scholarly journals Comprehensive approach to the restoration of historical and cultural monuments (example of the mansion of A. A. Polovtsov)

2020 ◽  
Vol 164 ◽  
pp. 05015
Author(s):  
Petr Shchedrin
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Early 19Th Century ◽  
Historic Masonry ◽  
Reinforced Masonry ◽  
History Of ◽  
Restoration Work ◽  
Cultural Heritage Objects ◽  
The 19Th Century ◽  
The Mansion

The article deals with the problems of restoration design and study of cultural heritage objects that have a long history of existence and operation since the first half of the 19th century. The main aspects faced by researchers of monuments in our time are listed. The list of problems that designers face when studying such objects in St. Petersburg is given. A small dive into the technology of historical development for 250-300 years in St. Petersburg is made. The features of historic masonry and reinforced masonry structures are discussed. In particular, the problems of the state of brickwork walls of cultural heritage monuments of the early 19th century are listed. As a result, it can be stated that the technical and technological difficulties of restoration and the most problematic objects in the design were left to the current generation. We can also say that the current community of restoration designers, to a greater extent, does not take into account many factors that affect the integrity and load-bearing capacity of masonry historical walls. Using the example of a cultural heritage object - the building of the mansion of A. A. Polovtsov, the stages of design of restoration work and analysis of the result obtained and forced corrections after detailed restoration implementation in the structure during its restoration and conservation are given.

scholarly journals INTERIOR RESTORATION A.A MARAMIS BUILDING MINISTRY OF FINANCE OF INDONESIA: DEVELOPING INTERIOR CONCEPTS WITH THE PRINCIPLES OF CULTURAL HERITAGE RESTORATION

2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Ika Yuni Purnama
Keyword(s):  
Cultural Heritage ◽  
Qualitative Methods ◽  
19Th Century ◽  
Early 19Th Century ◽  
Travel History ◽  
The Past ◽  
Interdisciplinary Approaches ◽  
History Of ◽  
Ministry Of Finance ◽  
The 19Th Century

A.A Maramis is a palace building consisting of 3 floors with the 19th century Empire in Indonesia. This building represents the development of Indonesian architecture in the early 19th century. In the renovation planning that began at the end of 2019, the A.A Maramis building is expected to be a historical reminder of how important this agency is as well as the chronology of events that have occurred in the past in order to increase love for the nation and the motherland. In the planning of restoration is expected to become one of the attractive and educative tourism destination. Restoration of A.A. Maramis building refers to the concepts and principles of Cultural Heritage. This study uses qualitative methods and interdisciplinary approaches include history, culture, and aesthetics. The renovation and development as well as the use of the interior or interior is a place to preserve, present and convey information about the travel history of the Ministry of Finance in developing the nation and state of Indonesia.Keywords: A.A Maramis building Ministry of Finance of Indonesia, developing, interior concept, the principle of cultural heritage restoration

scholarly journals Romantyczne wędrówki Polaków po Szwajcarii Saskiej

2019 ◽  
Vol 12 ◽  
pp. 149-175
Author(s):  
Ewa Grzęda
Keyword(s):  
19Th Century ◽  
Travel Literature ◽  
Early 19Th Century ◽  
Polish Literature ◽  
History Of ◽  
Polish Language ◽  
The Aesthetic ◽  
Spatial Imagination ◽  
Aesthetic Sensibility ◽  
The 19Th Century

