Long-Range Apparent Motion as a Result of Perceptual Organisation

Perception ◽  
1994 ◽  
Vol 23 (3) ◽  
pp. 269-286 ◽  
Author(s):  
Tadasu Oyama ◽  
Katsuo Naito ◽  
Hiromi Naito

Five kinds of percept have been found to occur when two different stimulus objects are simultaneously presented, exchanging positions with each other in successive exposures. These five percepts can be classified as follows: (i) Appearance—Disappearance (succession), (ii) Lateral Motion, (iii) Depth Motion, (iv) Transmutation (in colour, brightness, and/or shape), and (v) Overlapping (simultaneity). Results of three experiments indicate that relative dominance among these five percepts systematically depends upon differences between the two stimulus objects in colour, luminance, shape, and size. The relative dominance depended upon the stimulus onset asynchrony (SOA) between successive presentations and on the spatial separation between the two objects. Lateral Motion became more dominant as a result of (a) an increase in the number of stimulus attributes differing between the two objects, (b) an increase in the SOA, or (c) a decrease in the distance between the two objects. Colour difference, even without a luminance difference, was one of the determinants for Lateral Motion. Depth Motion frequently occurred when the two objects differed in size and the SOA and the distances between them were relatively great. Transmutation occurred when the objects differed in colour, luminance, or shape. Perceptual modes (ii) to (iv) can be understood as different results of perceptual organisation that always maintains perceptual identity of objects and maintains perceptual constancy of their attributes as much as possible. Long-range apparent motion could be a result of such perceptual organisation.

Perception ◽  
10.1068/p5844 ◽  
2007 ◽  
Vol 36 (10) ◽  
pp. 1455-1464 ◽  
Author(s):  
Vanessa Harrar ◽  
Laurence R Harris

Gestalt rules that describe how visual stimuli are grouped also apply to sounds, but it is unknown if the Gestalt rules also apply to tactile or uniquely multimodal stimuli. To investigate these rules, we used lights, touches, and a combination of lights and touches, arranged in a classic Ternus configuration. Three stimuli (A, B, C) were arranged in a row across three fingers. A and B were presented for 50 ms and, after a delay, B and C were presented for 50 ms. Subjects were asked whether they perceived AB moving to BC (group motion) or A moving to C (element motion). For all three types of stimuli, at short delays, A to C dominated, while at longer delays AB to BC dominated. The critical delay, where perception changed from group to element motion, was significantly different for the visual Ternus (3 lights, 162 ms) and the tactile Ternus (3 touches, 195 ms). The critical delay for the multimodal Ternus (3 light – touch pairs, 161 ms) was not different from the visual or tactile Ternus effects. In a second experiment, subjects were exposed to 2.5 min of visual group motion (stimulus onset asynchrony = 300 ms). The exposure caused a shift in the critical delay of the visual Ternus, a trend in the same direction for the multimodal Ternus, but no shift in the tactile Ternus. These results suggest separate but similar grouping rules for visual, tactile, and multimodal stimuli.


2001 ◽  
Vol 24 (4) ◽  
pp. 668-669
Author(s):  
T. D. Frank ◽  
A. Daffertshofer ◽  
P. J. Beek

Based on concepts of self-organization, we interpret apparent motion as the result of a so-called non-equilibrium phase transition of the perceptual system with the stimulus-onset asynchrony (SOA) acting as a control parameter. Accordingly, we predict a significantly increasing variance of the quality index of apparent motion close to critical SOAs. [Shepard]


Perception ◽  
1998 ◽  
Vol 27 (4) ◽  
pp. 483-495 ◽  
Author(s):  
Thomas Z Strybel ◽  
Michele L Menges

The effects of frequency differences between the lead and lag stimuli on auditory apparent motion (AAM—the perception of continuous changes in the location of a sound image over time) were examined in two experiments. In experiment 1, three standard frequencies (500, 1000, and 5000 Hz) and three SOAs (40, 60, and 100 ms) were tested. Both standard frequency and stimulus onset asynchrony (SOA) were constant throughout a session. Eleven comparison frequencies were tested within each session, with the range dependent on the standard frequency. At standard frequencies of 500 and 1000 Hz, AAM was heard when the frequencies of the lead and lag stimuli were within 100 Hz of each other. At 5000 Hz, the range of frequencies producing AAM increased with SOA. In experiment 2, two standards (500 and 5000 Hz) were tested with a wider range of SOAs (10–210 ms) varied within a session, and a narrower range of comparison frequencies. Here, comparison frequency was constant throughout a session. At 500 Hz, the SOAs producing AAM did not depend on comparison frequency. At 5000 Hz, the SOAs producing AAM increased with comparison frequency, consistent with Korte's third law of visual apparent motion.


