On the Variety of Percepts Associated with Dichoptic Viewing of Dissimilar Monocular Stimuli

Perception ◽  
1992 ◽  
Vol 21 (1) ◽  
pp. 47-62 ◽  
Author(s):  
Yuede Yang ◽  
David Rose ◽  
Randolph Blake

Upon dichoptic viewing of dissimilar patterns, several distinct perceptual states may be experienced over time. One state is exclusive monocular dominance, wherein the view of only one eye is seen in its entirety for some period of time. Another state is characterized by a mosaic-like collage consisting of portions of the view of each eye. Two other states involve simultaneous perception of both monocular images in their entirety. In one of these states, the two monocular stimuli appear to be superimposed without depth (a phenomenon we shall term ‘superimposition’). In the other state, the two monocular stimuli appear to be located at different depth planes (which we shall term ‘transparency’). This paper documents the stimulus conditions favoring these various perceptual states. Exclusive monocular dominance occurs most often when the two eyes view dissimilar patterns with the same spatial-frequency content, particularly when both patterns consist of low spatial frequencies. Superimposition also occurs most often when the two eyes view the same spatial frequencies, but predominantly when those spatial frequencies are high. Transparency is favored when the spatial-frequency difference between the eyes is great, particularly when the view of one eye consists of high spatial-frequency information.

2021 ◽  
Vol 2 ◽  
Author(s):  
Arthur Shapiro

Shapiro and Hedjar (2019) proposed a shift in the definition of illusion, from ‘differences between perception and reality’ to ‘conflicts between possible constructions of reality’. This paper builds on this idea by presenting a series of motion hybrid images that juxtapose fine scale contrast (high spatial frequency content) with coarse scale contrast-generated motion (low spatial frequency content). As is the case for static hybrid images, under normal viewing conditions the fine scale contrast determines the perception of motion hybrid images; however, if the motion hybrid image is blurred or viewed from a distance, the perception is determined by the coarse scale contrast. The fine scale contrast therefore masks the perception of motion (and sometimes depth) produced by the coarser scale contrast. Since the unblurred movies contain both fine and coarse scale contrast information, but the blurred movies contain only coarse scale contrast information, cells in the brain that respond to low spatial frequencies should respond equally to both blurred and unblurred movies. Since people undoubtedly differ in the optics of their eyes and most likely in the neural processes that resolve conflict across scales, the paper suggests that motion hybrid images illustrate trade-offs between spatial scales that are important for understanding individual differences in perceptions of the natural world.


Vision ◽  
2020 ◽  
Vol 4 (2) ◽  
pp. 29
Author(s):  
Sabrina Perfetto ◽  
John Wilder ◽  
Dirk B. Walther

The early visual system is composed of spatial frequency-tuned channels that break an image into its individual frequency components. Therefore, researchers commonly filter images for spatial frequencies to arrive at conclusions about the differential importance of high versus and low spatial frequency image content. Here, we show how simple decisions about the filtering of the images, and how they are displayed on the screen, can result in drastically different behavioral outcomes. We show that jointly normalizing the contrast of the stimuli is critical in order to draw accurate conclusions about the influence of the different spatial frequencies, as images of the real world naturally have higher contrast energy at low than high spatial frequencies. Furthermore, the specific choice of filter shape can result in contradictory results about whether high or low spatial frequencies are more useful for understanding image content. Finally, we show that the manner in which the high spatial frequency content is displayed on the screen influences how recognizable an image is. Previous findings that make claims about the visual system’s use of certain spatial frequency bands should be revisited, especially if their methods sections do not make clear what filtering choices were made.


2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Sergey Alexandrov ◽  
Anand Arangath ◽  
Yi Zhou ◽  
Mary Murphy ◽  
Niamh Duffy ◽  
...  

AbstractOptical coherence tomography (OCT) is a rapidly evolving technology with a broad range of applications, including biomedical imaging and diagnosis. Conventional intensity-based OCT provides depth-resolved imaging with a typical resolution and sensitivity to structural alterations of about 5–10 microns. It would be desirable for functional biological imaging to detect smaller features in tissues due to the nature of pathological processes. In this article, we perform the analysis of the spatial frequency content of the OCT signal based on scattering theory. We demonstrate that the OCT signal, even at limited spectral bandwidth, contains information about high spatial frequencies present in the object which relates to the small, sub-wavelength size structures. Experimental single frame imaging of phantoms with well-known sub-micron internal structures confirms the theory. Examples of visualization of the nanoscale structural changes within mesenchymal stem cells (MSC), which are invisible using conventional OCT, are also shown. Presented results provide a theoretical and experimental basis for the extraction of high spatial frequency information to substantially improve the sensitivity of OCT to structural alterations at clinically relevant depths.


Perception ◽  
1989 ◽  
Vol 18 (1) ◽  
pp. 39-54 ◽  
Author(s):  
Sofia M Würger ◽  
Michael S Landy

The interpolation of stereoscopic depth given only sparse disparity information was investigated. The basic stimulus was a rectangle with zero disparity at one edge, and 20 or 30 min visual angle disparity at the other. The depth assigned to the ambiguous intervening locations was measured by means of a small briefly-flashed binocular comparison spot. For a stimulus consisting of a uniform rectangle presented on a background of random dots with zero disparity, interpolated depth was greater for a high mean contrast between rectangle and background than for a low mean contrast. Relative to a linear interpolation between the edges, a larger difference in edge disparity resulted in poorer depth interpolation. Depth interpolation based on rivalrous information was examined by filling the stimulus rectangle with narrow-band filtered noise which was uncorrelated between the two eyes. Four different passbands which were matched in apparent contrast were investigated. The results demonstrate that the rivalrous low-spatial-frequency content was resistant to interpolation; rivalrous high spatial frequencies did not interfere with depth interpolation. High-spatial-frequency stimuli yielded a percept similar to the uniform-field condition, whereas low-spatial-frequency stimuli lay in a depth plane near or even behind the background. In the latter case a transparent plane was perceived which was linearly interpolated between the two edges, and which floated above the rivalrous noise.