Romantic wanderings of Poles across Saxon SwitzerlandThe history of Polish tourism in the Elbe Sandstone Mountains as well as the literary and artistic reception of the landscape and culture of Saxon Switzerland have never been discussed in detail. The present article is a research reconnaissance. The beginnings and development of tourism in the region came in the late 18th and early 19th century. The 1800s were marked by the emergence of the first German-language descriptions of Saxon Switzerland, which served as guidebooks at the time. From the very beginning Poles, too, participated in the tourist movement in the area. The author of the article seeks to follow the increasing interest in Saxon Switzerland and the appearance of the first descriptions of the region in Polish literature and culture. She provides a detailed analysis of Polish-language accounts of micro-trips to the Elbe Sandstone Mountains by Andrzej Edward Koźmian, Stanisław Deszert, Antoni Edward Odyniec, Klementyna Hoffman née Tańska and a poem by Maciej Bogusz Stęczyński. As the analysis demonstrates, in the first half of the 19th century Poles liked to visit these relatively low mountains in Central Europe and tourism in the region is clearly part of the history of Polish mountain tourism. Thanks to unique aesthetic and natural values of the mountains, full of varied rocky formations, reception of their landscape had an impact of the development of the aesthetic sensibility of Polish Romantics. Direct contact with nature and the landscape of Saxon Switzerland also served an important role in the shaping of spatial imagination of Polish tourists, encouraging them to explore other mountains in Europe and the world, including the Alps. On the other hand thanks to the development of tourist infrastructure in Saxon Switzerland, facilitating trips in the region and making the most attractive spots available to inexperienced tourists, micro-trips to the Elbe Sandstone Mountains marked an important stage in the development of mountain tourism on a popular-recreational level. Polish-language accounts of trips to Saxon Switzerland from the first half of the 20th century are a noteworthy manifestation of the beginnings of Polish travel literature.

Historicism

2020 ◽  
Author(s):  
Mari Hvattum
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Cultural Development ◽  
Early 19Th Century ◽  
Cultural Conditions ◽  
Related Idea ◽  
History Of ◽  
Cultural Historian ◽  
The 19Th Century ◽  
Art And Architecture

In its most general sense, historicism refers to a new historical consciousness emerging in late-18th- and early-19th-century Europe. This novel “historical-mindedness,” as the cultural historian Stephen Bann has called it, sprung from a recognition that human knowledge and human making are historically conditioned and must be understood within particular historical contexts. Historicism inspired new interest in the origin and development of cultural phenomena, not least art and architecture. When used in relation to architecture, historicism usually refers to the 19th-century notion that architecture is a historically dynamic and relative phenomenon, changing with time and circumstance. This in contrast to 18th-century classicism which tended to uphold the classical tradition as a universal ideal and a timeless standard. Historicism in architecture often entails Revivals of various kinds, i.e., the reference to or use of historical styles and motifs. The term is related to concepts such as eclecticism, revivalism, and relativism. In architectural history, an early anticipation of a historicist way of thinking is Johann Joachim Winckelmann’s History of the Art of Antiquity (1764). While still idealizing Greek art, Winckelmann also analyzed Egyptian, Etruscan, Phoenician, and Persian art and architecture, paying close attention to the historical conditions in which each of these cultures emerged. This new attentiveness to the relationship between cultural conditions and artistic expression lies at the heart of historicism, as does the related idea that architecture has the capacity to represent an epoch or a nation, forming a veritable index of cultural development. There is a strong organicist aspect to historicism, i.e., a tendency to think about cultural phenomena as organic wholes that evolve according to laws.

Libraries of Educations Institutions in Russia in the First Half of 19th Century

2010 ◽  
pp. 96-101
Author(s):  
Elena A. Kalinina
Keyword(s):  
Cultural History ◽  
19Th Century ◽  
School Libraries ◽  
Educational Institutions ◽  
Russian History ◽  
Early 19Th Century ◽  
History Of ◽  
The Russian Empire ◽  
In The Beginning ◽  
The 19Th Century

Libraries are the integral part of cultural history of Russia. Widespread opening of school libraries in the Russian Empire began in the early 19th century. They began opening school libraries across Russia in the beginning of the 19th century. The paper aims to show the formation and development of libraries in educational institutions of Russia in the first half of the 19th century. The research is based on legislative documents regulating the functions of activity of school libraries and archival materials on the Russian history of the 19th century.

Aleksei Kurbatov, Vasilii Tatishchev and the Testament of Ivan the Terrible of 1572

2010 ◽  
Vol 37 (3) ◽  
pp. 250-273
Author(s):  
Cornelia Soldat
Keyword(s):  
19Th Century ◽  
Early 19Th Century ◽  
Russian State ◽  
History Of ◽  
Ivan The Terrible ◽  
The 19Th Century ◽  
Literary Devices

AbstractThe only surviving copy of a Testament of Ivan the Terrible stems from the beginning of the 19th century with a watermark from 1805. In January 1822 the director of the Foreign Office's archive, Aleksei Malinovskii, sent the testament to the historian and novelist Nikolai Karamzin, who was working on his History of the Russian State, and who published it in the commentary to the ninth volume of the History. An analysis of Aleksei Kurbatov's and Vasilii Tatishchev's alledged authorship of the testament's preface and commentary leads to the conclusion that the testament displays the literary devices of a fictional text. The preface presents a story complete with the grammatically ambiguous signature ,,A. Kurbatova“, a host of conflicting dates and several lost copies of a lost original. The argument for Tatishchev's authorship rests solely on some peculiarities concerning the publications of his personal copy of the Sudebnik of 1550. The questions surrounding the testament are resolved easily when one takes into account the literary hints and regards the text as an early 19th-century mystification.

