Origin of point current source in complex space

Keyword(s):  
2018 ◽  
Vol 48 (1) ◽  
pp. 97-112
Author(s):  
Anna Teekell

Kate O'Brien's 1943 The Last of Summer has been read as the novelist's riposte to an insular island that stifled both her publishing (through censorship) and her imagination (through cultural conservatism). Set on the eve of the neutral ‘Emergency’, O'Brien's sixth novel actually depicts Ireland as a complex space of negotiation, simultaneously desirable and condemnable, that challenges, rather than stifles, the individual imagination. The Last of Summer is a love triangle and a battle of wits, pitching a stage actress, the French ingénue Angèle, against an accomplished domestic performer, her potential mother-in-law, Hannah Kernahan. In the end, it is Hannah who wields ‘neutrality’ – both Ireland's in the war and her pretended neutrality in family matters – as a form of coercive power.


1995 ◽  
Vol 115 (12) ◽  
pp. 1557-1558
Author(s):  
Yasuhiko Neba ◽  
Jun'ichiro Mori

2013 ◽  
Vol 133 (10) ◽  
pp. 978-985
Author(s):  
Katsutoshi Yamanaka ◽  
Hidenori Hara ◽  
Sadao Ishii ◽  
Tsuneo Kume ◽  
Masahito Shoyama

2012 ◽  
Vol 132 (3) ◽  
pp. 452-453
Author(s):  
Yasuhiko Neba ◽  
Hirokazu Matsumoto ◽  
Ryozo Itoh ◽  
Kouichi Ishizaka ◽  
Koichiro Hashimoto ◽  
...  

2015 ◽  
Vol 135 (12) ◽  
pp. 1237-1238
Author(s):  
Yasuhiko Neba ◽  
Hirokazu Matsumoto ◽  
Yuta Kawasaki

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