John Dallachy (1804–71): from gardener to botanical collector

2020 ◽  
Vol 31 (2) ◽  
pp. 87
Author(s):  
John Leslie Dowe ◽  
Sara Maroske
Keyword(s):  
New Taxa ◽  
Flowering Plants ◽  
Late Nineteenth Century ◽  
Botanic Garden ◽  
Type Specimens ◽  
Bay Area ◽  
The Face ◽  
Wet Tropics ◽  
Late Nineteenth ◽  
Botanical Collaboration

The citation ‘Rockingham Bay, J. Dallachy’ is prominent in late nineteenth-century taxonomic publications associated with the flora of tropical Queensland. John Dallachy (1804–71) was employed as a botanical collector by the Melbourne Botanic Garden under the directorship of Baron Ferdinand von Mueller. Between 1864 and 1871, Dallachy resided in the Rockingham Bay area where he collected ~3500 botanical specimens of which ~400 were described as new taxa of flowering plants, ferns, fungi and bryophytes, making him Mueller’s most prolific collector of type specimens, apart from Mueller himself. In this, the first of two articles about Dallachy, we outline the origin, and development of this successful botanical collaboration, identifying the experiences and qualities that prompted Dallachy to become a botanical collector, the friendship that formed between Mueller and Dallachy in the face of Dallachy’s reversal of fortunes at the Melbourne Botanic Garden, and the circumstances that led to Dallachy and Mueller’s shared project to investigate the botanical riches of the floristically diverse Wet Tropics Bioregion.

The Sino-Japanese War and the Collapse of the Qing and Confucian World Order in the Face of Japanese Imperialism and European Acquiescence

2018 ◽  
Author(s):  
Patrick Sze-lok Leung ◽  
Bijun Xu
Keyword(s):  
Nineteenth Century ◽  
International Law ◽  
East Asian ◽  
World Order ◽  
Foreign Minister ◽  
Late Nineteenth Century ◽  
Japanese Imperialism ◽  
The Face ◽  
Late Nineteenth

The First Sino-Japanese War (1894–95) has been perceived as a sign of a new East Asian power order, but the legitimacy of the war has yet to be clarified. The Japanese foreign minister Mutsu’s Kenkenroku shows that the reasons claimed by Japan were only pretexts for its ambition to put Korea under its control. The 1885 Convention of Tianjin, which was used to justify the Japanese behaviour, needs to be reinterpreted. The Chinese reaction can be understood by exploration into Confucianism, which opposed wars between equal peers. Meanwhile, the Western powers which invented and developed international law were self-interested and did little to prevent the war. The incident shows that international law, empowered by the strong states, failed to maintain peace efficiently in the late nineteenth century.

Neanderthal and the fossilization of the Third World

2020 ◽  
pp. 030631272098346
Author(s):  
Ryan Higgitt1
Keyword(s):  
South Asia ◽  
Structural Adjustment ◽  
Third World ◽  
Caste System ◽  
Late Nineteenth Century ◽  
Investment Bankers ◽  
The Third ◽  
The Face ◽  
Late Nineteenth ◽  
The Third World

Neanderthal is the quintessential scientific Other. In the late nineteenth century gentlemen-scientists, including business magnates, investment bankers and lawmakers with interest in questions of human and human societal development, framed Europe’s Neanderthal and South Asia’s indigenous Negritos as close evolutionary kin. Simultaneously, they explained Neanderthal’s extinction as the consequence of an inherent backwardness in the face of fair-skinned, steadily-progressing newcomers to ancient Europe who behaved in ways associated with capitalism. This racialization and economization of Neanderthal helped bring meaning and actual legal reality to Negritos via the British Raj’s official ‘schedules of backward castes and tribes’. It also helped justify the Raj’s initiation of market-oriented reforms in order to break a developmental equilibrium deemed created when fair-skinned newcomers to ancient South Asia enslaved Negritos in an enduring caste system. Neanderthal was integral to the scientism behind the British construction of caste, and contributed to India’s becoming a principal ‘Third World’ target of Western structural adjustment policies as continuation of South Asia’s ‘evolution assistance’.

scholarly journals “It’s All One Big Fantasy”: The Critique of Modernity in Dostoevsky’s Novel The Idiot