HISTORY OF THE DEVELOPMENT OF REGISTRATION DOCUMENTATION FOR OBJECTS OF CULTURAL HERITAGE IN UKRAINE

2017 ◽  
Vol 2 (2) ◽  
pp. 327-342
Author(s):  
Roman Kharkovenko
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Historical Analysis ◽  
History Of ◽  
The 19Th Century ◽  
Protection Of Cultural Heritage

The article provides historical analysis of the process of formation of accounting documentation for objects of cultural heritage and development of the sphere of protection of cultural heritage of Ukraine from the 19th century to the present.

Nannette and Johann Andreas Streicher - their role in shaping musical life in Vienna in the early 19th century

2020 ◽  
Vol 1 (13) ◽  
pp. 49-80
Author(s):  
Dominika Maszczyńska
Keyword(s):  
19Th Century ◽  
Piano Technique ◽  
Musical Life ◽  
Early 19Th Century ◽  
Artistic Activity ◽  
History Of ◽  
Fruitful Cooperation ◽  
And Performance ◽  
The One ◽  
The 19Th Century

Nannette and Andreas Streicher were important figures in the musical life of Vienna in the early 19th century. The article introduces their profiles, describes the history of their company, their social, cultural and teaching activity as well as different types of artistic activity. It also explains how keyboard instruments shaped sound and aesthetics-related piano ideals at the turn of the 19th century. The versatile activity of the Streichers, which first of all included instrument building, piano play- ing, composition, teaching and organisation of musical life, made a great contribution to Europe’s cultural heritage. We can notice their numerous connections with outstanding figures of musical life of that time, one that deserves particular attention is their acquaintance with Beethoven. Nannette Streicher was an extremely talented builder who not only coped with the typically masculine craft at that time, but she was also significantly successful in that field. Her instruments were popular, earning general recognition, and the innovative solutions introduced by her also influenced the work of other builders and further development of the piano. Their marriage became the basis for a very fruitful cooperation. Andreas’s numerous connections and his familiarity with the community became an important part of the activity of the company and contributed to its development. Nannette and Andreas shared their passion and passed it on to their son Johann Baptist, who successfully continued their piano making tradition and introduced further improvements, earning a great reputation as well. Social, cultural and teaching activities of the Streichers also played an important role in the musical life of Vienna. Andreas Streicher taught his students the secrets of piano technique and apart from that he shaped their musical and aesthetical awareness. His Kurze Bemerkungen are a valuable source of knowledge also for modern-time performers who can – thanks to this text – learn more about the piano playing aesthetics at the turn of the 19th century as well as a number of universal music and performance topics, which remain accurate to this day. Concerts organised in their house had an educational function too, on the one hand they shaped the tastes of music lovers and supported composers, allowing them to present their latest pieces, and on the other hand they contributed to the promotion of young performers for whom concerts there were often the first step leading towards Vienna’s professional musical stage. The development of the topic of the article in this issue of “Notes Muzyczny” is the trans- lation of the text by Andreas Streicher entitled: Some observations on the playing, tuning and maintenance of pianos built in Vienna by Nannette Streicher nee Stein.

scholarly journals Merchant Libraries in the Cultural Heritage of Irkutsk

2021 ◽  
Vol 22 (3) ◽  
pp. 518-528
Author(s):  
Vadim Shakherov
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Personality Development ◽  
Research Work ◽  
State University ◽  
Cultural Life ◽  
History Of ◽  
The 19Th Century ◽  
The City

