The Role of Facial Colour and Luminance in Visual and Audiovisual Speech Perception

Perception ◽  
10.1068/p3316 ◽  
2003 ◽  
Vol 32 (8) ◽  
pp. 921-936 ◽  
Author(s):  
Maxine V McCotter ◽  
Timothy R Jordan

We conducted four experiments to investigate the role of colour and luminance information in visual and audiovisual speech perception. In experiments la (stimuli presented in quiet conditions) and 1b (stimuli presented in auditory noise), face display types comprised naturalistic colour (NC), grey-scale (GS), and luminance inverted (LI) faces. In experiments 2a (quiet) and 2b (noise), face display types comprised NC, colour inverted (CI), LI, and colour and luminance inverted (CLI) faces. Six syllables and twenty-two words were used to produce auditory and visual speech stimuli. Auditory and visual signals were combined to produce congruent and incongruent audiovisual speech stimuli. Experiments 1a and 1b showed that perception of visual speech, and its influence on identifying the auditory components of congruent and incongruent audiovisual speech, was less for LI than for either NC or GS faces, which produced identical results. Experiments 2a and 2b showed that perception of visual speech, and influences on perception of incongruent auditory speech, was less for LI and CLI faces than for NC and CI faces (which produced identical patterns of performance). Our findings for NC and CI faces suggest that colour is not critical for perception of visual and audiovisual speech. The effect of luminance inversion on performance accuracy was relatively small (5%), which suggests that the luminance information preserved in LI faces is important for the processing of visual and audiovisual speech.

2020 ◽  
Author(s):  
Jonathan E Peelle ◽  
Brent Spehar ◽  
Michael S Jones ◽  
Sarah McConkey ◽  
Joel Myerson ◽  
...  

In everyday conversation, we usually process the talker's face as well as the sound of their voice. Access to visual speech information is particularly useful when the auditory signal is degraded. Here we used fMRI to monitor brain activity while adults (n = 60) were presented with visual-only, auditory-only, and audiovisual words. As expected, audiovisual speech perception recruited both auditory and visual cortex, with a trend towards increased recruitment of premotor cortex in more difficult conditions (for example, in substantial background noise). We then investigated neural connectivity using psychophysiological interaction (PPI) analysis with seed regions in both primary auditory cortex and primary visual cortex. Connectivity between auditory and visual cortices was stronger in audiovisual conditions than in unimodal conditions, including a wide network of regions in posterior temporal cortex and prefrontal cortex. Taken together, our results suggest a prominent role for cross-region synchronization in understanding both visual-only and audiovisual speech.


2011 ◽  
Vol 24 (1) ◽  
pp. 67-90 ◽  
Author(s):  
Riikka Möttönen ◽  
Kaisa Tiippana ◽  
Mikko Sams ◽  
Hanna Puharinen

AbstractAudiovisual speech perception has been considered to operate independent of sound location, since the McGurk effect (altered auditory speech perception caused by conflicting visual speech) has been shown to be unaffected by whether speech sounds are presented in the same or different location as a talking face. Here we show that sound location effects arise with manipulation of spatial attention. Sounds were presented from loudspeakers in five locations: the centre (location of the talking face) and 45°/90° to the left/right. Auditory spatial attention was focused on a location by presenting the majority (90%) of sounds from this location. In Experiment 1, the majority of sounds emanated from the centre, and the McGurk effect was enhanced there. In Experiment 2, the major location was 90° to the left, causing the McGurk effect to be stronger on the left and centre than on the right. Under control conditions, when sounds were presented with equal probability from all locations, the McGurk effect tended to be stronger for sounds emanating from the centre, but this tendency was not reliable. Additionally, reaction times were the shortest for a congruent audiovisual stimulus, and this was the case independent of location. Our main finding is that sound location can modulate audiovisual speech perception, and that spatial attention plays a role in this modulation.


2009 ◽  
Vol 51 (2) ◽  
pp. 184-193 ◽  
Author(s):  
Tobias S. Andersen ◽  
Kaisa Tiippana ◽  
Jari Laarni ◽  
Ilpo Kojo ◽  
Mikko Sams

Author(s):  
Karthik Ganesan ◽  
John Plass ◽  
Adriene M. Beltz ◽  
Zhongming Liu ◽  
Marcia Grabowecky ◽  
...  