2021 ◽  
pp. 65-88
Author(s):  
Katya Jordan
Keyword(s):  
Nineteenth Century ◽  
Theoretical Framework ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Final Word ◽  
Early Modernity ◽  
The Face ◽  
Late Nineteenth ◽  
Primary Focus ◽  
Russian Idea

The opposition between Europe and Russia runs through Dostoevsky’s novel The Idiot, culminating in Mme Epanchina’s declaration that both Europe and the Russians who travel to Europe are “one big fantasy” [Dostoevsky, 2002, p. 615]. In the novel, Dostoevsky uses the exile trope as a literary tool for expressing his Russian idea. Although the spiritual underpinnings of Dostoevsky’s nationalism have been well studied, the secular side of this concept bears further exploration. Peter Wagner argues that nationalism constitutes a response to the nostalgia that is developed in exile following one’s breaking away from tradition. Nineteenth-century nationalism specifically “was an attempt to recreate a sense of origins in the face of the disembedding effects of early modernity and capitalism” [Wagner, 2001, p. 103]. By applying Wagner’s theoretical framework to Dostoevsky’s narrative, the author demonstrates that in its secular essence, Dostoevsky’s nationalism is not a merely localized manifestation of a uniquely Russian sentiment, but a symptom of a larger phenomenon that was taking place in late nineteenth-century Europe. Because Mme Epanchina gets to say the final word in Dostoevsky’s novel, her role and the subtleties of her message will be the primary focus of the present analysis.

Global Islam: A Very Short Introduction

2020 ◽  
Author(s):  
Nile Green
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Communication Technologies ◽  
Late Nineteenth Century ◽  
Short Introduction ◽  
The World ◽  
The Face ◽  
Late Nineteenth

Global Islam: A Very Short Introduction looks at the methods used by individuals, organizations, and states to spread multiple versions of Islam around the world. Since the late nineteenth century, publications, missions, congresses, and pilgrimages have contributed to the communication and evolution of Islam. At the start of the twentieth century, the infrastructure of European empire allowed for the widespread communication of Islamic beliefs. During a period of secularism in the mid-twentieth century, global Islam became more accessible and, in some cases, more political. How have today’s broadcasting and smartphone technologies changed the face of global Islam? Will communication technologies reconcile the contradictions between variations of the faith, or will they create new ones?

The Jewish Mother’s Prayer: Mothers in Late Nineteenth-Century Hungarian Jewish Women’s Prayer Books

2017 ◽  
pp. 41-58
Author(s):  
Krisztina Frauhammer
Keyword(s):  
Nineteenth Century ◽  
Jewish Identity ◽  
Public Life ◽  
Child Rearing ◽  
Late Nineteenth Century ◽  
The Past ◽  
Hungarian Society ◽  
The Face ◽  
Late Nineteenth ◽  
Prayer Books

This chapter examines the genre of nineteenth-century Hungarian Neolog Jewish women's prayer books. It argues that the prayer books must be read in the context of emancipation and the increasing secularization of Hungarian society. It also describes the creation of prayers that sanctify a vocation of motherhood and child-rearing, which charged mothers with passing Jewish identity on to their children in the home. The chapter talks about Neolog prayer books that imagine the Jewish mother as a bulwark against secularization and simultaneously invest mothers with the power to recreate tradition in the face of emancipation. It points out how mothers are idealized and entrusted with the past for the sake of the future, enabling fathers to become part of public life outside the home.

scholarly journals “It’s All One Big Fantasy”: The Critique of Modernity in Dostoevsky’s Novel The Idiot

2021 ◽  
pp. 65-88
Author(s):  
Katya Jordan
Keyword(s):  
Nineteenth Century ◽  
Theoretical Framework ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Final Word ◽  
Early Modernity ◽  
The Face ◽  
Late Nineteenth ◽  
Primary Focus ◽  
Russian Idea