The article considers the role of merchant libraries in the history of the city. The reviewed books open a new publishing series of the scientific library of Irkutsk University, dedicated to merchant libraries of Irkutsk. Its publications provide an opportunity to get familiar with the old book collections of Irkutsk residents, know more about the interest in books and reading in our city as well as the history of private libraries. The first book in the series, published in 2019, was dedicated to the book collection of the largest Irkutsk merchant, the philanthropist and bibliophile V.N. Basnin, whose estate was one of the largest cultural salons in Irkutsk in the first half of the 19th century. The book under review contains the most complete catalog of Basnin’s library, which he had been collecting for more than 40 years. It should be noted that he was not only a reader, but also quite a professional bibliographer, ordered by mail novelty books, making their systematization and description. The second book in the series is dedicated to other merchant libraries. Its compilers have done a lot of research work to find these publications, systematize them and identify their owners. The catalog presented by the Irkutsk State University library most fully reflects the merchants’ interest in printed publications. It includes 969 book titles, reflecting 1 194 editions with exlibrises, autographs and notes of their owners. Despite the purely bibliographic nature of the peer-reviewed publications, which are considered in the research, they are of interest to different groups of people. The author notes the importance of the books not only to library workers, but also to all the readers who are not indifferent to the history of cultural life in Irkutsk, as well as to the role of books and home libraries in personality development and formation of human abilities.

Culturological aspect in restoration of objects of artistic and historical heritage

2020 ◽  
pp. 64-71
Author(s):  
A. S. Mukhin ◽  
◽  
H. A. Mohamed ◽  
Keyword(s):  
Cultural Heritage ◽  
Historical Consciousness ◽  
Historical Discourse ◽  
History Of ◽  
Restoration Work ◽  
The Difference ◽  
Historical Heritage ◽  
Cultural Heritage Objects ◽  
Cultural Monuments ◽  
Practical Field

The authors of the article consider restoration not only as a practice of recreating lost elements of cultural monuments, but also as a form of cultural reflection. Much attention is paid to the professional qualities of the restorer, including the analysis of the General culture of the specialist, his ability to think in the field of historical, cultural and philosophical epistemes. The authors focus on the problem of choice in the restoration of severely damaged objects when the question arises about the need to layout the object or recreate it in modern materials. The degree of authenticity of the material used is studied because of the attitude to the phenomenon of authenticity of a thing in the context of historical discourse, which is determined by the historical consciousness of a modern person. The article addresses the issue of studying the history of restoration as a scientific and practical field of activity, pays attention to the difference between scientific and amateur restoration, and provides examples of restoration work to restore the loss of cultural heritage objects.

scholarly journals The history of neuromyelitis optica. Part 2: ‘Spinal amaurosis’, or how it all began

2019 ◽  
Vol 16 (1) ◽  
Author(s):  
S. Jarius ◽  
B. Wildemann
Keyword(s):  
19Th Century ◽  
Neuromyelitis Optica ◽  
Water Channel ◽  
Autoimmune Disorder ◽  
Early 19Th Century ◽  
Distinct Disease ◽  
History Of ◽  
The Central Nervous System ◽  
The 19Th Century ◽  
Distinct Disease Entity

AbstractNeuromyelitis optica (NMO) was long considered a clinical variant of multiple sclerosis (MS). However, the discovery of a novel and pathogenic anti-astrocytic serum autoantibody targeting aquaporin-4 (termed NMO-IgG or AQP4-Ab), the most abundant water channel protein in the central nervous system, led to the recognition of NMO as a distinct disease entity in its own right and generated strong and persisting interest in the condition. NMO is now studied as a prototypic autoimmune disorder, which differs from MS in terms of immunopathogenesis, clinicoradiological presentation, optimum treatment, and prognosis. While the history of classic MS has been extensively studied, relatively little is known about the history of NMO. In Part 1 of this series we focused on the late 19th century, when the term ‘neuromyelitis optica’ was first coined, traced the term’s origins and followed its meandering evolution throughout the 20th and into the 21st century. Here, in Part 2, we demonstrate that the peculiar concurrence of acute optic nerve and spinal cord affliction characteristic for NMO caught the attention of physicians much earlier than previously thought by re-presenting a number of very early cases of possible NMO that date back to the late 18th and early 19th century. In addition, we comprehensively discuss the pioneering concept of ‘spinal amaurosis’, which was introduced into the medical literature by ophthalmologists in the first half of the 19th century.

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