AbstractSpeech perception is a central component of social communication. While speech perception is primarily driven by sounds, accurate perception in everyday settings is also supported by meaningful information extracted from visual cues (e.g., speech content, timing, and speaker identity). Previous research has shown that visual speech modulates activity in cortical areas subserving auditory speech perception, including the superior temporal gyrus (STG), likely through feedback connections from the multisensory posterior superior temporal sulcus (pSTS). However, it is unknown whether visual modulation of auditory processing in the STG is a unitary phenomenon or, rather, consists of multiple temporally, spatially, or functionally discrete processes. To explore these questions, we examined neural responses to audiovisual speech in electrodes implanted intracranially in the temporal cortex of 21 patients undergoing clinical monitoring for epilepsy. We found that visual speech modulates auditory processes in the STG in multiple ways, eliciting temporally and spatially distinct patterns of activity that differ across theta, beta, and high-gamma frequency bands. Before speech onset, visual information increased high-gamma power in the posterior STG and suppressed beta power in mid-STG regions, suggesting crossmodal prediction of speech signals in these areas. After sound onset, visual speech decreased theta power in the middle and posterior STG, potentially reflecting a decrease in sustained feedforward auditory activity. These results are consistent with models that posit multiple distinct mechanisms supporting audiovisual speech perception.Significance StatementVisual speech cues are often needed to disambiguate distorted speech sounds in the natural environment. However, understanding how the brain encodes and transmits visual information for usage by the auditory system remains a challenge. One persistent question is whether visual signals have a unitary effect on auditory processing or elicit multiple distinct effects throughout auditory cortex. To better understand how vision modulates speech processing, we measured neural activity produced by audiovisual speech from electrodes surgically implanted in auditory areas of 21 patients with epilepsy. Group-level statistics using linear mixed-effects models demonstrated distinct patterns of activity across different locations, timepoints, and frequency bands, suggesting the presence of multiple audiovisual mechanisms supporting speech perception processes in auditory cortex.


Author(s):  
Dominic W. Massaro ◽  
Alexandra Jesse

This article gives an overview of the main research questions and findings unique to audiovisual speech perception research, and discusses what general questions about speech perception and cognition the research in this field can answer. The influence of a second perceptual source in audiovisual speech perception compared to auditory speech perception immediately necessitates the question of how the information from the different perceptual sources is used to reach the best overall decision. The article explores how our understanding of speech benefits from having the speaker's face present, and how this benefit makes transparent the nature of speech perception and word recognition. Modern communication methods such as Voice over Internet Protocol find a wide acceptance, but people are reluctant to forfeit face-to-face communication. The article also considers the role of visual speech as a language-learning tool in multimodal training, information and information processing in audiovisual speech perception, lexicon and word recognition, facial information for speech perception, and theories of audiovisual speech perception.


2018 ◽  
Vol 31 (1-2) ◽  
pp. 7-18 ◽  
Author(s):  
John MacDonald

In 1976 Harry McGurk and I published a paper in Nature, entitled ‘Hearing Lips and Seeing Voices’. The paper described a new audio–visual illusion we had discovered that showed the perception of auditorily presented speech could be influenced by the simultaneous presentation of incongruent visual speech. This hitherto unknown effect has since had a profound impact on audiovisual speech perception research. The phenomenon has come to be known as the ‘McGurk effect’, and the original paper has been cited in excess of 4800 times. In this paper I describe the background to the discovery of the effect, the rationale for the generation of the initial stimuli, the construction of the exemplars used and the serendipitous nature of the finding. The paper will also cover the reaction (and non-reaction) to the Nature publication, the growth of research on, and utilizing the ‘McGurk effect’ and end with some reflections on the significance of the finding.


2019 ◽  
Author(s):  
Jonathan E. Peelle

Understanding the neural systems supporting speech perception can shed light on the representations, processes, and variability in human communication. In the case of speech and language disorders, uncovering the neurological underpinnings can sometimes lead to surgical or medical treatments. Even in the case of healthy listeners, better understanding the interactions among hierarchical brain systems during speech processing can deepen our understanding of perceptual and language processes, and how these might be affected during development, hearing loss, or in background noise. Current neurobiological frameworks largely agree on the importance of bilateral temporal cortex for processing auditory speech, with the addition of left frontal cortex for more complex linguistic structures (such as sentences). Although visual cortex is clearly important for audiovisual speech processing, there is continued debate about where and how auditory and visual signals are integrated. Studies offer evidence supporting multisensory roles for posterior superior temporal sulcus, auditory cortex, and motor cortex. Rather than a single integration mechanism, it may be that visual and auditory inputs are combined in different ways depending on the type of information being processed. Importantly, core speech regions are not always sufficient for successfully understanding spoken language. Increased linguistic complexity or acoustic challenge forces listeners to recruit additional neural systems. In many cases compensatory activity is seen in executive and attention systems, such as the cingulo-opercular or frontoparietal networks. These patterns of increased activity appear to depend on the auditory and cognitive abilities of individual listeners, indicating a systems-level balance between neural systems that dynamically adjusts to the acoustic properties of the speech and current task demand. Speech perception is thus a shining example of flexible neural processing and behavioral stability.


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