2017 ◽  
Author(s):  
Ghaith Tarawneh ◽  
Vivek Nityananda ◽  
Ronny Rosner ◽  
Steven Errington ◽  
William Herbert ◽  
...  

AbstractRecently, we showed a novel property of the Hassenstein-Reichardt detector: namely, that insect motion detection can be masked by “invisible” noise, i.e. visual noise presented at spatial frequencies to which the animals do not respond when presented as a signal. While this study compared the effect of noise on human and insect motion perception, it used different ways of quantifying masking in two species. This was because the human studies measured contrast thresholds, which were too time-consuming to acquire in the insect given the large number of stimulus parameters examined. Here, we run longer experiments in which we obtained contrast thresholds at just two signal and two noise frequencies. We examine the increase in threshold produced by noise at either the same frequency as the signal, or a different frequency. We do this in both humans and praying mantises (Sphodromantis lineola), enabling us to compare these species directly in the same paradigm. Our results confirm our earlier finding: whereas in humans, visual noise masks much more effectively when presented at the signal spatial frequency, in insects, noise is roughly equivalently effective whether presented at the same frequency or a lower frequency. In both species, visual noise presented at a higher spatial frequency is a less effective mask.Summary StatementWe here show that despite having similar motion detection systems, insects and humans differ in the effect of low and high spatial frequency noise on their contrast thresholds.


2012 ◽  
Vol 25 (0) ◽  
pp. 121
Author(s):  
Marcia Grabowecky ◽  
Aleksandra Sherman ◽  
Satoru Suzuki

We have previously demonstrated a linear perceptual relationship between auditory amplitude-modulation (AM) rate and visual spatial-frequency using gabors as the visual stimuli. Can this frequency-based auditory–visual association influence perception of natural scenes? Participants consistently matched specific auditory AM rates to diverse visual scenes (nature, urban, and indoor). A correlation analysis indicated that higher subjective density ratings were associated with faster AM-rate matches. Furthermore, both the density ratings and AM-rate matches were relatively scale invariant, suggesting that the underlying crossmodal association is between visual coding of object-based density and auditory coding of AM rate. Based on these results, we hypothesized that concurrently presented fast (7 Hz) or slow (2 Hz) AM-rates might influence how visual attention is allocated to dense or sparse regions within a scene. We tested this hypothesis by monitoring eye movements while participants examined scenes for a subsequent memory task. To determine whether fast or slow sounds guided eye movements to specific spatial frequencies, we computed the maximum contrast energy at each fixation across 12 spatial frequency bands ranging from 0.06–10.16 cycles/degree. We found that the fast sound significantly guided eye movements toward regions of high spatial frequency, whereas the slow sound guided eye movements away from regions of high spatial frequency. This suggests that faster sounds may promote a local scene scanning strategy, acting as a ‘filter’ to individuate objects within dense regions. Our results suggest that auditory AM rate and visual object density are crossmodally associated, and that this association can modulate visual inspection of scenes.


2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Zhen Ren ◽  
Jiawei Zhou ◽  
Zhimo Yao ◽  
Zhengchun Wang ◽  
Nini Yuan ◽  
...  

Abstract It is well known that, in humans, contrast sensitivity training at high spatial frequency (SF) not only leads to contrast sensitivity improvement, but also results in an improvement in visual acuity as assessed with gratings (direct effect) or letters (transfer effect). However, the underlying neural mechanisms of this high spatial frequency training improvement remain to be elucidated. In the present study, we examined four properties of neurons in primary visual cortex (area 17) of adult cats that exhibited significantly improved acuity after contrast sensitivity training with a high spatial frequency grating and those of untrained control cats. We found no difference in neuronal contrast sensitivity or tuning width (Width) between the trained and untrained cats. However, the trained cats showed a displacement of the cells’ optimal spatial frequency (OSF) to higher spatial frequencies as well as a larger neuronal signal-to-noise ratio (SNR). Furthermore, both the neuronal differences in OSF and SNR were significantly correlated with the improvement of acuity measured behaviorally. These results suggest that striate neurons might mediate the perceptual learning-induced improvement for high spatial frequency stimuli by an alteration in their spatial frequency representation and by an increased SNR.


Perception ◽  
1997 ◽  
Vol 26 (1_suppl) ◽  
pp. 31-31 ◽  
Author(s):  
M M Del Viva ◽  
M C Morrone

We present several examples of moving stimuli comprising several harmonic components that can be perceived either as moving independently, or together as a coherent moving pattern. A simple example is two sinusoidal gratings of equal contrast and spatial frequencies moving in opposite directions that are perceived as a single grating modulated sinusoidally over time (counterphase). However, two square waves drifting in opposite directions, while being a superposition of counterphasing pairs, are perceived as two distinct patterns drifting in transparency one over the other. Intermediate situations such as pairs of counterphase gratings can be perceived alternatively as counterphases or as drifting in two directions. We show that the relative phase of the components plays a fundamental role in whether they group or become transparent. The tendency of a component to become part of a pattern is maximal when the phase relationship is 0 deg, and gradually decreases to a minimum at 90 deg. This agrees quantitatively with previous measurements on different stimuli (paper presented at Del Viva and Morrone, ARVO96), suggesting a common computational mechanism. The data were well modelled by a nonlinear model of motion analysis based on feature tracking, showing sensitivity to the exact degree of nonlinearity.


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