A Demonstration of the Visual Importance and Flexibility of Spatial-Frequency Amplitude and Phase

Perception ◽  
1982 ◽  
Vol 11 (3) ◽  
pp. 337-346 ◽  
Author(s):  
Leon N Piotrowski ◽  
Fergus W Campbell

To establish how little information the human visual system requires for recognition, common objects were digitally manipulated in the Fourier domain. The results demonstrate that it is not only possible, but also quite efficient, for a (biological) visual system to exist with very few phase relationships among the component spatial frequencies of the (retinal) image. A visual example is then presented which illustrates how certain phase relationships can hinder, or completely eliminate, the recognition of visual scenes.

Perception ◽  
1986 ◽  
Vol 15 (5) ◽  
pp. 553-562 ◽  
Author(s):  
Marisa Carrasco ◽  
Jesus G Figueroa ◽  
J Douglas Willen

Previous investigations have shown that the response of spatial-frequency-specific channels in the human visual system is differentially affected by adaptation to gratings of distinct spatial frequencies and/or orientations. A study is reported of the effects of adaptation to vertical or horizontal gratings of a high or a low spatial frequency on the extent of the Brentano form of the Müller-Lyer illusion in human observers. It is shown that the illusion decreases after adaptation to vertical gratings of low spatial frequency, but seems unaffected otherwise. These results are consistent with the notion of visual channels that are spatial-frequency and orientation specific, and support the argument that the Müller-Lyer illusion may be due primarily to lower-spatial-frequency components in the Fourier spectra of the image.


1985 ◽  
Vol 25 (9) ◽  
pp. 1233-1240 ◽  
Author(s):  
Eckart Perizonius ◽  
Wolfgang Schill ◽  
Hans Geiger ◽  
Rainer Röhler

Author(s):  
Xiangyang Xu ◽  
Qiao Chen ◽  
Ruixin Xu

Similar to auditory perception of sound system, color perception of the human visual system also presents a multi-frequency channel property. In order to study the multi-frequency channel mechanism of how the human visual system processes color information, the paper proposed a psychophysical experiment to measure the contrast sensitivities based on 17 color samples of 16 spatial frequencies on CIELAB opponent color space. Correlation analysis was carried out on the psychophysical experiment data, and the results show obvious linear correlations of observations for different spatial frequencies of different observers, which indicates that a linear model can be used to model how human visual system processes spatial frequency information. The results of solving the model based on the experiment data of color samples show that 9 spatial frequency tuning curves can exist in human visual system with each lightness, R–G and Y–B color channel and each channel can be represented by 3 tuning curves, which reflect the “center-around” form of the human visual receptive field. It is concluded that there are 9 spatial frequency channels in human vision system. The low frequency tuning curve of a narrow-frequency bandwidth shows the characteristics of lower level receptive field for human vision system, the medium frequency tuning curve shows a low pass property of the change of medium frequent colors and the high frequency tuning curve of a width-frequency bandwidth, which has a feedback effect on the low and medium frequency channels and shows the characteristics of higher level receptive field for human vision system, which represents the discrimination of details.


Perception ◽  
1973 ◽  
Vol 2 (1) ◽  
pp. 53-60 ◽  
Author(s):  
J A Movshon ◽  
C Blakemore

An adaptation method is used to determine the orientation specificity of channels sensitive to different spatial frequencies in the human visual system. Comparison between different frequencies is made possible by a data transformation in which orientational effects are expressed in terms of equivalent contrast (the contrast of a vertical grating producing the same adaptational effect as a high-contrast grating of a given orientation). It is shown that, despite great variances in the range of orientations affected by adaptation at different spatial frequencies (±10° to ±50°), the half-width at half-amplitude of the orientation channels does not vary systematically as a function of spatial frequency over the range tested (2·5 to 20 cycles deg−1). Two subjects were used and they showed significantly different orientation tuning across the range of spatial frequencies. The results are discussed with reference to previous determinations of orientation specificity, and to related psychophysical and neurophysiological phenomena.


Perception ◽  
1986 ◽  
Vol 15 (4) ◽  
pp. 473-482 ◽  
Author(s):  
Andrew T Smith ◽  
Frances Early ◽  
Sarah C Grogan

Recent studies have provided evidence that dyslexic children tend to show longer visual persistence than control children when presented with low-spatial-frequency grating stimuli. The possibility that this phenomenon might reflect an impairment of inhibitory Y-cell activity in the visual system of dyslexics has been investigated. A flicker masking technique was used to mask Y-cell activity selectively in a group of dyslexic boys and a group of age-matched controls. There were no overall differences in reaction times to the offsets of grating patterns of various spatial frequencies between the groups, and no differences between subgroups defined by age, degree of reading impairment, or any other criterion. The results show no evidence of abnormal Y-cell function in developmental dyslexia.


1994 ◽  
Vol 78 (1) ◽  
pp. 339-347
Author(s):  
Janet D. Larsen ◽  
Beth Anne Goldstein

The idea that low spatial-frequency information in the Mueller-Lyer figure accounts for a major part of the illusion was tested in a series of five studies. In Study 1, subjects were selectively adapted to high or low square-wave spatial-frequency gratings with no difference in the magnitude of illusion they experienced. Similarly, adaptation to sinusoidal grating patterns with either high or low spatial frequency had no effect on the magnitude of illusion experienced (Studies 2 to 5). The failure of adaptation to low spatial-frequency gratings to affect the magnitude of illusion experienced indicates either that the illusion cannot be accounted for by the low spatial-frequency information or that adaptation of the visual system by grating patterns cannot be used to explore any effects of the low spatial frequencies in the figure.


2020 ◽  
Vol 20 (11) ◽  
pp. 425
Author(s):  
Anqi Zhang ◽  
Wilson S. Geisler

2018 ◽  
Author(s):  
Ifedayo-Emmanuel Adeyefa-Olasupo

AbstractHere human trichromats were presented with two types of scenes – geometric and real-world scenes –tinted with a shade of colour in order to destabilize the perceived illumination, and chromaticity of the retinal image of each scene. Each trichromat was instructed to adjust the chromaticity of the object embedded within each scene until its surface appeared devoid of any hue in the DKL colour space which spans two chromatic opponent axes – the S–(L+M) and L– M axis – and a luminance axis – the L+M axis. The following observations were made : (i) across scenes, adjustments were dispersed along the S–(L+M) axis, along which daylight is known to vary; (ii) across trichromats, for the geometric scenes, adjustments were biased towards the S pole of the S–(L+M) axis for one group (group 1), and towards the (L+M) pole for the other group (group 2); (iii) for the real-world scenes, adjustments for both groups systematically converged towards the (L+M) pole. These results suggest that when the core set of priors upon which the human visual system typically relies become ill-equipped, the human visual system is able to recruit one of the two illumination priors – PriorS or PriorL+M – in combination with the representation it has formed over time about the spectral composition of the illuminant associated with scenes the trichromatic observer is currently being exposed to within its ecological niche, as it attempts to stabilize the chromaticity of the retinal image of real-world scenes.


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