understood in terms of sei-dōitsusei-shōgai (gender identity disorder). Based on fieldwork conducted between 2011 and 2017, the analysis reveals how individuals identifying with sei-dōitsusei-shōgai negotiate subject positions by manipulating the specific indexical meanings attached to grammatical structures.

scholarly journals Resignifying corporate responsibility in performative documentaries

2021 ◽  
pp. 105649262110050
Author(s):  
Martin Fougère
Keyword(s):  
Corporate Responsibility ◽  
Documentary Films ◽  
Subject Positions ◽  
Good For

Critical scholars of Corporate Responsibility (CR) argue that one way to make CR good for society would be to demand its full realization in subversive interventions, in line with the critical performativity objective of subversion of managerial discourses and practices. This paper studies CR-oriented performative documentary films, in which the main protagonists problematize business impacts on society through various interventions aimed to have effects on: (1) themselves; (2) the corporations they target; (3) the surrounding society; and (4) the viewers of the films. 23 documentary films that target corporate responsibilities through a range of interventions are studied, and eight different kinds of effects they have are analyzed. The documentaries are found to be enactments of critical performativity that resignify CR, through subversive interventions involving: (1) staged embodiments of subject positions; (2) the staging of felicitous conditions; (3) effective roles, genres and tropes; and (4) the use of ‘enlightened failed performatives’.

Socially Constructing Healthy Eating: A Foucauldian Discourse Analysis of Healthy Eating Information and Advice

2021 ◽  
pp. 104973232110234
Author(s):  
Jo Mackenzie ◽  
Esther Murray
Keyword(s):  
United Kingdom ◽  
Discourse Analysis ◽  
Healthy Eating ◽  
Personal Responsibility ◽  
Nutritional Composition ◽  
Health Issues ◽  
Subject Positions ◽  
The United Kingdom ◽  
Moral Citizenship ◽  
Moral Discourses

A variety of materials offering healthy eating advice have been produced in the United Kingdom to encourage people to eat well and avoid diet-related health issues. By applying a Foucauldian discourse analysis, this research aimed to uncover the discourses used in six healthy eating texts (two state-produced and four commercial texts), how people positioned themselves in relation to these discourses, and the power relations between institutions and the U.K. public. Ten discourses including scientific, thermodynamics, natural, family/caring, emotional, medical, and moral discourses were uncovered and offered up subject positions in relation to moral citizenship and personal responsibility. Through the use of biopower, foods appeared to be categorized as “good” or “bad” foods in which bad foods were considered to be risky to health due to their nutritional composition. Most texts assumed people have the agency to follow the advice provided and failed to consider the readers’ personal contexts.

scholarly journals Tolerance and intolerance: Cultural meanings and discursive usage

2021 ◽  
Vol 27 (1) ◽  
pp. 172-186
Author(s):  
Maykel Verkuyten ◽  
Rachel Kollar
Keyword(s):  
National Survey ◽  
Culturally Diverse ◽  
Cultural Meanings ◽  
Subject Positions ◽  
Lay People ◽  
The Subject

The notion of tolerance is widely embraced across many settings and is generally considered critical for the peaceful functioning of culturally diverse societies. However, the concepts of tolerance and intolerance have various meanings and can be used in different ways and for different purposes. The various understandings raise different empirical questions and might have different implications for the subject positions of those who are tolerant and those who are tolerated. In this study, we focus on cultural understandings of tolerance and intolerance and how these terms are used in discourses. We first describe how in an open-ended question in a national survey lay people use a classical and a more modern understanding of tolerance to describe situations of tolerance and intolerance. Second, we analyze how those who tolerate and those who are tolerated can flexibly use these different understandings of (in)tolerance for discursively making particular “us–them” distinctions. It is concluded that the notions of tolerance and intolerance have different cultural meanings which both can be used for progressive or oppressive ends.

scholarly journals Hidden in the limelight: A feminist engagement with innovation studies

Organization ◽  
2021 ◽  
pp. 135050842110153
Author(s):  
Lara Pecis ◽  
Karin Berglund
Keyword(s):  
Black Women ◽  
Bell Hooks ◽  
Innovation Studies ◽  
Subject Positions ◽  
Space Race ◽  
The Subject ◽  
Political Dimensions ◽  
The Relationship ◽  
Positively Charged ◽  
Blind Spots