1975 ◽  
Vol 41 (3) ◽  
pp. 791-796 ◽  
Author(s):  
Johannes Abresch ◽  
Viktor Sarris

Perceptual contrast effect was studied from two points of view, as a special anchor effect and as a special figural aftereffect. Two experiments were conducted to investigate the influence of stimulus onset asynchrony on contrast and assimilation effects, induced and measured by different psychophysical methods. Stimuli were circular beams of light projected on screens (Delboef type of illusion). When anchor and series stimuli were shown and the latter were judged by means of a rating scale, stimulus onset asychrony had no substantial influence on the contrast effect (Exp. I). When the constant method was applied, however, the asynchrony altered the shape of the contrast effect considerably (Exp. II).


1986 ◽  
Vol 61 (1) ◽  
pp. 17-36 ◽  
Author(s):  
Annette M.B. de Groot ◽  
Arnold J.W.M. Thomassen ◽  
Patrick T.W. Hudson

2017 ◽  
Vol 22 (3) ◽  
pp. 199-227 ◽  
Author(s):  
Ciara K. Kidder ◽  
Katherine R. White ◽  
Michelle R. Hinojos ◽  
Mayra Sandoval ◽  
Stephen L. Crites

Psychological interest in stereotype measurement has spanned nearly a century, with researchers adopting implicit measures in the 1980s to complement explicit measures. One of the most frequently used implicit measures of stereotypes is the sequential priming paradigm. The current meta-analysis examines stereotype priming, focusing specifically on this paradigm. To contribute to ongoing discussions regarding methodological rigor in social psychology, one primary goal was to identify methodological moderators of the stereotype priming effect—whether priming is due to a relation between the prime and target stimuli, the prime and target response, participant task, stereotype dimension, stimulus onset asynchrony (SOA), and stimuli type. Data from 39 studies yielded 87 individual effect sizes from 5,497 participants. Analyses revealed that stereotype priming is significantly moderated by the presence of prime–response relations, participant task, stereotype dimension, target stimulus type, SOA, and prime repetition. These results carry both practical and theoretical implications for future research on stereotype priming.


2016 ◽  
Vol 116 (5) ◽  
pp. 2125-2139 ◽  
Author(s):  
Tobias Teichert ◽  
Kate Gurnsey ◽  
Dean Salisbury ◽  
Robert A. Sweet

Auditory refractoriness refers to the finding of smaller electroencephalographic (EEG) responses to tones preceded by shorter periods of silence. To date, its physiological mechanisms remain unclear, limiting the insights gained from findings of abnormal refractoriness in individuals with schizophrenia. To resolve this roadblock, we studied auditory refractoriness in the rhesus, one of the most important animal models of auditory function, using grids of up to 32 chronically implanted cranial EEG electrodes. Four macaques passively listened to sounds whose identity and timing was random, thus preventing animals from forming valid predictions about upcoming sounds. Stimulus onset asynchrony ranged between 0.2 and 12.8 s, thus encompassing the clinically relevant timescale of refractoriness. Our results show refractoriness in all 8 previously identified middle- and long-latency components that peaked between 14 and 170 ms after tone onset. Refractoriness may reflect the formation and gradual decay of a basic sensory memory trace that may be mirrored by the expenditure and gradual recovery of a limited physiological resource that determines generator excitability. For all 8 components, results were consistent with the assumption that processing of each tone expends ∼65% of the available resource. Differences between components are caused by how quickly the resource recovers. Recovery time constants of different components ranged between 0.5 and 2 s. This work provides a solid conceptual, methodological, and computational foundation to dissect the physiological mechanisms of auditory refractoriness in the rhesus. Such knowledge may, in turn, help develop novel pharmacological, mechanism-targeted interventions.


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