The opposition between Europe and Russia runs through Dostoevsky’s novel The Idiot, culminating in Mme Epanchina’s declaration that both Europe and the Russians who travel to Europe are “one big fantasy” [Dostoevsky, 2002, p. 615]. In the novel, Dostoevsky uses the exile trope as a literary tool for expressing his Russian idea. Although the spiritual underpinnings of Dostoevsky’s nationalism have been well studied, the secular side of this concept bears further exploration. Peter Wagner argues that nationalism constitutes a response to the nostalgia that is developed in exile following one’s breaking away from tradition. Nineteenth-century nationalism specifically “was an attempt to recreate a sense of origins in the face of the disembedding effects of early modernity and capitalism” [Wagner, 2001, p. 103]. By applying Wagner’s theoretical framework to Dostoevsky’s narrative, the author demonstrates that in its secular essence, Dostoevsky’s nationalism is not a merely localized manifestation of a uniquely Russian sentiment, but a symptom of a larger phenomenon that was taking place in late nineteenth-century Europe. Because Mme Epanchina gets to say the final word in Dostoevsky’s novel, her role and the subtleties of her message will be the primary focus of the present analysis.

THE ACCOUNTANT'S RESPONSIBILITY FOR DISCLOSING BRIBERY: AN HISTORICAL NOTE

1977 ◽  
Vol 4 (2) ◽  
pp. 97-100 ◽  
Author(s):  
R. P. Brief
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Historical Note ◽  
Subsequent Discussion ◽  
The Face ◽  
Late Nineteenth

In the late nineteenth century The Accountant reported on a case where the auditors looked at the mattery of bribery “straight in the face” and disclosed the illegal payments in the audit certificate. However, subsequent discussion of the accountant's responsibility for disclosing bribery in an 1899 lecture, “Secret Profits,” showed that there was no unanimity of opinion on the accountant's responsibility in this area. The problem is obviously a continuing one.

The Rōmaji movement in Japan

2009 ◽  
Vol 20 (1) ◽  
pp. 75-88 ◽  
Author(s):  
NANETTE GOTTLIEB
Keyword(s):  
Nineteenth Century ◽  
Office Automation ◽  
Late Nineteenth Century ◽  
Writing System ◽  
Short History ◽  
Cultural Traditions ◽  
Modern Period ◽  
The Face ◽  
History Of ◽  
Late Nineteenth

AbstractThe alphabet (rōmaji) has never been considered a serious contender for the national script in Japan, although at several points since the country's modern period began in 1868 supporters have made a case for its adoption on varying grounds, most notably those of education, democracy and office automation. Although such advocates have included influential scholars and bureaucrats, their combined intellectual gravitas has never been sufficient to allow their arguments for romanisation to outweigh the strong cultural traditions and ideologies of writing centred on the existing three-script writing system. Even today, in the face of pressures imposed by modern keyboard technology, discussion of the issue is not on the national agenda. This article considers the place of romanisation in Japan today and offers a short history of the rōmaji movement since the late nineteenth century.

The Death of the Agama Lizard: The Historical Significances of a Multi-authored Rock-art Site in the Northern Cape (South Africa)

2015 ◽  
Vol 26 (1) ◽  
pp. 157-179 ◽  
Author(s):  
Mark McGranaghan
Keyword(s):  
Cultural Landscape ◽  
Rock Art ◽  
Global Markets ◽  
Late Nineteenth Century ◽  
Prominent Feature ◽  
Cultural Changes ◽  
The Face ◽  
Northern Cape ◽  
Ethnographic Data ◽  
Late Nineteenth

The ethnographic data of the Bleek-Lloyd archive pertaining to the ǀXam Bushmen (San) of the Karoo have been marshalled to great effect in developing understandings of Bushman rock art throughout southern Africa, with implications for archaeological interpretations of hunter-gatherer rock arts worldwide. Rock art from their homelands, however, has received comparatively little attention, and obvious historical content—which would tie the art to the socio-cultural milieu of the Bleek-Lloyd informants—has occasioned relatively little comment. This paper returns to one site (the Strandberg) known to have been a prominent feature in the cultural landscape of the ǀXam to explore the historical imagery present there, examining the ways in which this art demonstrates the ongoing vitality of certain aspects of ǀXam life in the face of the dramatic socio-cultural changes experienced by these groups from the nineteenth to early twentieth centuries. The paper investigates the range of potential authors for the art, and looks at the context of its production within the expansion of global markets, violent interactions and shifting subsistence options that characterized the late nineteenth-century Northern Cape.

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