Innovation is filled with aspirations for solutions to problems, and for laying the groundwork for new technological and social breakthroughs. When a concept is so positively charged, the hopes expressed may create blindness to potential shortcomings and deadlocks. To disclose innovation blind spots, we approach innovation from a feminist viewpoint. We see innovation as a context that changes historically, and as revolution, offering alternative imaginaries of the relationship between race, gender and innovation. Our theoretical framework combines bell hooks (capitalist patriarchy and intersectionality), Mazzucato (the entrepreneurial state and the changing context of innovation) and Fraser (redistributive justice) and contributes with an understanding of innovation from the margin by unveiling its political dimensions. Hidden Figures, the 2016 biographical drama that follows three Black women working at NASA during the space race, provides the empirical setting of the paper. Our analysis contributes to emerging intersectionality research in management and organisation studies (MOS) by revealing the subject positions and dynamics of inclusion/exclusion in innovation discourses, and by proposing a radical – and more inclusive – rethinking of innovation. With this article, we aim to push the margins to the centre and invite others to discover the terrain of the margin(alised). We suggest that our feminist framework is appropriate to study other organisational phenomena, over time and across contexts, to bring forward the plurality of women’s experiences at work and in organisations.

scholarly journals Whose hearing matters? Context and regimes of perception in sociolinguistics

2021 ◽  
Vol 2021 (267-268) ◽  
pp. 153-162
Author(s):  
Adrienne Lo
Keyword(s):  
Ontological Status ◽  
Subject Positions ◽  
Linguistic Sign ◽  
Moral Certainty

Abstract This piece argues for the importance of centering regimes of perception and the dynamics of power in sociolinguistics, drawing upon cases where Chinese and Korean terms have been heard and enregistered as English slurs. It notes how different interlocutors mobilize phenomena at various scales in invocations of context. It calls for greater attention to the range of subject positions that are produced by speakers, perceivers, and institutions and a reconsideration of the moral certainty of our analyses. It challenges us to rethink the ontological status of the linguistic sign as a self-presenting entity and to develop frameworks of analysis that can look across scales.

VICTORIAN WOMAN’S POETRY

1999 ◽  
Vol 27 (2) ◽  
pp. 601-609 ◽  
Author(s):  
Linda Shires
Keyword(s):  
Poetic Tradition ◽  
Subject Positions ◽  
Michael Field ◽  
Sonnets From The Portuguese ◽  
Religion And Sexuality

PART OF THE EXCITEMENT of reading Victorian woman’s poetry lies in its manifold refusals to adopt wholesale the codes and conventions of the male poetic tradition. Such refusal may manifest itself in the bold rewriting of forms (as in Elizabeth Barrett Browning’s Sonnets from the Portuguese), or in the unhinging of domestic or romantic pieties through irony and other doubling strategies (as in Dora Greenwell’s “Scherzo” or Christina Rossetti’s “Winter: My Secret”). Both the rewriting of male forms and the attack on conventional ideologies opened up new subject positions for women. For example, women’s responses to poetic tradition and to each other’s work initially made use of expressive theory to explore sexual and religious passions simultaneously (as in the poetry of the Brontës), while towards the end of the century, when religion and sexuality were not so inextricably intertwined, women could openly celebrate non-hierarchical sexualities (as in the lesbian poems of Michael Field).

Den anklagade tittaren. Strategiskt publiktilltal i satiriska anklagelser

2021 ◽  
pp. 87-105
Author(s):  
Tommy Bruhn ◽  
Joanna Doona
Keyword(s):  
Middle Class ◽  
Private School ◽  
Rhetorical Structure ◽  
Subject Positions ◽  
Queue System ◽  
Specific Focus ◽  
The Relationship ◽  
Opening Up

Public accusations often lead to controversy. Accusations have been studied as causing certain types of defense, as well as for how accusing parties persuade audiences of guilt, and amplify an act’s offensiveness. We investigate a satire programme as a strategic act, with a specific focus on how its accusatory rhetorical structure strategically invites certain responses, and counteracts others. We show how a segment in the news satire programme ‘Swedish News’ constructed a complex accusation against the Swedish private school queue system, and against the character of the educated middle class who tend to use it. The segment’s structure places the accused middle class as an addressed audience in three different subject positions, wherein the relationship between them motivates penance rather than defense. The analysis shows how a changing positioning of the same group as judge, victim and accused can perform certain functions in accusatory speech, indicating roads to redemption and opening up for possibilities of reconciliation

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