Digital recording in the professional industry. Part 1: Recording technology

1991 ◽  
Vol 3 (3) ◽  
pp. 108
Author(s):  
W.L. Sinclair ◽  
L.I. Haworth
Keyword(s):  
Digital Recording ◽  
Recording Technology

Risk Control Study Based on the Digital Recording Technology Industry Investment Projects in "Internet +"

2020 ◽  
Vol 14 ◽  
Author(s):  
Yan Zhou
Keyword(s):  
Venture Capital ◽  
Digital Technology ◽  
Risk Control ◽  
Investment Risk ◽  
Digital Recording ◽  
Project Investment ◽  
Recording Technology ◽  
Technology Project ◽  
Investment Evaluation ◽  
Risk Investment

Background: The reform and innovation of recording technology has resulted in recording becoming an exciting, developing project. Against the background of Internet +, traditional analogue technology has developed into digital recording technology, playing an important role in various fields. Venture capital in digital recording technology projects has also attracted attention from all circles. Objective: This paper aims to, by sorting out literature on venture capital, analyze the measurement method of project investment risk, and then, after analyzing the risk factors existing in the investment of digital recording technology under the “Internet +”, propose measures to control these risk factors. At the same time, taking CY company as an example, the investment risk prevention strategy of digital recording technology project is applied to the risk investment evaluation practice of CY company. Methods: This paper reviews and comments the literature on venture capital, and sorts out the evaluation methods of project investment risk. After studying the project investment risk of digital recording technology, this paper finds out the preventive strategies to deal with these risks, and applies them to risk investment evaluation of CY. This paper proposes investment suggestions basing on various factors, and makes an overall evaluation of the value of digital recording technology project, which hopefully will act as a reference for venture capital institutions when investing in digital recording technology in the future. Results: The countermeasures against investment risks in digital recording technology projects are: 1. Identification of countermeasures against investment risks in digital recording technology projects. 2. Encouragement and promotion of joint-stock cooperation and reduction of operational risks 3. Establishment and improvement of financial risk control. Conclusion: Digital technology, which is continuously improving, has penetrated recording technology. With mindful awareness of investment risks and careful investment in recording technology projects, digital technology can improve living standards while making the flexibility and form of recording work more artistic and enabling recording technology to reach new heights.

scholarly journals The Economic Effects Of Digital Technology On The Market For Recorded Music

2011 ◽  
Vol 3 (11) ◽  
Author(s):  
Lynde Gilliam
Keyword(s):  
Structural Change ◽  
Digital Technology ◽  
Music Industry ◽  
Economic Effects ◽  
Digital Recording ◽  
Sound Recording ◽  
Financial Loss ◽  
Recording Technology ◽  
Recorded Music ◽  
Recorded Music Industry

For more than fifty years, the recorded music industry has owed its existence to the development of analog sound recording technology. It was not, however, simply the development of a sound recording technology that created and sustained the industry. It was the fact that this recording technology was analog-based. Today, music recorded using analog technology is rare, having been almost completely replaced by the recently developed digital recording technology. As the use of digital recording technology continues to increase, particularly in conjunction with the evolving Internet, the likely outcome will be one of significant financial loss and structural change to the traditional recorded music industry.

scholarly journals Locating music in capitalism: a view from exile Tibet

Popular Music ◽  
2015 ◽  
Vol 34 (2) ◽  
pp. 274-295 ◽  
Author(s):  
Anna Morcom
Keyword(s):  
Popular Music ◽  
Multinational Corporations ◽  
Digital Recording ◽  
Pop Music ◽  
Recording Technology ◽  
Community Work ◽  
Theoretical Approaches ◽  
Highly Dispersed ◽  
Tibetan Exile

AbstractSince the late 1990s, a thriving scene of pop music has developed among the numerically very small and globally highly dispersed Tibetan exile community. This clearly connects it with globalisation and the spread of what is termed the neoliberal phase of capitalism to India and Nepal where most Tibetan exiles live, and the related spread of digital recording technology and facilities – commodities produced by often large, multinational corporations. Yet this micro industry is not profitable, and even though it is pop music and monetised, it is not ‘commercial’, and in fact is seen and structured more as ‘community work’. Exile Tibetan pop music thus cannot be located outside of capitalism, yet at the same time it is not in and of itself capitalist. In this paper, the author explores new ways in which we can locate music in capitalism, looking beyond the ideas of commercialism or commoditisation and takeover or resistance that have dominated theoretical approaches since Adorno and have fixed popular music especially with a still-enduring ‘capitalist’ image. The author draws in particular on the historian Fernand Braudel's model of capitalism as an ‘anti-market’ that lies ‘on top’ of other social and economic layers. Thus capitalism exerts global hegemony, yet there remain uneven spaces such as exile Tibetan pop music, which are in and of themselves not capitalist, existing within it and because of it.

Future directions in advanced digital recording technology

2000 ◽  
Vol 33 (5-6) ◽  
pp. 383-390 ◽  
Author(s):  
M.D Bijker ◽  
E.A Draaisma ◽  
M Eisenberg ◽  
J Jansen ◽  
N Persat ◽  
...  
Keyword(s):  
Digital Recording ◽  
Future Directions ◽  
Recording Technology

scholarly journals And I Alone Survived

2000 ◽  
Vol 122 (03) ◽  
pp. 84-86 ◽  
Author(s):  
Jack Raplee
Keyword(s):  
Magnetic Tape ◽  
Federal Aviation Administration ◽  
Black Box ◽  
Air Traffic ◽  
Digital Recording ◽  
Commercial Aircraft ◽  
Recording Technology ◽  
Flight Data ◽  
Rotation Rates

This article focuses on the black box that is becoming smaller, smarter, and more useful as a safety tool in the aviation sector. Although endurance regulations have gone virtually unchanged for several years since the Federal Aviation Administration (FAA) first required the units on all commercial aircraft, the most notable has been the advent of digital recording technology. Digital recorders can record more parameters over longer periods of time using less energy than older magnetic tape recordings. Today, this kind of information is used not only to investigate an aviation accident, but to increase the safety of flying at a time when air traffic has grown significantly. The FAA is conducting a FOQA Demonstration Study in cooperation with major U.S. airlines. Based on digital flight data recordings, the study provided information on items such as unusual autopilot disconnects excessive rotation rates on takeoff, unstabilized approaches, and hard landings.

Sign in / Sign up

Export Citation Format

Share Document